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This collection of short stories and novel extracts follows the 2007 Pikihuia Awards for Māori Writers.
Sixteen stories, in English, by finalists in short story awards organised by Huia Publishers in 1995.
Here are the best short stories and novel extracts from the Pikihuia Awards for Māori writers 2013 as judged by Sir Mason Durie, Hana O'Regan and Reina Whaitiri. The book contains the stories from the finalists for Best Short Story written in English, Best Short Story written in Māori and Best Novel Extract. For over ten years, the Māori Literature Trust and Huia Publishers have organised this biennial writing competition to promote Māori stories and writers. The awards and the publication of finalists' stories have become popular as they uncover little-known writers.
Here are the best short stories from the Pikihuia Awards for Māori writers 2019 as judged by Scotty Morrison, Robyn Bargh, Tuehu Harris, Whiti Hereaka, Poia Rewi and Carol Hirschfeld. This competition, run by the Māori Literature Trust and Huia Publishers, is held every two years to promote Māori writers and their work. This year, the awards sought short fiction from first-time, emerging and published writers in te reo Māori and English. The competition attracts several hundred entries each year from writers of all ages and those who are starting out to seasoned authors. This collection of finalists’ fiction celebrates Māori writing, introduces new talent and gives an opportunity for Māori writers to shine. The stories are: Murray's Special Day by Tracey Andersen Tunnelling by Cassandra Barnett Botched by Marino-Moana Begman Para Pounamu by Pine Campbell Tangaroa Pūkanohi Nui! by Hineteahurangi Mere Nape Durie-Ngata Storked by Paipa Edmonds Tiakina! Tiakina! by Tiahomarama Fairhall Mumsy by Olivia Aroha Giles Rocket Ship Pyjamas and Plum Jam by Olivia Aroha Giles Kōkiri ki mua - Charge forward! by K M Harris My Three Friends at School by Josh Hema The Pledge by Nadine Anne Hura Dust by Kelly Joseph The School of Life by Lauren Keenan Tina's Coming on Tuesday by Lauren Keenan Ko te Ao tō Marae by Hēmi Kelly Just Holden Together by Colleen Maria Lenihan One of the Good Ones by Moira Lomas Aunty's Teeth by Annette Morehu Te Kai a te Rangatira, he Mahi by Zeb Nicklin Te Kurī Hīroki o te Āporo Nui by Zeb Nicklin The Guises of Death Kahuru Pumipi The Bartender by Michelle Rahurahu Scott White Sheep by Penny Smits Whakaurupā Taku Aroha by Amiria Stirling No te uku - From the Clay by Bronwyn Te Koeti
This path-breaking study of the standardisation of English goes well beyond the traditional prescriptivism versus descriptivism debate. It argues that the way norms are established and enforced is the result of a complex network of social factors and cannot be explained simply by appeals to power and hegemony. It brings together insights from leading researchers to re-centre the discussion on linguistic communities and language users. It examines the philosophy underlying the urge to standardise language, and takes a closer look at both well-known and lesser-known historical dictionaries, grammars and usage guides, demonstrating that they cannot be simply labelled as 'prescriptivist'. Drawing on rich empirical data and case studies, it shows how the norm continues to function in society, influencing and affecting language users even today.
The present volume is a highly comprehensive assessment of the postcolonial short story since the thirty-six contributions cover most geographical areas concerned. Another important feature is that it deals not only with exclusive practitioners of the genre (Mansfield, Munro), but also with well-known novelists (Achebe, Armah, Atwood, Carey, Rushdie), so that stimulating comparisons are suggested between shorter and longer works by the same authors. In addition, the volume is of interest for the study of aspects of orality (dialect, dance rhythms, circularity and trickster figure for instance) and of the more or less conflictual relationships between the individual (character or implied author) and the community. Furthermore, the marginalized status of women emerges as another major theme, both as regards the past for white women settlers, or the present for urbanized characters, primarily in Africa and India. The reader will also have the rare pleasure of discovering Janice Kulik Keefer's "Fox," her version of what she calls in her commentary "displaced autobiography'" or "creative non-fiction." Lastly, an extensive bibliography on the postcolonial short story opens up further possibilities for research.
Preliminary Material -- “Things are not exactly black or white in Aotearoa”: The Many Facets of Kiwi Identity -- Fragmentation Reconsidered: Transcultural Identities in the Making -- Narratives of (Be)Longing: Māori Literary Voices Advancing -- Narratives of (Un)Belonging: Unmasking Cleavage, Cleaving to Identities -- Transcultural Readings: Recombining Repertoires -- Navigating Transcultural Currents: Stories of Indigenous Modernities -- Works Cited -- Index.
Tyson Rua has more than his fair share of problems growing up in South Auckland. Working a night job to support his mother and helping bring up his two younger brothers is just the half of it. His best friend Rawiri is falling afoul of a broken home, and now Tyson's fallen in love at first sight. Only thing is, it's another guy. Living life on the sidelines of the local hip-hop scene, Tyson finds that to succeed in becoming a local graffiti artist or in getting the man of his dreams, he's going to have to get a whole lot more involved. And that means more problems. The least of which is the leader of the local rap crew he's found himself running with. Love, life, and hip-hop never do things by halfÉ
Thirty-five of the best short stories from the 1999 Huia Short Story Awards for Maori writers, judged by Phil Kawana and Trixie Te Arama Menzies.
Here are the best short stories and novel extracts from the Pikihuia Awards for Māori writers 2017 as judged by Whiti Hereaka, Paula Morris, Poia Rewi and Rawinia Higgins. The book contains the stories from the finalists for Best Short Story written in English, Best Short Story written in te reo Māori and Best Novel Extract categories. This writing competition, held every two years, is organised by the Māori Literature Trust and Huia Publishers as a way to promote Māori writers and their work. The awards and the collection of finalists’ fiction celebrate Māori writing and bring new writers to light.