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This Road I Ride is the remarkable story of one woman’s solo journey around the world by bicycle. Juliana Buhring had been mired in a dark hole of depression after the death of a man she loved, and when an acquaintance suggested they honor his memory by biking across Canada, she thought, “Canada? Why not the world?” And why not alone. She had never seriously ridden a bicycle before. She had no athletic experience or corporate sponsorship, but with just eight months of preparation, Juliana Buhring departed from Naples, Italy, in July 2012 aiming to become the first woman to circumnavigate the globe. She set out believing she might not ever return, but that she had nothing to lose. Over 152 days, Juliana’s ride spanned four continents and 18,060 miles. She traversed small-town and big-mountain America, Australian desert expanses, South Asian rainforests and villages, and Turkish plains. She suffered innumerable breakdowns, severe food poisoning, hostile pursuers, and the international longing for a good Italian espresso. When she crossed the finish line into Naples before the end of the year, she officially became the fastest woman to cycle the world (beating prior men’s records, to boot). Accomplishing what she never thought she could, buoyed by the outpouring of support from friends and strangers, Juliana rediscovered herself. In the process she proved that there are no extraordinary people—there are only people who decide to do extraordinary things.
Horror Classics: 560+ Titles in One Edition is an ambitious anthology that transcends the contours of fear, exploring the depths of the human psyche through a mosaic of horror narratives. This collection celebrates the eclectic dimensions of horror literature, spanning Gothic tales, supernatural stories, and psychological thrillers. By weaving together a tapestry of styles ranging from the eerie subtleties of Henry James to the cosmic horrors of H.P. Lovecraft, this anthology underscores the diversity and richness of the genre. Significant works within the collection demonstrate the evolution of horror, charting a course from the foundational terror of Mary Shelley's influence to the nuanced dread of Algernon Blackwood. The anthology represents a comprehensive survey of horror's literary landscape, capturing the zeitgeist of multiple eras and offering a window into the myriad ways that fear manifests in literature. The authors and editors, hailing from diverse backgrounds and epochs, bring with them their unique historical, cultural, and literary perspectives. Collectively, they represent the multifaceted nature of horror writing, aligning with various movements from Romanticism to Modernism, and touching upon themes of imperialism, gender, and existentialism. Their stories offer a rich commentary on the societal fears and anxieties of their times, providing insight into the human condition. This collaborative effort illuminates the shared human experience of fear, binding the collection into a cohesive exploration of horror's thematic richness and depth. Horror Classics: 560+ Titles in One Edition is a seminal compilation that promises to enchant, educate, and provoke thought, appealing to both aficionados and newcomers of the horror genre. This anthology not only serves as a comprehensive guide through the eerie landscapes of terror and the macabre but also as a testament to the enduring power of storytelling in confronting the unknown. Readers are invited to delve into this extensive collection, to unravel the complex tapestry of horror literature, and to engage in a dialogue with some of the most influential voices in the genre. It is a must-read for those seeking to grasp the full spectrum of horrors literary heritage and its evolution across centuries.
A true saint apostle of the heavenly bodies. Mirror mirror on the wall, if ye repents shall the Lord heed his call?
*Shortlisted for the 2022 Lord Aberdare Literary Prize* This book is the first, full-length scholarly examination of British women’s involvement in equestrianism from the eighteenth through the twentieth centuries, as well as the corresponding transformations of gender, class, sport, and national identity in Britain and its Empire. It argues that women’s participation in horse sports transcended limitations of class and gender in Britain and highlights the democratic ethos that allowed anyone skilled enough to ride and hunt – from chimney-sweep to courtesan. Furthermore, women’s involvement in equestrianism reshaped ideals of race and reinforced imperial ideology at the zenith of the British Empire. Here, British women abandoned the sidesaddle – which they had been riding in for almost half a millennium – to ride astride like men, thus gaining complete equality on horseback. Yet female equestrians did not seek further emancipation in the form of political rights. This paradox – of achieving equality through sport but not through politics – shows how liberating sport was for women into the twentieth century. It brings into question what “emancipation” meant in practice to women in Britain from the eighteenth through twentieth centuries. This is fascinating reading for scholars of sports history, women's history, British history, and imperial history, as well as those interested in the broader social, gendered, and political histories of the nineteenth and twentieth centuries, and for all equestrian enthusiasts.
