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Young women in need of second chances find sympathy and assistance with the enigmatic Lady Whitmore in her seaside castle and village. The ultimate goal, to find husbands for these rejected ladies of the ton. Yet, not every young woman is motivated by the same emotions, for some of these ladies possess rakish hearts that can only be tamed by true love.----------------------------------------------------------------------------------------------------------------------------------------Her voice is pure, her motives wicked.Lady Sarah Merrington will never forget being spurned by the duke she was supposed to marry. After all, that is the very reason she finds herself as a personal guest to the enigmatic Lady Whitmore in her village on the coast, a place of sanctuary where a lady might learn new accomplishments and, perhaps, the necessary skills to charm the elites of society. And Sarah is determined to reinvent herself so she can seek satisfaction, if not a bit of feminine revenge against the Duke of Vexen.Leonard Blackmore, the Duke of Vexen, is invited to host a charitable event in a place he's never heard of before and by a lady he's never met. Pleased by the opportunity, he accepts the invitation only to find his gracious hostess, Lady Whitmore, is not only a fellow patron to the arts but provides second chances to young ladies who simply need a helping hand. Unexpectedly, the duke meets a beautiful woman who sings like an angel. He swears he's seen her before but can't quite remember where or when. It doesn't matter, for she's captured his deep interest, and he always gets what he wants.Sarah can't believe her duke has arrived, giving her the chance to fulfill her dream for revenge. But the more she's around him, the more she admires and likes him. And it's only a matter of time before he realizes who she is.Will Sarah take advantage of the perfect opportunity to fool her duke, or will she forgive and forget in order to give love a second chance?
Fiona McTavish is an engineer, a chemist, a rebel—and no one’s idea of a proper lady. She prefers breeches to ballrooms, but her new invention—matches—will surely turn as many heads. There’s just a little matter of her being arrested for a crime she didn’t commit. And the only person she can turn to for help is the man who broke her heart years ago. Edward Stirling, Duke of Wildeforde, will do anything to restore his family’s name and put his father’s scandalous death behind them. But when Fiona needs his help getting released from prison, he can’t deny her—even though it means she must live with him as a condition of her freedom. With the desire between them rekindling as fast as the gossip about their arrangement is spreading among the ton, Edward will have to choose what matters most to him—his reputation or his heart.
When Brandon Drew issues an edict that his youngest daughter will not be allowed to make her come-out unless her elder sister secures the attentions of a duke, Miss Charlotte Drew is understandably horrified.As a confirmed bluestocking and dedicated spinster, she has neither the charm or the ability to attract the attention of a duke- never mind the inclination. Luckily, help is at hand from Charlotte's friends and fellow wallflowers, and soon she is swanning around London on the arm of the Duke of Penrith.True, he is rude, proud, and terribly toplofty, but Charlotte assumes she can temporarily tolerate him for her the sake of her sister. But as Penrith begins to pursue her with more ardour than Charlotte had anticipated, she begins to realise that there is so much more to the snobbish duke than she had first thought....Hugh Landon Charles Abermale, Sixth Duke of Penrith, had no interest in courting anyone-let alone an opinionated Bluestocking. But when his cousin begs him to woo the shrewish Miss Drew, so that he might win her sister's hand, Hugh finds himself reluctantly agreeing to the hair-brained scheme. Miss Drew is everything that Hugh abhors in a woman; she is loud, opinionated, and decidedly unladylike...but she is also the most beguiling creature he has ever met. With time running out, Hugh seeks to discover the secrets of Charlotte's past, while desperately trying to win her hand.But what will his wallflower say, when she finds out that Hugh has been lying to her from the off?Tamed by a Duke is a charming reworking of Shakespeare's The Taming of the Shrew, and is sure to delight readers of Sweet Regency Romances.
The biggest, the boldest, the most comprehensive collection of Pulp writing ever assembled. Weighing in at over a thousand pages, containing over forty-seven stories and two novels, this book is big baby, bigger and more powerful than a freight train—a bullet couldn’t pass through it. Here are the best stories and every major writer who ever appeared in celebrated Pulps like Black Mask, Dime Detective, Detective Fiction Weekly, and more. These are the classic tales that created the genre and gave birth to hard-hitting detectives who smoke criminals like packs of cigarettes; sultry dames whose looks are as lethal as a dagger to the chest; and gin-soaked hideouts where conversations are just preludes to murder. This is crime fiction at its gritty best. Including: • Three stories by Raymond Chandler, Cornell Woolrich, Erle Stanley Gardner, and Dashiell Hammett. • Complete novels from Carroll John Daly, the man who invented the hard-boiled detective, and Fredrick Nebel, one of the masters of the form. • A never before published Dashiell Hammett story. • Every other major pulp writer of the time, including Paul Cain, Steve Fisher, James M. Cain, Horace McCoy, and many many more of whom you’ve probably never heard. • Three deadly sections–The Crimefighters, The Villains, and Dames–with three unstoppable introductions by Harlan Coben, Harlan Ellison, and Laura Lippman Featuring: • Plenty of reasons for murder, all of them good. • A kid so smart–he’ll die of it. • A soft-hearted loan shark’s legman learning–the hard way–never to buy a strange blonde a hamburger. • The uncanny “Moon Man” and his mad-money victims.
A student edition of Marston's classic play The Malcontent is a tragicomedy deriving from the tradition of the revenge play. The verbal ingenuity of Malevole, the "malcontent", and the extravagance of the drama, push the relentlessness of intrigue to its logical conclusion, exposing the basically comic aspect of the genre. The conventional function of the climactic masque is inverted, leading to the essential resolution of the comedy. This edition comes with full commentary and notes, together with photos of Jonathan Miller's acclaimed 1973 production at the Nottingham Playhouse.