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It's not easy finding a good opening to play against 1 e4, especially if you don't have endless time available to study the latest theoretical developments. If you choose fashionable openings, it's often a necessity to keep pace with modern theory if you want to succeed with Black. This book provides a solution. Neil McDonald advocates his favourite opening - the very popular French Defence - but chooses a repertoire for Black that requires only the minimum amount of move memorization. The lines he selects are very easy to learn and play - perfect for those who are unwilling to be slaves to opening theory. But there's also something here for more experienced players, as McDonald goes on to offer a second repertoire based on counter-attacking lines against 3 Nc3 and 3 Nd2. *An easy-to-learn defence against 1 e4*Provides solutions to all of White's options*Written by a world-renowned expert on the French*Ideal for improvers, club players and tournament players English Grandmaster Neil McDonald is an experienced and successful player on the international chess circuit. He is a respected chess coach, who has trained many of the UK's strongest junior players. McDonald is also a talented chess writer and has many outstanding works to his name.
Why is this repertoire called simple? For the simple reason that the variations are straightforward, easy to remember and require little or no maintenance. International Master Christof Sielecki has created a reliable set of lines for chess players of almost all levels. The major objective is to dominate Black in the opening, by simple means. You don’t need to sacrifice anything or memorize long tactical lines. Unless Black plays something stupid, when tactics are the simplest punishment. Sielecki developed this repertoire working with students who were looking for something that was easy to understand and to learn. Most of the lines he selected are occasionally played by grandmasters, but on the whole they lie outside the mainstream of opening theory. That means that there is hardly any need to monitor theoretical developments. Sielecki always clearly explains the plans and counterplans and keeps you focussed on what the position requires. Ambitious players rated 1500 or higher will get great value out of studying this extremely accessible book.
One of the important issues players face - both relatively inexperienced ones at the beginning of their career as well as seasoned ones as they realize their chess craves change - is choosing an opening repertoire. As a player and a coach, I have seen many approaches to this question, both remarkable and mistaken. Some players believe that the opening is something to ignore, that everything is decided in the middlegame. Others think that studying opening traps is what wins games.Some tend to follow their favorite world-class player''s recommendations, while others like to sidestep well-known opening theory early on, preferring unpopular side-lines.To me, opening choice is about all those decisions. I think that many openings are good; there are some dubious ones, but they can also yield formidable results overall or in specific situations if chosen and handled carefully. I firmly believe that your opening repertoire should mostly be based on your playing style and other personal traits, such as memory and work ethic. It is important to evaluate yourself as well as your strengths and weaknesses properly in order to be able to build the right repertoire that would not only suit you well, but also improve your overall chess.The little detail, though, is in the word "mostly". Namely, I firmly believe that there are a few classical, rock-solid openings with an impeccable reputation, such as 1.e4 e5 as a response to 1.e4 or the Queen''s Gambit and Nimzo as an answer to 1.d4 that players of all styles and standards should try, no matter what their style is. This will enable players to learn, appreciate and practice some of the key chess values, such as the importance of space, lack of weaknesses, bad pieces, and comfortable development and so on - you name it. I, myself, started out as a keen Sicilian player. Just like all youngsters, I cheerfully enjoyed complications, tactical massacres and everything else that the Sicilian is all about. However, as I was developing as a player, my style was changing also. Eventually, I realized I was much more successful with positional play, so it was time to change the outfit - and 1.e4 e5 suited me well. I have used this move as a response to 1.e4 nearly exclusively in recent years, both versus weaker and stronger opposition, with fantastic results. If only other openings would grant me such results as well! I have not only studied these variations myself but have also shown them to numerous private students. To be frank, we have almost always concentrated on White''s most dangerous possibilities, such as the Ruy Lopez, Italian and Scotch. Occasionally, we have also analysed the side-lines - either as a part of preparation for specific opponents or to make sure my students become more universal players and gain more all-round knowledge. Eventually, I realized that the knowledge I gained from 1.e4 e5 can and should be shared with more players, and this is how my book came to life. Of course, the readers will differ, so there is a no "one-size-fits-all" solution. But, I have carefully and diligently tried to achieve the same goal I used when working with my students: to keep my recommendations both theoretically sound as well as practical and accessible. I expect not only titled players but club players and the less experienced readers to equally benefit from this book. So, sometimes you will find razor-sharp novelties, but in many cases, we will rely on positional understanding, typical structures and standard ideas. I believe the opening is not all about memorization, so I have taken a different approach from many authors by keeping the balance between recommending objectively good variations as well as making sure an adequate amount of work will suffice to get you started. You won''t need to spend years studying the material, fearing there is still much more to learn. 1.e4 e5! is not just an opening. It is repertoire that represents our game as a whole. It is something players of all styles will enjoy due to the countless possibilities 1...e5 provides. Hopefully, learning 1...e5 will also make you a better player. And, finally, I hope the book you are now holding in your hands will not only give you joy but illustrate a passion for chess with the variations presented in this work.