“I have used this textbook for four courses on children’s literature with enrollments of over ninety students. It is without doubt the most well organized selection of literary fairy tales and critical commentaries currently available. Students love it.” —Lita Barrie, California State University, Los Angeles This Norton Critical Edition includes: · Seven different tale types: “Little Red Riding Hood,” “Beauty and the Beast,” “Snow White,” “Sleeping Beauty,” “Cinderella,” “Bluebeard,” and “Tricksters.” These groupings include multicultural versions, literary rescriptings, and introductions and annotations by Maria Tatar. · Tales by Hans Christian Andersen and Oscar Wilde. · More than fifteen critical essays exploring the various aspects of fairy tales. New to the Second Edition are interpretations by Ernst Bloch, Walter Benjamin, Max Lüthi, Lewis Hyde, Jessica Tiffin, and Hans-Jörg Uther. · A revised and updated Selected Bibliography.
How did advertising come to seem natural and ordinary to magazine readers by the end of the nineteenth century? The Adman in the Parlor explores readers' interactions with advertising during a period when not only consumption but advertising itself became established as a pleasure. Garvey argues that readers' participation in advertising, rather than top-down dictation by advertisers, made advertizing a central part of American culture. Garvey's analysis interweaves such texts and artifacts as advertising trade journals, magazines addressed to elite, middle class, and poorer readerships, scrapbooks, medical articles, paper dolls, chromolithographed trade cards, and contest rules. She tracks new forms of fictional realism that contained brand name references, courtship stories, and other fictional forms. As magazines became dependant on advertising rather than sales for their revenues, women's magazines led the way in making consumers of readers through the interplay of fiction, editorials, and advertising. General magazines, too, saw little conflict between these different interests. Instead, advertising and fiction came to act on one another in complex, unexpected ways. Magazine stories illustrated the multiple desires and social meanings embodied in the purchase of a product. Garvey takes the bicycle as a case study, and tracks how magazines mediated among competing medical, commercial, and feminist discourses to produce an alluring and unthreatening model of women bicycling in their stories. Advertising formed the national vocabulary. At once invisible, familiar, and intrusive, advertising both shaped fiction of the period and was shaped by it. The Adman in the Parlor unearths the lively conversations among writers and advertisers about the new prevalence of advertising for mass-produced, nationally distributed products.
American Motorcyclist magazine, the official journal of the American Motorcyclist Associaton, tells the stories of the people who make motorcycling the sport that it is. It's available monthly to AMA members. Become a part of the largest, most diverse and most enthusiastic group of riders in the country by visiting our website or calling 800-AMA-JOIN.
American Motorcyclist magazine, the official journal of the American Motorcyclist Associaton, tells the stories of the people who make motorcycling the sport that it is. It's available monthly to AMA members. Become a part of the largest, most diverse and most enthusiastic group of riders in the country by visiting our website or calling 800-AMA-JOIN.
The 'WILD WEST Boxed Set: 150+ Western Classics in One Volume' is an expansive anthology that brings together a diverse array of literature encapsulating the essence and mythos of the American West. This collection spans a broad range of literary styles, from the gritty realism of frontier life to romanticized tales of adventure and conflict, offering readers an unparalleled exploration of the genre. Within its pages, iconic narratives coalesce with lesser-known gems, providing a rich tapestry of the cultural, moral, and existential themes that have shaped the American identity. The inclusion of seminal works by this esteemed cohort highlights the anthology's significance as an encompassing repository of Western literary tradition. The contributing authors and editors of this anthology are titans of American literature and art, each bringing their unique perspective and voice to the theme of the Western frontier. From Twain's keen wit to London's raw depiction of nature and human endurance, the collection is a cross-section of American literary greatness. These authors collectively represent a wide array of historical, cultural, and literary movements, from the romanticism of the early 19th century to the realism and naturalism that followed. Their contributions illuminate the complexities of frontier life, reflecting both the brutality and the beauty of the Wild West, thereby enriching readers understanding of this pivotal era in American history. This anthology is a must-read for anyone with an interest in American literature, history, or culture. It offers readers a unique opportunity to immerse themselves in the variegated narratives that have shaped the mythos of the American West. Through its comprehensive scope and the multitude of voices it encompasses, the collection succeeds in fostering a dialogue between different epochs, perspectives, and literary styles. For scholars, enthusiasts, and casual readers alike, this boxed set is an invaluable resource for understanding the evolution of Western literature and its enduring influence on the American imagination.