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Renowned poet Fleur Adcock here provides modern verse translations of the complete work of two of the most exciting poets of the twelfth century, Hugh Primas of Orleans and the so-called Archpoet, beside their Latin originals. Included are witty epigrams, treatments of classical themes, poems on religious and ecclesiastical topics, depictions of low life, begging-poems, and the Archpoet's famous Confession. The work is characterised by its liveliness and its touches of satire and coarse realism, features which Fleur Adcock captures superbly in her modern renderings. There are textual notes, explanatory notes, a historical note, and an introduction. This unique resource will appeal not only to medievalists but to all lovers of poetry.
Breaking new ground in interdisciplinary scholarship of late medieval England, this collection of essays celebrates and addresses the work of renowned medieval scholar A.G. Rigg. George Rigg's interests span medieval Latin, Anglo-Norman, and Middle English literature and philology; the contributors to this volume are an international group of colleagues, students, and friends of Rigg's, whose essays are as wide-ranging as Rigg's own interests. The contributions include: new editions of Middle English texts; an overview of the editions of Chaucer from the nineteenth century to the present which expounds editorial trends through the years; studies of major Middle English writings which cross boundaries into social history and the history of the book; a codicological study of the literary and material evidence for the use of scientific and utilitarian texts in late medieval English manuscripts; and related historical studies. Each essay is anchored in the textual realities that grounded Rigg's own scholarship, and bridge the boundaries between traditional academic disciplines - a crossing of interstices in homage to a teacher, friend, and colleague.
Nine outstanding plays composed during the period of the finest flowering of medieval Latin drama.
The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. l Literature and Law in the Era of Magna Carta traces processes of literary training and experimentation across the early history of the English common law, from its beginnings in the reign of Henry II to its tumultuous consolidations under the reigns of John and Henry III. The period from the mid-twelfth through the thirteenth centuries witnessed an outpouring of innovative legal writing in England, from Magna Carta to the scores of statute books that preserved its provisions. An era of civil war and imperial fracture, it also proved a time of intensive self-definition, as communities both lay and ecclesiastic used law to articulate collective identities. Literature and Law in the Era of Magna Carta uncovers the role that grammatical and rhetorical training played in shaping these arguments for legal self-definition. Beginning with the life of Archbishop Thomas Becket, the book interweaves the histories of literary pedagogy and English law, showing how foundational lessons in poetics helped generate both a language and theory of corporate autonomy. In this book, Geoffrey of Vinsauf's phenomenally popular Latin compositional handbook, the Poetria nova, finds its place against the diplomatic backdrop of the English Interdict, while Robert Grosseteste's Anglo-French devotional poem, the Château d'Amour, is situated within the landscape of property law and Jewish-Christian interactions. Exploring a shared vocabulary across legal and grammatical fields, this book argues that poetic habits of thought proved central to constructing the narratives that medieval law tells about itself and that later scholars tell about the origins of English constitutionalism.
This book explores the connection between saints and animals, and how the power over animals has been a characteristic of saints from their beginnings in the Early Church. The connection between saints and humans is examined, with the saint as a human rising beyond humanity, touching the divine, and the non-human animal as a creature, which is connected to and yet removed from humanity and which may have a connection to the sacred itself. This volume transcends traditional religious boundaries by including Christian saints as well as similar figures in Islam and Norse religions. It operates on the cusp of two exciting and innovative fields: hagiographic and animal studies. It shows the complexities of human-animal interaction and the sacred: authorities clashing with experiential knowledge, metaphorical animals as opposed to real, animals ranging from helpers or opponents of saints, disguises of demons, or identity markers of a human community. Companion Species will be of value to scholars and students interested in medieval history, Europe, and religion, as well as social and cultural history.
De vulgari eloquentia, written by Dante in the early years of the fourteenth century, is the only known work of medieval literary theory to have been produced by a practising poet, and the first to assert the intrinsic superiority of living, vernacular languages over Latin. Its opening consideration of language as a sign-system includes foreshadowings of twentieth-century semiotics, and later sections contain the first serious effort at literary criticism based on close analytical reading since the classical era. Steven Botterill here offers an accurate Latin text and a readable English translation of the treatise, together with notes and introductory material, thus making available a work which is relevant not only to Dante's poetry and the history of Italian literature, but to our whole understanding of late medieval poetics, linguistics, and literary practice.
The twenty-eight essays in this Handbook represent the best of current thinking in the study of Latin language and literature in the Middle Ages. The insights offered by the collective of authors not only illuminate the field of medieval Latin literature but shed new light on broader questions of literary history, cultural interaction, world literature, and language in history and society. The contributors to this volume--a collection of both senior scholars and gifted young thinkers--vividly illustrate the field's complexities on a wide range of topics through carefully chosen examples and challenges to settled answers of the past. At the same time, they suggest future possibilities for the necessarily provisional and open-ended work essential to the pursuit of medieval Latin studies. While advanced specialists will find much here to engage and at times to provoke them, this handbook successfully orients non-specialists and students to this thriving field of study. The overall approach of The Oxford Handbook of Medieval Latin Literature makes this volume an essential resource for students of the ancient world interested in the prolonged after-life of the classical period's cultural complexes, for medieval historians, for scholars of other medieval literary traditions, and for all those interested in delving more deeply into the fascinating more-than-millennium that forms the bridge between the ancient Mediterranean world and what we consider modernity.
The book explores the philosophical thinking of Petrarch and Boccaccio in contrast to the writings of contemporary mendicants. Examining both Latin and vernacular works, it investigates how these humanists poetically express the temporal, subjective, and emotional quality of moral sensibility, in a way that shifts to the reader the weight of discerning the ethical message. The book centers its analysis on a series of paradoxes pondered by these humanists: the self that changes yet persists over time; the awareness of self-deception; the individual's validation of authority; and the ethics of pleasure. This study is valuable to those interested in Renaissance philosophy, literature, religion, and the history of ideas.
Digenis Akritis is Byzantium's only epic poem, telling of the exploits of a heroic warrior of 'double descent' on the frontiers between Byzantine and Arab territory in Asia Minor in the ninth and tenth centuries. It survives in six versions, of which the two oldest, dating from the thirteenth and fifteenth centuries, are presented here in an edited version. The manuscripts are preserved in the Grottaferrata monastery near Rome and the Escorial Library in Spain. Behind these two versions lies a twelfth-century poem that can now be glimpsed at but not reconstructed. This edition and translation aims at highlighting the nature of the lost poem, and at providing a guide through the maze of recent discussions about the epic and its background.