Anyone who plays 1 e4 as White must be prepared not only for Black's main defences but also an assortment of less popular lines. This book features information a 1 e4 player needs to know about facing these defences.
Every chess player needs a high-quality answer to 1.e4, and there is nothing more reliable than 1...e5. Black stakes a claim in the centre and prepares to deploy his pieces on good squares. The challenge nowadays is to build a robust repertoire without being overwhelmed by the volume of material and continual advances in opening theory. In Playing 1.e4 e5 - A Classical Repertoire, Nikolaos Ntirlis offers the best of both worlds: a complete repertoire against 1.e4, built on sound positional principles, which does not require excessive memorization. Against the Spanish the author recommends the Breyer System, one of the most stable, computer-proof options at Black's disposal. The Scotch, Italian, Four Knights and various other sidelines and gambits are handled with the same clarity and efficiency.
Brought together for the first time in one volume, How to play against 1 d4 and 1 e4 Finding a suitable defence to 1 d4 isn't an easy task, especially if you don't have endless time available to study all the latest theoretical developments. If you choose fashionable openings, it's imperative to keep pace with modern theory if you want to succeed with Black. It's not easy finding a good opening to play against 1 e4, especially if - like the majority of chess players - you don't have endless time available to study the latest theoretical developments. If you choose fashionable openings, it's often a necessity to keep pace with modern theory if you want to succeed with Black.
Fed up having to defend with Black?Annoyed by all those irritating white systems?Then this is the book for you!Russian International Master Alexander Raetsky draws upon his wealth of experience gained playing on the tough international tournament circuit to supply you with an all-in-one solution to your problems. The reader is provided with a complete repertoire for Black against 1 e4, based on the ever-reliable Sicilian Defense. Lines suggested are dependable and promise Black dynamic counterplay. The variations are also easy to learn: this book is especially useful for players who have neither the time nor inclination to learn reams and reams of the latest opening theory. (6 1/4 x 9 1/4, 178 pages, diagrams)
A Straightforward and Solid Way to Meet 1.e4 With all the many books and articles on the Sicilian Defense, there is surprisingly little about the Four Knights Variation. Its starting position is reached after 1.e4 c5 2.Nf3 e6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 Nc6. It may also be reached after 1.e4 c5 2.Nf3 Nc6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 e6. Some prefer 2...e6 to 2...Nc6 because it avoids 3.Bb5. The fundamentals of the Sicilian Four Knights are not hard to learn. Black reaches the middlegame quickly and safely, with lively piece play in the dynamic positions which arise. There is no easy ride for White here, and, in particular, if he gets over-ambitious, he can find himself on the receiving end of a powerful attack very quickly. The material is very well structured, and the assessments are objective and backed with accurate analysis which will not cause the reader fatigue by becoming exceedingly elaborate ... But, above all, this is an opening that is definitely sound and this work proves it. It will improve your ability to score against both weaker and stronger opposition, offering clear-cut and occasionally bold play. Author David Willis has done a fine job of clearly presenting the analysis, providing us with comprehensive explanations and sound lines in an opening that deserves more attention and popularity. I can wholeheartedly recommend the Four Knights to all levels of players. – From the Foreword by Vassilios Kotronias About the Author Correspondence senior master David Willis is one of the strongest American correspondence chessplayers. He is also a master in over-the-board play and has been relying on the Sicilian Four Knights as his go-to defense against 1.e4 for years. He lives with his family in San Diego. This is his first book for Russell Enterprises.