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By the mid-1960s Toronto was well on its way to becoming Canada's largest and most powerful city. One real estate firm aptly labelled it Boomtown. Expressways, subways, shopping centres, high-rise apartments, and skyscraping downtown office towers were transforming the city. City officials were cheerleaders for unrestricted growth. All this "progress" had a price. Heritage buildings were disappearing. Whole neighbourhoods were being destroyed -- by city hall itself -- in the name of urban renewal and high-rise developers. Many idealistic, young Torontonians didn't like what they saw. At a time when political activism was in the air, they engaged in local politics. Recently graduated lawyer John Sewell was one of many. He joined his friends working for local residents in areas targeted for demolition by city hall. Others were fighting the Spadina expressway, planned to push its way through the city to the lakeshore. Still others were saving Toronto's Old City Hall from demolition. This was the modest start of a twelve-year transformation of Toronto, chronicled in John Sewell's new book. Bringing together a fascinating cast of characters -- from cigar-chomping developers to Jane Jacobs and David Crombie, from a host of ordinary citizens to some of the world's most innovative architects and planners -- Sewell describes the conflict-filled period when Toronto developed a whole new approach to city government, civic engagement, and planning policies. Sewell went from activist organizer, to high-profile opposition politician, to leading light of a bare reform majority at city hall, to become Toronto's mayor. Along the way he sparked the rethinking of an amazing array of old ideas -- not just about how cities should grow, but about race relations, attitudes toward the LGBT community, and the role of police. His defeat in the city's 1980 election marked the end of a decade of dramatic transformation, but the changes this reform era produced are now entrenched -- in Toronto, but in other Canadian cities, too. How We Changed Toronto is the inside story of activist idealists who set out to change the world -- and did, right in their own backyard.
During the 2015 federal election, the Liberal Party pledged that, if elected, they would end the “first past the post” electoral system, where whichever candidate receives the most votes wins a riding even if they have not received a majority of all votes cast. In early 2017, the Liberals reneged on their campaign promise, declaring that there was a lack of public consensus about how to reform the system. Despite the broken promise – and because of the public outcry – discussions about electoral reform will continue around the country. Challenging the idea that first past the post is obsolete, Should We Change How We Vote? urges Canadians to make sure they understand their electoral system before making drastic changes to it. The contributors to this volume assert that there is perhaps no institution more misunderstood and misrepresented than the Canadian electoral system – praised by some for ensuring broad regional representation in Ottawa, but criticized by others for allowing political parties with less than half the popular vote to assume more than half the seats in Parliament. They consider not only how the system works, but also its flaws and its advantages, and whether or not electoral reform is legitimate without a referendum. An essential guide to the crucial and ongoing debate about the country’s future, Should We Change How We Vote? asks if there are alternative reforms that would be easier to implement than a complete overhaul of the electoral system.
Toronto has long been a financial powerhouse in North America, and this is represented by its many grand bank buildings. Canada's capital may be Ottawa, but the financial power emanates from this thriving city, the fourth most populous in North America.Sites include: Toronto Harbour, Fort York, Queen's Quay Lighthouse, Toronto Island Ferries, Queen's Quay Terminal, Canadian National Exhibition, Sunnyside Bathing Pavilion, Princes' Gates, Royal York Hotel, Union Station, City Hall, St. Lawrence Market, St. James Cathedral, Canadian Pacific Building, Bank of Montreal, Dineen Building, Elgin Theatre, Arts and Letters Club, Old Bank of Nova Scotia, Ryrie Building, Masonic Temple, Osgoode Hall, Royal Alexandra Theatre, Gurney Iron Works, Boer War Monument, CN Tower, Old Knox College, Victory Burlesque Theatre, Maple Leaf Gardens, University of Toronto and much more.
