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It was only after serving as a chaplain in the American Revolution, playing an important role in the Whiskey Rebellion, and serving (often controversially) on the Pennsylvania Supreme Court, that Hugh Henry Brackenridge composed his great comic epic. Published in installments over the twenty-eight–year period beginning with Washington's presidency ending with that of Madison, this irreverent and ribald novel, relating the misadventures of Captain Farrago and his sidekick, Teague O'Regan, leaves no major ethnic, racial, religious, or political issue of the period unscathed.
Voicing America should find an appreciative audience, not only among those interested in the study of language in America, but also among early Americanists in general, literary critics and historians, and political scientists and philosophers interested in theories of nationalism.
The Illiberal Imagination offers a synthetic, historical formalist account of how—and to what end—U.S. novels from the late eighteenth century to the mid-1850s represented economic inequality and radical forms of economic egalitarianism in the new nation. In conversation with intellectual, social, and labor history, this study tracks the representation of class inequality and conflict across five subgenres of the early U.S. novel: the Bildungsroman, the episodic travel narrative, the sentimental novel, the frontier romance, and the anti-slavery novel. Through close readings of the works of foundational U.S. novelists, including Charles Brockden Brown, Hugh Henry Brackenridge, Catharine Maria Sedgwick, James Fenimore Cooper, and Harriet Beecher Stowe, Joe Shapiro demonstrates that while voices of economic egalitarianism and working-class protest find their ways into a variety of early U.S. novels, these novels are anything but radically dialogic; instead, he argues, they push back against emergent forms of class consciousness by working to naturalize class inequality among whites. The Illiberal Imagination thus enhances our understanding of both the early U.S. novel and the history of the way that class has been imagined in the United States.
When President George Washington ordered an army of 13,000 men to march west in 1794 to crush a tax rebellion among frontier farmers, he established a range of precedents that continues to define federal authority over localities today. The "Whiskey Rebellion" marked the first large-scale resistance to a law of the U.S. government under the Constitution. This classic confrontation between champions of liberty and defenders of order was long considered the most significant event in the first quarter-century of the new nation. Thomas P. Slaughter recaptures the historical drama and significance of this violent episode in which frontier West and cosmopolitan East battled over the meaning of the American Revolution. The book not only offers the broadest and most comprehensive account of the Whiskey Rebellion ever written, taking into account the political, social and intellectual contexts of the time, but also challenges conventional understandings of the Revolutionary era.
A collection of the work of Hugh Henry Brackenridge (1748-1816)-one of the most vigorous and prolific writers of his time. An ardent believer in an educated public, his efforts to implant the ideals of democracy in early America made him a legend on the frontier. This selection of his work captures the essence of the man and his time, and includes writing published in the United States Magazine, Pittsburgh Gazette, as well as his narrative on the Whiskey Rebellion, Incidents of the Insurrection.
Elliott demonstrates how America's first men of letters--Timothy Dwight, Joel Barlow, Philip Freneau, Hugh Henry Brackenridge, and Charles Brockden Brown--sought to make individual genius in literature express the collective genius of the American people. Without literary precedent to aid them, Elliott argues, these writers attempted to convey a vision of what America ought to be; and when the moral imperatives implicit in their writings were rejected by the vast number of their countrymen they became pioneers of another sort--the first to experience the alienation from mainstream American culture that would become the fate of nearly all serious writers who would follow.
Each life is fascinating in its own right, and each is used to brightly illuminate the historical context.