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Archaeologists have long admired the naturalistic animal art of Minoan Crete, often explaining it in terms of religion or a love of the natural world. In this book, Andrew Shapland provides a new way of understanding animal depictions from Bronze Age Crete as the outcome of human-animal relations. Drawing on approaches from anthropology and Human-Animal Studies, he explores the stylistic development of animal depictions in different media, including frescoes, ceramics, stone vessels, seals and wall paintings, and explains them in terms of 'animal practices' such as bull-leaping, hunting, fishing and collecting. Integrating zooarchaeological finds, Shapland highlights the significance of objects and their associated human-animal relations in the history of the palaces, sanctuaries and tombs of Bronze Age Crete. His volume demonstrates how looking at animals opens up new perspectives on familiar sites such as Knossos and some of the most famous objects of this time and place.
Archaeologists have long admired the naturalistic animal art of Minoan Crete, often explaining it in terms of religion or a love of the natural world. In this book, Andrew Shapland provides a new way of understanding animal depictions from Bronze Age Crete as the outcome of human-animal relations. Drawing on approaches from anthropology and Human-Animal Studies, he explores the stylistic development of animal depictions in different media, including frescoes, ceramics, stone vessels, seals and wall paintings, and explains them in terms of 'animal practices' such as bull-leaping, hunting, fishing and collecting. Integrating zooarchaeological finds, Shapland highlights the significance of objects and their associated human-animal relations in the history of the palaces, sanctuaries and tombs of Bronze Age Crete. His volume demonstrates how looking at animals opens up new perspectives on familiar sites such as Knossos and some of the most famous objects of this time and place.
Reassesses the animal depictions of Bronze Age Crete in terms of human-animal relations rather than a love of nature.
Since the earliest era of archaeological discovery on Crete, vivid renderings of animals have been celebrated as defining elements of Minoan culture. Animals were crafted in a rich range of substances and media in the broad Minoan world, from tiny seal-stones to life-size frescoes. In this study, Emily Anderson fundamentally rethinks the status of these zoomorphic objects. Setting aside their traditional classification as 'representations' or signs, she recognizes them as distinctively real embodiments of animals in the world. These fabricated animals-engaged with in quiet tombs, bustling harbors, and monumental palatial halls-contributed in unique ways to Bronze Age Aegean sociocultural life and affected the status of animals within people's lived experience. Some gave new substance and contour to familiar biological species, while many exotic and fantastical beasts gained physical reality only in these fabricated embodiments. As real presences, the creatures that the Minoans crafted artfully toyed with expectation and realized new dimensions within and between animalian identities.
More than 100 years ago Sir Arthur Evans' spade made the first cut into the earth above the now well-known Palace at Knossos. His research saw the birth of a new discipline: Minoan Archaeology. The present volume aim to outline current trends and prospects of this scientific field.
Human interventions with living entities have had to be in a constant state of negotiating space necessary for co-habitation with animals, birds, trees, plants, grasslands, forests, hills, water bodies in the creation of villages and other settlements. The book argues that negotiating this space meant sharing, which impacted economic strategies, religious experiences, cultural interactions and oral performances that humans have strategized and preserved. This intersectional theme, through individual case studies, ultimately provides us the civilizational ethos of the Indian sub-continent on how human non-human relations informed it. The book provides a window on how this relationship was represented in a variety of material and literary texts, visual representations, archival records, folklore and oral testimonies. It brings to the fore these narratives over the longue durée to explicate the complex and delicate relationships in region specific ecological settings and thus give readers a perspective that crosses disciplinary and conceptual boundaries.
Human-animal studies is an academic field that has grown exponentially over the past decade. It explores the whys, hows, and whats of human-animal relations: why animals are represented and configured in different ways in human cultures and societies around the world; how they are imagined, experienced, and given significance; what these relationships might signify about being human; and what about these relationships might be improved for the sake of the individuals as well as the communities concerned. The Routledge Handbook of Human-Animal Studies presents a collection of original essays from artists and scholars who have established themselves internationally on the basis of specific and significant new contributions to human-animal studies. This international, interdisciplinary handbook will be of interest to students and scholars of human-animal studies, sociology, anthropology, biology, environmental studies, geography, cultural studies, history, philosophy, media studies, gender studies, literature, psychology, ethology, and visual studies.
Neopalatial Crete - the 'Golden Age' of the Minoan Civilization - possessed palaces, exquisite artefacts, and iconography with pre-eminent females. While lacking in fortifications, ritual symbolism cloaked the island, an elaborate bureaucracy logged transactions, and massive storage areas enabled the redistribution of goods. We cannot read the Linear A script, but the libation formulae suggest an island-wide koine. Within this cultural identity, there is considerable variation in how the Minoan elites organized themselves and others on an intra-site and regional basis. This book explores and celebrates this rich, diverse and dynamic culture through analyses of important sites, as well as Minoan administration, writing, economy and ritual. Key themes include the role of Knossos in wider Minoan culture and politics, the variable modes of centralization and power relations detectable across the island, and the role of ritual and cult in defining and articulating elite control.
Animals have played a fundamental role in shaping human history, and the study of their remains from archaeological sites - zooarchaeology - has gradually been emerging as a powerful discipline and crucible for forging an understanding of our past. This Handbook offers a cutting-edge, global compendium of zooarchaeology that seeks to provide a holistic view of the role played by animals in past human cultures. Case studies from across five continents explore ahuge range of human-animal interactions from an array of geographical, historical, and cultural contexts, and also illuminate the many approaches and methods adopted by different schools and traditions instudying these relationships.