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A beautifully written, darkly funny coming-of-age story from an award-winning, bestselling German author making his American debut. Mike Klingenberg doesn't get why people think he's boring. Sure, he doesn't have many friends. (Okay, zero friends.) And everyone laughs at him when he reads his essays out loud in class. And he's never invited to parties - including the gorgeous Tatiana's party of the year.Andre Tschichatschow, aka Tschick (not even the teachers can pronounce his name), is new in school, and a whole different kind of unpopular. He always looks like he's just been in a fight, his clothes are tragic, and he never talks to anyone.But one day Tschick shows up at Mike's house out of the blue. Turns out he wasn't invited to Tatiana's party either, and he's ready to do something about it. Forget the popular kids: Together, Mike and Tschick are heading out on a road trip. No parents, no map, no destination. Will they get hopelessly lost in the middle of nowhere? Probably. Will meet some crazy people and get into serious trouble? Definitely. But will they ever be called boring again? Not a chance.
With his last adventures officially behind him, Huck Finn has just made up his mind to escape Aunt Sallys wishes for him to get sivilized. Without a second thought, Huck strikes out for the Injun Territory on foot, leaving Tom Sawyer and Jim behind. But before long, the mischievous Huck Finn soon realizes that getting to Injun Territory is not going to be as easy as he thought. It is not long before Huck secures an opportunity as a drover for a party of settlers heading for Oregon. As soon as he feels confident he is headed in the right direction, the settlers inform him he is closer to Injun Territory than he thinks. After he departs from the family, he meets a traveling doctor who convinces him to be a swami; and an Injun named Mankiller who introduces him to the ways of the Cherokee tribe and teaches him about responsibility. As he slowly immerses himself into a new life, Huck sees another side of racism, falls in love, and learns what it is like to become a man. In this adventurous tale, Huckleberry Finn embarks on a journey of self-discovery where he eventually uncovers the truths about sivilization, slavery, and the differences between right and wrong.
"An audacious and revisionary sequel to Twain’s masterpiece. It is both true to the spirit of Twain and quintessentially Cooveresque." —Times Literary Supplement At the end of Huckleberry Finn, on the eve of the Civil War, Huck and Tom Sawyer decide to escape “sivilization” and “light out for the Territory.” In Robert Coover’s vision of their Western adventures, Tom decides he’d rather own civilization than escape it, leaving Huck “dreadful lonely” in a country of bandits, war parties, and gold. In the course of his ventures, Huck reunites with old friends, facing hard truths and even harder choices.
In Its Distrust Of Too Much Civilisation And Its Concern With The Way Language Turns Dreamy And Corrupt When Divorced From The Real Condition Of Life, Huckleberry Finn Echoed Some Of The Central Concerns Of Life Today. Like All Great Works Of Fiction Where No Story Is Told As If It Is The Only One, Huck Finn Is Open-Ended, The 'Unfinished Story' Where The True Meaning Is Left To The Conscience And Imagination Of Each Reader.
Focusing on the overarching theme of religious satire in Adventures of Huckleberry Finn, this study reveals the novel's hidden motive, moral and plot. The author considers generations of criticism spanning the 19th, 20th and 21st centuries, along with new textual evidence showing how Twain's richly evocative style dissects Huck's conscience to propose humane amorality as a corrective to moral absolutes. Jim and Huck emerge as archetypal twins--biracial brothers who prefigure America's color-blind ideals.
Chafed by the "sivilized" restrictions of his foster home, and weary of his drunkard father's brutality, 14 year-old Huck Finn fakes his own death and sets off on a raft down the Mississippi River. He is soon joined by Jim, an escaped slave. Together, they experience a series of rollicking adventures that have amused readers, young and old, for over a century. The fugitives become close friends as they weather storms together aboard the raft and spend idyllic days swimming, frying catfish suppers, and enjoying their independence.
Examines Mark Twain's writing of Huckleberry Finn, calling into question commonly held interpretations of the work on the subjects of youth, youth culture, and race relations, based on research into the social preoccupations of the era in which it was written.
THERE WARN’T NO HOME LIKE A RAFT, AFTER ALL. THE MONSTERS CAIN’T GET YOU THERE. NOT SO EASY. Free at last! Huckleberry Finn and Bagger Jim, his dearest, deadest friend, have set sail on a great adventure once again, but this time rattlers, scammers, and robbers are the least of their worries. The pox is killing men and bringing them back meaner and hungrier than ever, and zombies all over are giving in to their urges to eat. Huck can’t be sure that friendship will keep him from getting eaten up too, but with a price on Jim’s head for the murder Huck staged of himself, they’ve got to rely on each other and the mighty Mississippi to make their great escape. . . .