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The stories in Don't Make Me Do Something We'll Both Regret are linked by their exploration of queer evil. The mystery of desire and sting of rejection drive a child to violence. Boys enter the forest, naive to what lurks within. A pack of pop stars-turned-lovers strike a terrible bargain to preserve their youth. Its characters are gnostics and mystics, ogres and queens whose defiance of the normative both liberates and confines. Innovative Prose ... from “Tim Jones-Yelvington is a Pretty Little Liar” My lovelies, I haven’t forgotten your secrets. Everything each of you told me in confidence. You said, Promise you’ll keep this to yourself. You said, Promise you’ll never tell a soul. You said, If anyone finds out, my life is over! I said, I’ll take it to the grave. Once, I came upon our frienemy in the marketplace. I said, I know what you’ve been up to! Don’t pretend your hemline’s clean! And she begged me, Keep your voice down! Don’t make me do something we’ll both regret. This is the new new me. Black feathered collar, black feathered cuffs, gold-threaded jacket, my shoulder plumage spills. I am a peacock. My chin is cocked. I am a libertine. I am a dandy. I am an emu, ready to stretch my neck. To sharpen my beak.
Laypeople think of wake, sleep and dreaming as distinct states of the mind/brain but “in-between”, hybrid states are recognized. For example, day-dreaming or, more scientifically, the default network occurs during wake. Equally, during sleep, lucid dreaming in rapid eye movement (REM) sleep presents as another hybrid state. But hybrid states are usually temporary. This book explores the possibility of an enduring hybrid wake-sleep-dream state, proposing that such a state may engender both creativity and psychopathologies. REM sleep is hyper-associative. Creativity depends on making remote associations. If REM sleep and dreaming begin to suffuse the wake state, enhanced creativity may result. But moderate to severe interpenetration of wake, sleep and dreaming may engender psychopathologies – as the functions of wake, sleep and dreaming are partially eroded.
From the award-winning advertising team, a creative, fresh and brutally honest guide to taking on the working world on your own terms Janet Kestin and Nancy Vonk have built their careers on unconventional creative thinking. As two of the leaders behind Dove’s Campaign for Real Beauty, they famously championed stripping away photoshopping, lighting and makeup to sell real beauty. After years of rethinking brands, they decided that they wanted to focus on rethinking the way we work—or, in many cases and places, the way our work doesn’t work for us—especially for women. They’ve tackled the problem in their hallmark style: by turning expectations upside down and shaking them. Soundly. Darling, You Can’t Do Both is a smart, relatable guide for all of the women who embraced the spirit of Lean In but were left wondering where to start—how could they, in all industries and at all levels, really begin to change their realities and maybe even their companies, from the ground up? Janet Kestin and Nancy Vonk’s answer is that women need to start breaking the largely unspoken rules of business they’ve always tacitly accepted. Darling will spark a new thread of conversation about women in the workplace—one that’s about new strategies for every woman with ambition who is moving (and looking) forward—with motherhood not a roadblock but an unfair advantage.
The stories in Don't Make Me Do Something We'll Both Regret are linked by their exploration of queer evil. The mystery of desire and sting of rejection drive a child to violence. Boys enter the forest, naive to what lurks within. A pack of pop stars-turned-lovers strike a terrible bargain to preserve their youth. Its characters are gnostics and mystics, ogres and queens whose defiance of the normative both liberates and confines. from "Tim Jones-Yelvington is a Pretty Little Liar" My lovelies, I haven't forgotten your secrets. Everything each of you told me in confidence. You said, Promise you'll keep this to yourself. You said, Promise you'll never tell a soul. You said, If anyone finds out, my life is over! I said, I'll take it to the grave. Once, I came upon our frienemy in the marketplace. I said, I know what you've been up to! Don't pretend your hemline's clean! And she begged me, Keep your voice down! Don't make me do something we'll both regret. This is the new new me. Black feathered collar, black feathered cuffs, gold-threaded jacket, my shoulder plumage spills. I am a peacock. My chin is cocked. I am a libertine. I am a dandy. I am an emu, ready to stretch my neck. To sharpen my beak.
MAN BOOKER PRIZE FINALIST • A novel all about art's versatility, borrowing from painting’s fresco technique to make an original literary double-take. "Cements Smith’s reputation as one of the finest and most innovative of our contemporary writers. By some divine alchemy, she is both funny and moving; she combines intellectual rigor with whimsy" —The Los Angeles Review of Books One of the New York Times’s 100 Best Books of the 21st Century How to be both is a fast-moving genre-bending conversation between forms, times, truths and fictions. There’s a Renaissance artist of the 1460s. There’s the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real—and all life’s givens get given a second chance. Passionate, compassionate, vitally inventive and scrupulously playful, Ali Smith’s novels are like nothing else. A NOTE TO THE READER: Who says stories reach everybody in the same order? This novel can be read in two ways, and the eBook provides you with both. You can choose which way to read the novel by simply clicking on one of two icons—CAMERA or EYES. The text is exactly the same in both versions; the narratives are just in a different order. The ebook is produced this way so that readers can randomly have different experiences reading the same text. So, depending on which icon you select, the book will read: EYES, CAMERA, or CAMERA, EYES. (Your friend may be reading it the other way around.) Enjoy the adventure. (Having both versions in the same file is intentional.)
Leaders need to be forceful--to assert themselves and their capabilities and to push others to perform. Leaders also need to be enabling--to tap into and bring out the capabilities of others. The problem is that many executives see forceful leadership and enabling leadership as mutually exclusive, or strongly prefer one or the other, and therefore lack the versatility to be truly effective. This publication explains how executives can overcome the emotional barriers to expanding their skill sets in one direction or the other.
Increasingly today, in every age group, consumers are committing to brands that show good citizenship--from fair employment practices, to social responsibility, to charitable giving. In fact, support of these generous and socially aware companies is so high that good works and charitable giving are necessary for companies that aspire for financial success. Do Good documents the sea of change that has impacted the twenty-first-century marketplace more than even the most optimistic of business forecasters, including examples such as: Toms grew into a $600 million company by giving away 35 million pair of shoes. Patagonia’s profits have climbed year after year even as it funnels heavy investments into sustainability. CVS’s strategic decision to start destocking cigarettes in all stores. Customers have shown with their wallets the types of businesses they will support and that they will quickly call out negligence. Buyers today demand more than half-hearted pledges from companies who are clearly just trying to show less profits and decrease their taxes. By implementing the five-step model for the new rules of business laid out in Do Good--Trust, Enrichment, Responsibility, Community, and Contribution--companies can take the necessary steps to embed social consciousness into their DNA, in turn capturing both markets and hearts.
Founded in 1943, Negro Digest (later “Black World”) was the publication that launched Johnson Publishing. During the most turbulent years of the civil rights movement, Negro Digest/Black World served as a critical vehicle for political thought for supporters of the movement.