Download Free How To Name A Hurricane Book in PDF and EPUB Free Download. You can read online How To Name A Hurricane and write the review.

ThereÕs no denying it, media culture has ushered in a new era of visibility for gays in America. Yet somehow the gay Latino doesnÕt fit into this sound-bite identity and usually isnÕt included in national media images. Rane Arroyo offers a corrective. Known primarily as a poet and playwright representing the gay Latino community, Arroyo has also been publishing prose throughout his career and now gathers into this book a storm of writing that has been gaining strength, drop by drop, for more than ten years. How to Name a Hurricane collects short stories and other fictions depicting Latino drag queens and leather men, religious sinners and happy atheists, working class heroes and cyberspace vaquerosÑa parade of characters that invites readers to consider whether one is more authentic a gay Latino than another. Whereas actual hurricanes are given names, the gays given voice in this collection must name themselvesÑand these narratives in turn reveal something of the "I" of Hurricane Rane. Whether portraying a family gathering as Brideshead Revisited with a mambo soundtrack, recounting the relationship of transvestite Louie/Lois and her bisexual Superman, or bemoaning "feeling as unsexy as an old bean burrito in a 7-11 microwave," Arroyo tracks the heartbeat of his characters through a shimmering palette of styles. Here are monologues, a story in verse, and other experimental forms appropriate to experimental livesÑall affirming the basic human rights to dignity, equality, love, and even silliness. When the AIDS epidemic first hit, many Latino families destroyed any remembrances of their gay and bisexual sons that might betray their pasts to la familia or el pueblo. ArroyoÕs writings return the ghosts of those sons to the families, bars, dance clubs, and neighborhoods where they belong. By penetrating to the IÕs of narrative hurricanes, these stories honor the survivors of our ongoing cultural storms.
Liz Skilton’s innovative study tracks the naming of hurricanes over six decades, exploring the interplay between naming practice and wider American culture. In 1953, the U.S. Weather Bureau adopted female names to identify hurricanes and other tropical storms. Within two years, that convention came into question, and by 1978 a new system was introduced, including alternating male and female names in a pattern that continues today. In Tempest: Hurricane Naming and American Culture, Skilton blends gender studies with environmental history to analyze this often controversial tradition. Focusing on the Gulf South—the nation’s “hurricane coast”—Skilton closely examines select storms, including Betsy, Camille, Andrew, Katrina, and Harvey, while referencing dozens of others. Through print and online media sources, government reports, scientific data, and ephemera, she reveals how language and images portray hurricanes as gendered objects: masculine-named storms are generally characterized as stronger and more serious, while feminine-named storms are described as “unladylike” and in need of taming. Further, Skilton shows how the hypersexualized rhetoric surrounding Katrina and Sandy and the effeminate depictions of Georges represent evolving methods to define and explain extreme weather events. As she chronicles the evolution of gendered storm naming in the United States, Skilton delves into many other aspects of hurricane history. She describes attempts at scientific control of storms through hurricane seeding during the Cold War arms race of the 1950s and relates how Roxcy Bolton, a member of the National Organization for Women, led the crusade against feminizing hurricanes from her home in Miami near the National Hurricane Center in the 1970s. Skilton also discusses the skyrocketing interest in extreme weather events that accompanied the introduction of 24-hour news coverage of storms, as well as the impact of social media networks on Americans’ tracking and understanding of hurricanes and other disasters. The debate over hurricane naming continues, as Skilton demonstrates, and many Americans question the merit and purpose of the gendered naming system. What is clear is that hurricane names matter, and that they fundamentally shape our impressions of storms, for good and bad.
Imagine sharing your name with a devastating hurricane. Seeing and hearing your name over and over in a scary, negative light, plastered on newspapers and across TV screens. . . . The constant commentary is enough to make a kid wonder if he is bad, too. This is the story of a boy on a mission to find out if his mischievous ways may be to blame for sharing his name with a hurricane. He travels far and wide to find answers and meets some familiar faces along the way. What will he learn? Can he change his name? Does he really want to? With fun rhymes (who knew so many words rhymed with hurricane) and a touching message, this book reminds us that good things can come out of a bad situation like a hurricane--even when your name is the same. My Name Is a Hurricane? includes information on why hurricanes are named, who names them, and more. This is the second book from author Julie Beasley, who wrote H is for Harvey.
The English-language debut of one of the most thrilling and accomplished young Mexican writers Winner of the Queen Sofía Spanish Institute's Tanslation Prize Longlisted for the National Book Award Shortlisted for the Booker Prize Winner of the Internationaler Literaturpreis New York Public Library Best Books of 2020 Chicago Public Library Best Book of 2020 The Witch is dead. And the discovery of her corpse has the whole village investigating the murder. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters—inners whom most people would write off as irredeemable—forming a lasting portrait of a damned Mexican village. Like Roberto Bolano’s 2666 or Faulkner’s novels, Hurricane Season takes place in a world saturated with mythology and violence—real violence, the kind that seeps into the soil, poisoning everything around: it’s a world that becomes more and more terrifying the deeper you explore it.
Weaving together tales of tragedy and folly, of heroism and scientific progress, best-selling author Eric Jay Dolin shows how hurricanes have time and again determined the course of American history, from the nameless storms that threatened the New World voyages to our own era of global warming and megastorms. Along the way, Dolin introduces a rich cast of unlikely heroes, and forces us to reckon with the reality that future storms will likely be worse, unless we reimagine our relationship with the planet.
In graphic novel format, follows the fictional adventures of Max Axiom as he explores the science and history behind hurricanes.
This book discusses the science behind earthquakes and their effects. The chapters examine case studies of destructive hurricanes, explain how hurricanes form, and show how scientists are working to predict hurricanes and prevent damage. Diagrams, charts, and photos provide opportunities to evaluate and understand the scientific concepts involved.
Discusses the nature, causes, and dangers of hurricanes, hurricanes of the past, and ways to survive these violent storms.