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PULITZER PRIZE WINNER • A gripping memoir on friendship, grief, the search for self, and the solace that can be found through art, by the New Yorker staff writer Hua Hsu “This book is exquisite and excruciating and I will be thinking about it for years and years to come.” —Rachel Kushner, New York Times bestselling author of The Flamethrowers and The Mars Room In the eyes of eighteen-year-old Hua Hsu, the problem with Ken—with his passion for Dave Matthews, Abercrombie & Fitch, and his fraternity—is that he is exactly like everyone else. Ken, whose Japanese American family has been in the United States for generations, is mainstream; for Hua, the son of Taiwanese immigrants, who makes ’zines and haunts Bay Area record shops, Ken represents all that he defines himself in opposition to. The only thing Hua and Ken have in common is that, however they engage with it, American culture doesn’t seem to have a place for either of them. But despite his first impressions, Hua and Ken become friends, a friendship built on late-night conversations over cigarettes, long drives along the California coast, and the successes and humiliations of everyday college life. And then violently, senselessly, Ken is gone, killed in a carjacking, not even three years after the day they first meet. Determined to hold on to all that was left of one of his closest friends—his memories—Hua turned to writing. Stay True is the book he’s been working on ever since. A coming-of-age story that details both the ordinary and extraordinary, Stay True is a bracing memoir about growing up, and about moving through the world in search of meaning and belonging.
There is no country in the world where as many different languages are spoken as in New Guinea, approximately a fifth of the languages in the world. Most of these so-called Papuan languages seem to be unrelated to languages spoken elsewhere. The present work is the first truly comprehensive study of such a language, Hua. The chief typological peculiarity of Hua is the existence of a ‘medial verb’construction used to conjoin clauses in compound and complex sentences. Hua also shows a fundamental morphological distinction between coordinate and subordinate medial clauses, the latter are not ‘tense-iconic’, the events they describe are not necessarily prior to the event described in later clauses. Moreover their truth is always presupposed. The distribution and behaviour of a post-nominal suffix - mo provides insights into the nature of topics, conditional clauses, and functional definitions of the parts of speech. In phonology, the central rules of assimilation are constrained by the universal hierarchy of sonority, which may, however, be derived from binary features. These are some of the areas in which the grammar of Hua is unusually perspicuous. The present work aims at a standard of completeness such that it would be a useful reference work for research in almost any theoretical topic.
There is no country in the world where as many different languages are spoken as in New Guinea, approximately a fifth of the languages in the world. Most of these so-called Papuan languages seem to be unrelated to languages spoken elsewhere. The present work is the first truly comprehensive study of such a language, Hua. The chief typological peculiarity of Hua is the existence of a 'medial verb'construction used to conjoin clauses in compound and complex sentences. Hua also shows a fundamental morphological distinction between coordinate and subordinate medial clauses, the latter are not 'tense-iconic', the events they describe are not necessarily prior to the event described in later clauses. Moreover their truth is always presupposed. The distribution and behaviour of a post-nominal suffix - mo provides insights into the nature of topics, conditional clauses, and functional definitions of the parts of speech. In phonology, the central rules of assimilation are constrained by the universal hierarchy of sonority, which may, however, be derived from binary features. These are some of the areas in which the grammar of Hua is unusually perspicuous. The present work aims at a standard of completeness such that it would be a useful reference work for research in almost any theoretical topic.
The present monograph is a state-of-art survey of the geometry of matrices whose study was initiated by L K Hua in the forties. The geometry of rectangular matrices, of alternate matrices, of symmetric matrices, and of hermitian matrices over a division ring or a field are studied in detail. The author's recent results on geometry of symmetric matrices and of hermitian matrices are included. A chapter on linear algebra over a division ring and one on affine and projective geometry over a division ring are also included. The book is clearly written so that graduate students and third or fourth year undergraduate students in mathematics can read it without difficulty.
