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Marius de Zayas (1880-1961), a Mexican artist and writer whose witty caricatures of New York's theater, dance, and social elite brought him to the attention of Alfred Stieglitz and his circle at "291," was among the most dedicated and effective propagandists of modern art during the early years of this century. His writings were the first to provide the American public with an intellectual basis upon which to understand and eventually appreciate the newest artistic developments. How, When, and Why Modern Art Came to New York, originally written in the 1940s, is a fascinating chronicle assembled from de Zayas's personal archive of photographs and from newspaper reviews of the exhibitions he discusses, beginning with those held at the Stieglitz gallery and including important shows mounted in his own galleries: the Modern Gallery (1915-1918) and the De Zayas Gallery (1919-1921)
"A provocative interpretation of the political and cultural history of the early cold war years. . . . By insisting that art, even art of the avant-garde, is part of the general culture, not autonomous or above it, he forces us to think differently not only about art and art history but about society itself."—New York Times Book Review
Depicting the iconic New York that captivates the world's imagination and the idiosyncratic details that define New Yorkers' sense of home, this anthology of photographs from MoMA's extraordinary collection reveals New York in all its vitality, ambition and beauty.
A compelling examination of the art museum from a renowned director, this sweeping book explores how architecture, vision, and funding have transformed art museums around the world over the past eighty years. How have art museums changed in the past century? Where are they headed in the future? Charles Saumarez Smith is uniquely qualified to answer these questions, having been at the helm of three major institutions over the course of his distinguished career. For The Art Museum in Modern Times, Saumarez Smith has undertaken an odyssey, visiting art museums across the globe and examining how the experience of art is shaped by the buildings that house it. His story starts with the Museum of Modern Art in New York, one of the first museums to focus squarely on the art of the present rather than the past. When it opened in 1939, MoMA’s boldly modernist building represented a stark riposte to the neoclassicism of most earlier art museums. From there, Saumarez Smith investigates dozens of other museums, including the Tate Modern in London, the Getty Center in Los Angeles, the West Bund Museum in Shanghai, and the Centre Pompidou in Paris. He explores our shifting reasons for visiting museums, changes to the way exhibits are organized and displayed, and the spectacular new architectural landmarks that have become destinations in their own right. Global in scope yet full of personal insight, this fully illustrated celebration of the modern art museum will appeal to art lovers, museum professionals, and museum goers alike.
Nicole Alexander's new bestseller is a sweeping rural saga spanning two generations. In 1923 nineteen-year-old Jack Manning watches the construction of the mighty Harbour Bridge and dreams of being more than just a grocer's son. So when he's offered the chance to manage Absolution Creek, a sheep property 800 miles from Sydney, he seizes the opportunity. But outback life is tough, particularly if you're young, inexperienced and have only a few textbooks to guide you. Then a thirteen-year-old girl, Squib Hamilton, quite literally washes up on his doorstep - setting in motion a devastating chain of events... Forty years later and Cora Hamilton is waging a constant battle to keep Absolution Creek in business. She's ostracized by the local community and hindered by her inability to move on from the terrible events of her past, which haunt her both physically and emotionally. Only one man knows what really happened in 1923. A dying man who is riding towards Absolution Creek, seeking his own salvation... From the gleaming foreshores of Sydney Harbour to the vast Australian outback, this is a story of betrayal and redemption and of an enduring love which defies even death.
A homage to the vitality, power, beauty and magic of a great city in which paintings, drawings, sculptures and prints by leading twentieth-century artists have been gathered together to form an insightful, loving portrait of "Oz on the Hudson." The editors have selected images that time and again reveal truths about the experience of living in New York: luminous skyscrapers against the night sky; a couple sunbathing on a roof; fantastic giant zebras straddling Midtown; crowds strolling past hot-dog stands on the Coney Island boardwalk; the quiet interior of an empty office at twilight. They include gritty cityscapes by Bellows and Glackens, cool architectural studies of Sheeler, O'Keefe, Feininger and works by Hassam, Marin, Mondrian, Hopper and Christo. ISBN 0-8109-1809-9 : $49.50.
For the past few years, The Museum of Modern Art has been in the midst of the largest building project in its history. Designed by Yoshio Taniguchi, the new museum will open in midtown Manhattan in November 2004 - 2005 to coincide with MoMA's 75th anniversary. The 630,000-square-foot complex is nearly twice the size of the former facility, with dramatically expanded and redesigned spaces for exhibitions, public programming, educational outreach, and scholarly research. In his initial proposal, Taniguchi explained that his goal was "to create an ideal environment for art and people through the imaginative and disciplined use of light, materials, and space." His stated vision of "a museum that preserves and reinforces MoMA's unique character as the repository of an incomparable collection of modern and contemporary art, as a pioneer of museums of modern art with a unique historical inheritance, and as an urban institution in a midtown Manhattan location" has been resoundingly implemented. The New Museum of Modern Art offers an affordable, concise overview of the new building and its master architect by Glenn D. Lowry, Director of The Museum of Modern Art.
Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.
Graffiti crews are willing to risk anything for their art. Called vandals, criminals, even creative terrorists, graffiti artists set out to make their voices heard and alter the way people view the world. But when one crew finishes the biggest graffiti bomb of their careers, the consequences get serious and spark a public debate asking, "Where does art belong?" Kevin Coval is the author of Schtick, L-vis Lives, the American Library Association "Book of the Year" Finalist Slingshots: A Hip-Hop Poetica, and an editor of The BreakBeat Poets. Idris Goodwin is a playwright, spoken-word performer, and essayist recognized across mediums by the National Endowment for the Arts, the Ford Foundation, and the Mellon Foundation.