When looking at old pictures of Toronto, it is clear that the city’s urban, economic, and social geography has changed dramatically over the generations. Historic photos of Toronto’s streetcar network offer a unique opportunity to examine how the city has been transformed from a provincial, industrial city into one of North America’s largest and most diverse regions. Streetcars and the Shifting Geographies of Toronto studies the city’s urban transformations through an analysis of photographs taken by streetcar enthusiasts, beginning in the 1960s. These photographers did not intend to record the urban form, function, or social geographies of Toronto; they were "accidental archivists" whose main goal was to photograph the streetcars themselves. But today, their images render visible the ordinary, day-to-day life in the city in a way that no others did. These historic photographs show a Toronto before gentrification, globalization, and deindustrialization. Each image has been re-photographed to provide fresh insights into a city that is in a constant state of flux. With gorgeous illustrations, this unique book offers an understanding of how Toronto has changed, and the reasons behind these urban shifts. The visual exploration of historic and contemporary images from different parts of the city helps to explain how the major forces shaping the city affect its form, functions, neighbourhoods, and public spaces.
A passionate argument for Canada's reassertion of its place on the world stage, from a former prime minister and one of Canada's most respected political figures. In the world that is taking shape, the unique combination of Canada's success at home as a diverse society and its reputation internationally as a sympathetic and respected partner consititute national assets that are at least as valuable as its natural resource wealth. As the world becomes more competitive and complex, and the chances of deadly conflict grow, the example and the initiative of Canada can become more important than they have ever been. That depends on its people: assets have no value if Canadians don't recognize or use them, or worse, if they waste them. A more effective Canada is not only a benefit to itself, but to its friends and neighbours. And in this compelling examination of what it as a nation has been, what it has become and what it can yet be to the world, Joe Clark takes the reader beyond formal foreign policy and looks at the contributions and leadership offered by Canada's most successful individuals and organizations who are already putting these uniquely Canadian assets to work internationally.
David Miller presents a compelling case that significant progress can be made at the local level by duplicating the actions of nine leading cities around the world.
What can political theory teach us about architecture, and what can it learn from paying closer attention to architecture? The essays assembled in this volume begin from a common postulate: that architecture is not merely a backdrop to political life but a political force in its own right. Each in their own way, they aim to give countenance to that claim, and to show how our thinking about politics can be enriched by reflecting on the built environment. The collection advances four lines of inquiry, probing the connection between architecture and political regimes; examining how architecture can be constitutive of the ethical and political realm; uncovering how architecture is enmeshed in logics of governmentality and in the political economy of the city; and asking to what extent we can think of architecture-tributary as it is to the flows of capital-as a partially autonomous social force. Taken together, the essays demonstrate the salience of a range of political theoretical approaches for the analysis of architecture, and show that architecture deserves a place as an object of study in political theory, alongside institutions, laws, norms, practices, imaginaries, and discourses.
This volume brings together some of the best new works on armed Jews in the Americas. Links between Jews and their ties to weapons are addressed through multiple cultural, political, social, and ideological contexts, thus breaking down longstanding, stilted myths in many societies about Jews and weaponry.
In the summer of 2020, as the COVID-19 pandemic surged, millions gathered across Canada and the United States to protest violence and racism in policing sparked by the murder of George Floyd at the hands of Minneapolis police officers. In the days and weeks following, the deaths of Regis Korchinski-Paquet in Toronto and Chantel Moore in New Brunswick showed that police violence is also a Canadian reality. Although BIPOC communities and activists had been calling for action for years, these events sparked unprecedented public outrage and drew crowds in the thousands across Canada calling for the defunding of Canada’s police. Many authoritative reports have identified big problems in Canada’s law enforcement system and have concluded that police are more likely to create or escalate violent situations than promote safety and security. Why? How has an institution tasked with keeping citizens safe become so dangerous to so many Canadians? John Sewell has been studying the problems facing Canadian policing since the 1980s. In Crisis in Canada's Policing, he shines light on the origins of police culture, synthesizes dozens of reports that reveal the failures of the police system in Canada and offers solutions that put power back into the hands of community leaders while reining in and reforming police organizations.
Toronto Reborn covers a decisive period in the city’s evolution, capturing how Toronto truly becomes a new version of itself.