Hua-yen is regarded as the highest form of Buddhism by most modern Japanese and Chinese scholars. This book is a description and analysis of the Chinese form of Buddhism called Hua-yen (or Hwa-yea), Flower Ornament, based largely on one of the more systematic treatises of its third patriarch. Hua-yen Buddhism strongly resembles Whitehead's process philosophy, and has strong implications for modern philosophy and religion. Hua-yen Buddhism explores the philosophical system of Hua-yen in greater detail than does Garma C.C. Chang's The Buddhist Teaching of Totality (Penn State, 1971). An additional value is the development of the questions of ethics and history. Thus, Professor Cook presents a valuable sequel to Professor Chang's pioneering work. The Flower Ornament School was developed in China in the late 7th and early 8th centuries as an innovative interpretation of Indian Buddhist doctrines in the light of indigenous Chinese presuppositions, chiefly Taoist. Hua-yen is a cosmic ecology, which views all existence as an organic unity, so it has an obvious appeal to the modern individual, both students and layman.
The international symposium on number theory and analysis in memory of the late famous Chinese mathematician Professor Hua Loo Keng took place in August 1988 at the Tsinghua University in Beijing. Excellent survey lectures and expositions of the most recent results in number theory and analysis were given by experts from all over the world. While Volume I focuses on number theory, Volume II deals mainly with several complex variables, differential geometry and classical complex analysis. Both volumes also include two fascinating accounts of Professor Hua Loo Keng's life and work by Professor S. Iyanaga and Professor Wang Yuan. Highlights in Volume I: D.A. Hejhal: Eigenvalues of the Laplacian for PSL (2 Z): Some new Results and Computational Techniques.- A.A. Karatsuba: On the Zeros of Riemann's Zeta-Function on the Critical Line.- H.E. Richert: Aspects of the Small Sieve.- W.M. Schmidt: On the Number of Good Simultaneous Approximations to Algebraic Numbers.- M.V. Subbarao, Wang Yuan: On a Generalized Waring's Problem in Algebraic Number Fields.- G. WA1/4stholz: From Baker to Mordell. Highlights in Volume II: F. Capocasa, F. Catanese: Periodic Meroporphic Functions and Lefschetz Type Theorems on Quasi-Abelian Varieties.- S.S. Chern: Families of Hypersurfaces Under Contact Transformations in Rn.- G. Dethloff, H. Grauert: On the Infinitesimal Deformation of Simply Connected Domains in One Complex Variable.- D. Drasin: Asymptotic Periods of Entire and Meromorphic Functions.- D. Gaier: On the Convergence of the Bieberbach Polynomials in Regions With Corners.- Gong Sheng, Zheng Xuena: Distortion Theorem for Biholomorphic Mappings in Transitive Domains (I).- C.O. Kiselman: Tangents of Plurisubharmonic Functions.- A. KorAnyi: Hua-Type Integrals, Hypergeometric Functions and Symmetric Polynomials.- J. Mitchell: Two-Sided L1-Estimates for SzegA Kernels on Classical Domains.- I. Satake: On the Rational Structures of Symmetric Domains, I.- Y.-T. Siu: Some Problems of Rigidity in Several Complex Variables.- S.-T. Yau, F. Zheng: On Projective Manifolds Covered by Space in Cn.
Hua Yan (1682-1756) and the Making of the Artist in Early Modern China explores the relationships between the artist, local society, and artistic practice during the Qing dynasty (1644–1911). Arranged as an investigation of the artist Hua Yan’s work at a pivotal moment in eighteenth-century society, this book considers his paintings and poetry in early eighteenth-century Hangzhou, mid-eighteenth-century Yangzhou, and finally their nineteenth-century afterlife in Shanghai. By investigating Hua Yan’s struggle as a marginalized artist—both at his time and in the canon of Chinese art—this study draws attention to the implications of seeing and being seen as an artist in early modern China.
An analytical overview of the period, with the overall aim being to provide a comprehensive reference work together with narrative commentary that will make the most important personalities & events of this period of Chinese political history available to interested readers in a convenient & accessible series of volumes.
The focus of this study is coming of age in troubled Cultural Revolutionary times as portrayed in contemporary Chinese Bildungsroman fiction by Su Tong and Yu Hua, along with a comprehensive overview of the Bildungsroman in China and the west.
What is reality? The reality is that there are only one or two moments in life that are wonderful.What is a novel? The novel is the protagonist's life again and again wonderful;What do you do when you are alone in a strange world, when you have the power to shock the world, when you cry like a ghost, when you have the medical skills to achieve perfection, when you have the skills to return to the world?Will you bring beauty to the world?You will fight for hegemony and point the finger at the world?You will roam the martial arts world and you will be filled with kindness and hatred? Let us follow the steps of the protagonist, and experience the brilliance again and again