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Long-time favorite in art schools. Basic elements, common positions, and actions. Full text, 158 illustrations.
The power of the image of the nude--the expressivity of the flesh--has inspired artists from the beginning. An understanding of human form is essential for artists to be able to express themselves with the figure. Anatomy makes the figure. Human Anatomy for Artists: The Elements of Form is the definitive analytical work on the anatomy of the human figure. No longer will working artists have to search high and low to find the information they need. In this, the most up-to-date and fully illustrated guide available, Eliot Goldfinger--sculptor, illustrator, scientific model-maker, and lecturer on anatomy--presents a single, all-inclusive reference to human form, capturing everything artists need in one convenient volume. Five years in the making, and featuring hundreds of photos and illustrations, this guide offers more views of each bone and muscle than any other book ever published: every structure that creates or influences surface form is individually illustrated in clear, carefully lit photographs and meticulous drawings. Informed by the detailed study of both live models and cadavers, it includes numerous unique presentations of surface structures--such as fat pads, veins, and genitalia--and of some muscles never before photographed. In addition, numerous cross sections, made with reference to CT scans, magnetic resonance imaging, and cut cadavers, trace the forms of all body regions and individual muscles. Information on each structure is placed on facing pages for ease of reference, and the attractive two-color format uses red ink to direct readers rapidly to important points and areas. Finally, an invaluable chapter on the artistic development of basic forms shows in a series of sculptures the evolution of the figure, head, and hands from basic axes and volumes to more complex organic shapes. This feature helps place the details of anatomy within the overall context of the figure. Certain to become the standard reference in the field, Human Anatomy for Artists will be indispensable to artists and art students, as well as art historians. It will also be a useful aid for physical and dance therapists, athletes and their trainers, bodybuilders, and anyone concerned with the external form of the human body. With the renewed interest in figurative art today, this will be an especially welcome volume.
This essential companion book to the bestselling Classic Human Anatomy provides artists and art students with a deeper understanding of human anatomy and different types of motion, inspiring more realistic and energetic figurative art. Fine-art instruction books do not usually focus on anatomy as it relates to movement, despite its great artistic significance. Written by a long-time expert on drawing and painting human anatomy, Classic Human Anatomy in Motion offers artists everything they need to realistically draw the human figure as it is affected by movement. Written in a friendly style, the book is illustrated with hundreds of life drawing studies (both quick poses and long studies), along with charts and diagrams showing the various anatomical and structural components. This comprehensive manual features 5 distinct sections, each focusing on a different aspect of the human figure: bones and joint movement, muscle groups, surface form and soft tissue characteristics, structure, and movement. Each chapter builds an artistic understanding of how motion transforms the human figure and can create a sense of expressive vibrancy in one's art.

The must-have guide for all artists who draw the human figure!

In Morpho: Hands and Feet, artist and teacher Michel Lauricella presents a unique approach to learning to draw the human body. In this book, Lauricella focuses exclusively on the hands and feet—arguably the most popular and, for many, the most challenging parts of the body to draw successfully. Breaking the subject matter down into the underlying skeletal shapes, followed by the musculature, then the skin and fat, and finally, the veins, Lauricella offers multiple approaches—from simple forms to complex renderings—and a plethora of positions and gestures are included to help you improve your drawing skills.

Geared toward artists of all levels, from beginners through professionals, this handy, pocket-sized book will help spark your imagination and creativity. Whether your interest is in figure drawing, fine arts, fashion design, game design, or creating comic book or manga art, you will find this helpful book filled with actionable insights.

(Publisher's Note: This book features an “exposed” binding style. This is intentional as it is designed to help the book lay flat as you draw.)


TABLE OF CONTENTS
Foreword
Introduction
Hands
Feet
Resources
An essential visual guide for artists to the mastery and use of advanced human anatomy skills in the creation of figurative art. Dynamic Human Anatomy picks up where Basic Human Anatomy leaves off and offers artists and art students a deeper understanding of anatomy, including anatomy in motion, and how that essential skill is applied to the creation of fine figurative art.
A beautifully visual and informative guide to drawing the human form from the bestselling and renowned Italian life-drawer Giovanni Civardi. From the bestselling, world-renowned life-drawer Giovanni Civardi comes this latest edition of the concise guide to drawing the human form. To become a successful artist in figure drawing, it is essential to understand the inner workings of the human body; but the complex nature of our anatomy makes the process of learning to draw it often daunting. In Drawing Human Anatomy, Giovanni Civardi breaks down the numerous components that make up our bodies into easy, absorbable chunks - from the skin right down to the skeleton. Beginning with easy-to-follow summaries on the makeup of human anatomy, along with advice on how to depict the human figure on paper, the book delves straight into our inner mechanics to get you started on your drawing journey right away. In addition, each muscle and skeletal structure is accompanied by a clear diagram indicating its location on the body, and a drawing of the form in Giovanni's much-loved drawing style. With dozens of illustrations explaining the relationships between our bones and muscles, and with a wide range of body positions covered - front and back, and rest and motion - this is an exceptional, practical guide to producing anatomically correct drawings for artists of all abilities.
With more than 1200 highly detailed drawings by Andras Szunyoghy, this book offers insights into the art and techniques of anatomy drawing"
Unlock your inner artist and learn how to draw the human body in this beautifully illustrated art book by celebrated artist and teacher Sarah Simblet. This visually striking guide takes a fresh approach to drawing the human body. A combination of innovative photography and drawings, practical life-drawing lessons, and in-depth explorations of the body's surface and underlying structure are used to reveal and celebrate the human form. Combining specially-commissioned photographs of models with historical and contemporary works of art and her own dynamic life drawing, Sarah leads us inside the human body to map its skeleton, muscle groups, and body systems. Detailed line drawings superimposed over photographs reveal the links between the body's appearance and its construction. Six drawing classes show how to observe different parts of the body and give expert guidance on how to draw them. Inspirational master classes on famous works, ranging from a Michelangelo study to a Degas painting, show how artists have depicted the human body over the centuries. Each master class includes a photograph of a model holding the same pose as in the painting, to highlight details of anatomy and show how the artist has interpreted them. Understanding anatomy is the key to drawing the human body successfully. As well as being the perfect reference, Anatomy for the Artist will inspire you to find a model, reach for your pencil, and start drawing.
The experience which I have had as a teacher and my acquaintance and sympathy with the requirements of students of Art have led me to the conclusion that hitherto too much stress has been laid on the nomenclature and technical details of Human Anatomy, and too little emphasis placed on the relation of these details to the surface forms. What the student requires is not a minute description of every bone, muscle, and joint, but only such an account as will enable him to appreciate their influence on the modelling of the figure. Names convey little to his mind, forms alone interest him. In the following pages, which are based on the lectures which I have had the honour of giving at the Royal College of Art, South Kensington, I have endeavoured to carry out as far as possible these principles. With this intention every effort has been made to avoid unnecessary detail, and to rid the text as far as possible of technicalities. Where there are English equivalents for the scientific terms more commonly employed, they have been made use of; but unfortunately their number is limited, and the student is left with no other alternative than to accept the scientific nomenclature. In place of adopting, as is usual, the method of furnishing a complete description of the bones, succeeded by an equally detailed account of the joints and muscles, I have incorporated them in the description of regions. AUTHOR / A. Thomson