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A scholarly edition of a neglected and provocative masterpiece of the fin-de-siecle avant-gardeOffers a comprehensive analysis and interpretation of Crackanthorpe's first volume of short storiesContextualizes the volume in terms of Crackanthorpe's other work, in terms of contemporary writers and fin-de-sicle culture and society in Britain and EuropeIncludes two non-fiction pieces by Crackanthorpe, which he published in Albemarle and The Yellow Book in 1892 and 1894Contains an uncollected short story "e;The Haseltons,"e; which Crackanthorpe published in The Yellow Book in 1894 Hubert Crackanthorpe was a skilful and technically innovative English realist/naturalist writer. This edition of his powerful first collection of short stories features a carefully contextualised introduction to the author and his work. Providing a detailed analysis of his short stories, David Malcolm situates the author within the fin-de-sicle culture and society in Britain and Europe. Appendices contain additional works that reflect Crackanthorpe's perspective on fiction and contemporary literary trends.
Hubert Crackanthorpe (1870-1896) made a critically significant contribution to the evolution of the modernist short story in Britain. His unexplained death in Paris at the age of 26 cut short a highly promising literary career. The striking realism of Crackanthorpe's first collection of short stories, Wreckage (1893), followed by the psychologically complex Sentimental Studies and posthumous Last Studies (1896), together with the prose poems of Vignettes (1896), were much admired by Henry James and his contemporaries, Dowson, Johnson and Symons, as the work of a leading, innovative writer of critical Decadence. Indeed his stories combine an unrelenting realism with a conscious aestheticizing of their often troubling, bleak subject matter. As co-editor of the short-lived periodical, The Albermarle and campaigning literary journalist, Crackanthorpe was a key critical participant in central literary and artistic debates of the early 1890s: 'facts' versus 'effects' in literature; the efficacy of realism/naturalism; questions of taste, 'reticence' and the handling of controversial subject matter. This fully annotated, critical text comprises the most extensive collection to date of Crackanthorpe's writing. As well as uncollected stories, the volume includes a short story never previously published in book form. This edition also contains a selection of Crackanthorpe's critical writings and a bibliographical survey of his work.
This wide-ranging anthology showcases for the first time the short story as the most attractive genre for British writers who experimented with Decadent themes and styles. The selections represent the important role that magazine culture played in th