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In the early years of the twentieth century, both psychology and motion pictures were just beginning to emerge as significant cultural forces. Published in 1916, this fascinating work from prominent psychologist Hugo Munsterberg analyzes early films from a psychological point of view.
Broad-ranging essays on the social, political, and cultural significance of more than a century's worth of newspaper publishing practices across the African continent
Bowser (specialist in African and African American film) and Louise Spence (media studies, Sacred Heart U.) define and describe the audiences for black films while examining African American film director Micheaux's unique vision and contribution as an artist and novelist and its relation to his work as a filmmaker. With a focus on the first decade of his career, they place his work firmly within his social and cultural milieu, and examine his family background and life experience. They also provide a close textual analysis of his surviving silent films and highlight the rivalry between production companies, dilemmas of assimilation versus a separate cultural identity, and gender and class issues. Contains several b&w photographs.Annotation copyrighted by Book News, Inc., Portland, OR.