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* One of the Best Books of 2012 —Salon "Waclawiak's novel reinvents the immigration story. How to Get Into the Twin Palms movingly portrays a protagonist intent on both creating and destroying herself, on burning brightly even as she goes up in smoke." —New York Times Book Review, Editors' Choice How To Get Into the Twin Palms is the story of Anya, a young woman living in a Russian neighborhood in Los Angeles, who struggles between retaining her parents' Polish culture and trying to assimilate into her adopted community. She lusts after Lev, a Russian man who frequents the Twin Palms nightclub down the block from Anya's apartment. It is Anya's wish to gain entrance to this seeminly exclusive club. How To Get Into the Twin Palms is a really funny and often moving book that provides a unique twist on the immigrant story, and provides a credible portrait of the city of Los Angeles, literally burning to the ground.
Over the course of a summer in a wealthy Connecticut community, a forty-something woman and her college-age stepson’s lives fall apart in a series of violent shocks. Cheryl has never been the right kind of country-club wife. She's always felt like an outsider, and now, in her mid-forties—facing the harsh realities of aging while her marriage disintegrates and her troubled stepson, Teddy, is kicked out of college—she feels cast adrift by the sparkling seaside community of Little Neck Cove, Connecticut. So when Teddy shows up at home just as a storm brewing off the coast threatens to destroy the precarious safe haven of the cove, she joins him in an epic downward spiral. The Invaders, a searing follow-up to Karolina Waclawiak’s critically acclaimed debut novel, How to Get Into the Twin Palms, casts a harsh light on the glossy sheen of even the most “perfect” lives in America's exclusive beach communities. With sharp wit and dark humor, The Invaders exposes the lies and insecurities that run like faultlines through our culture, threatening to pitch bored housewives, pill-popping children, and suspicious neighbors headlong into the suburban abyss.
"In the interstices between film and photography, ad stereotypes and clichés of a Californian paradise, Jack Pierson (born 1960) produces pictures that are deliberately sensual and sentimental. Through a subtle hybridization of genres they raise the central question of autobiographical sincerity as the work's theme and site. By arresting intimate moments, they compose a familiar, private world, happy and nostalgic. By disclosing (or pretending to disclose) something of the artist, they acquire a natural quality that turns them into secret confessions. We are simultaneously in the artist's studio and in the middle of his life, and, I'd be tempted to add, in the idealizing and loving grace of his gaze." --Henry-Claude Cousseau
One of Buzzfeed's 29 Books We Couldn't Put Down This Year “Every page of this novel is a point of no return; once you’ve read Karolina Waclawiak's Life Events, you will never see life, death, grief, and healing the same way.”—Saeed Jones, author of How We Fight for Our Lives A woman at a crossroads learns the only way to reclaim her life is to help others die Karolina Waclawiak’s breakout novel, Life Events, follows Evelyn, who, at thirty-seven, is on the verge of divorce and anxiously dreading the death of everyone she loves. She combats her existential crisis by avoiding her husband and aimlessly driving along the freeways of California looking for an escape—one that eventually comes when she discovers a collective of “exit guides.” Evelyn enrolls in their training course, where she learns to provide companionship and a final exit for terminally ill patients seeking a conscious departure. She meets Daphne, a dying woman still full of life; Lawrence, an aging porn king; and Daniel, who seems too young to die and whom Evelyn falls for, despite knowing better, not to mention the exit guide code. Each client opens something new in Evelyn, allowing her a chance to access her own grief and confront the self-destructive ways she suppresses her pain. When Evelyn travels through the Southwest to an afterlife convention to further her death education, she must finally face her complicated relationship with her alcoholic father and reconcile her life choices. Sensitively observed and darkly funny, Life Events is a moving, enlivening story of the human condition: the doldrums of loneliness, the consuming regret of past mistakes, and the thrill, finally, of finding meaning—and love—where you least expect it.
A collection of Jamison Handy industrial photographs relating to selling.
"Stivers (born 1953) takes us into alcoholic twilight. Shuddering exiles in watery purgatory, the human figures as well as forests, clouds, plants, works of art and even architecture seem never actually to have existed ... Each photograph visualizes the anguished lament of the current that runs through him ... All of this mirrors his dream books and journals, where the trials of actual experience and his mind's nocturnal dream machinery are indistinguishable. Stivers's pictures are figments of his material philosophy of escape." --Eugenia Parry
A series of striking black and white photographs accompanied by text illustrate the life on the Mississippi Delta.
In 1968, a small and unassuming book of photographs featuring America's bikers was published. Little note was taken of its release, and it rather quietly disappeared. Today The Bikeriders is recognized as a seminal work of documentary photography by one of a new generation of photographers. This is a reissue of Lyon's long-out-of-print and much-sought-after first book, treasured both as a cult classic and a standard of photojournalism.
If Antonio Lopez had left us only his Instatmatic photographs, and not the drawings for which he is known, we would still have cause to celebrate a brilliant artistic vision. The compendium includes the most creative and innovative of those images, spanning the 1970s. Most of these have never been published and will come as a revelation to those unfamiliar with this aspect of his achievements. Throughout his career Lopez kept a visual photographic diary of the people who came and went through the studio where he and hist partner, art director Juan Ramos, were rewriting the history of fashion illustration. Lopez was not content to merely record these faces and bodies; he elaborated each into a sequence, and then explored the potential fantasy within each series. He would arrange these pictures into photo albums. This is the chronicle of an era as seen through the eyes and sensibility of one of its greatest visionaries. If you lived through that period, this is one of the best
Gruesome photographs document the victims of lynchings and the society that allowed mob violence.