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In order to develop your artistic skills to the best of your ability, you first must understand the science and the fundamentals of photography. Whether you are a student of photography or a seasoned professional, this thoroughly updated edition of the classic text Basic Photographic Materials and Processes will provide all of the scientific information that you need. Full color throughout for the first time, this third edition covers new topics including digital resolution, digital sensor technology, scanner technology, color management, and tone reproduction.
Basic Photographic Materials and Processes describes the three crucial stages of creating the perfect photograph—capture, processing and output—by providing a thorough technical investigation of modern, applied photographic technologies. This new edition has been fully revised and updated to explore digital image capture, processing and output. It covers a wide range of topics including: the scientific principles of measuring and recording light, the inner workings of digital cameras, image processing concepts, color management and photographic output to screen and print media. With these topics come in-depth discussions of extending dynamic range, image histograms, camera characterization, display capabilities, printer and paper technologies. It also includes applied exercises that provide the reader with a deeper understanding of the material through hands-on experiments and demonstrations, connecting theoretical concepts to real-world use. This comprehensive text provides photography students, educators and working professionals with the technical knowledge required to successfully create images and manage digital photographic assets. It is an essential resource for mastering the technical craft of photography.
Students and seasoned photographers have relied on Basic Photographic Materials and Processes for its comprehensive explanation of the photographic process, giving them the technical base they need to achieve the effects they want. Heavily illustrated and enhanced with study questions, this book has served as an excellent resource both in and out of the classroom. Basic Photographic Materials and Processes, Second Edition continues to present the fundamental principles of the craft and science of photography in a clear, practical manner. To bring this classic text completely up-to-date, in-depth information on digital imaging has been added, including the scanning, storage and printing of digital images, as well as conversion from analog to digital.
This classic, essential guide to the science of photography has been fully updated throughout with all-new material on digital photography.
Photographic Possibilities, Second Edition continues to provide a reliable source of techniques and ideas for the use of alternative and contemporary photographic processes that photographers have come to depend on. Professional photographers and advanced students seeking to increase their skills will discover modern and classic methods of creating and manipulating images. This practical guide integrates technical methods with the aesthetic outcome. It offers readers clear, step-by-step instructions on historic and on contemporary processes that integrate both the technical information and t.
Photography is not dying and has not died. It has been an ever-changing medium since its earliest days, and while near-obsession with the technology of the day may have defined photography over the course of its existence, photography is so much more than hardware and software. Photography is communication, whether chemical or digital, tangible or ephemeral in form. Photography Beyond Technique is a compelling selection of essays and images that reveal the thoughts and methods of some of today’s most exciting contemporary photographers. These artists employ alternative, historical, or handmade processes and techniques, and they share a comprehensive view of the medium: that the choice of photographic process is just as important as the selection of subjects. While other books concentrate solely on process, or theory, or artistic intent, none focus on photography in which these decisions are considered inseparable. These 20 essays, originally presented at the annual F295 symposium and seminar series, provide a thought-provoking read for anyone interested in photography as an art form and as a medium through which to view the world. Includes: "Looking Backward, Seeing Forward: Reframing Visual History" by Robert Hirsch "Mystery, Memory, and Narrative" by Martha Casanave "Finding Confidence: Combining Process with Purpose" by Mark Osterman "Photograph, Material, and Metaphor" by Jerry Spagnoli