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In contrast to other traditions, cultic laments in Mesopotamia were not performed in response to a tragic event, such as a death or a disaster, but instead as a preemptive ritual to avert possible catastrophes. Mesopotamian laments provide a unique insight into the relationship between humankind and the gods, and their study sheds light on the nature of collective rituals within a crosscultural context. Cultic laments were performed in Mesopotamia for nearly 3000 years. This book provides a comprehensive overview of this important ritual practice in the early 2nd millennium BCE, the period during which Sumerian laments were first put in writing. It also includes a new translation and critical edition of Uruamairabi (‘That city, which has been plundered’), one of the most widely performed compositions of its genre.
Collection of poetry.
This bestselling "lyrical, moving book: part essay, part memoir, part surprising cultural study" is an examination of why we cry, how we cry, and what it means to cry from a woman on the cusp of motherhood confronting her own depression (The New York Times Book Review). Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and impending parenthood, she decides to research the act of crying: what it is and why people do it, even if they rarely talk about it. Along the way, she discovers an artist who designed a frozen–tear–shooting gun and a moth that feeds on the tears of other animals. She researches tear–collecting devices (lachrymatories) and explores the role white women’s tears play in racist violence. Honest, intelligent, rapturous, and surprising, Christle’s investigations look through a mosaic of science, history, and her own lived experience to find new ways of understanding life, loss, and mental illness. The Crying Book is a deeply personal tribute to the fascinating strangeness of tears and the unexpected resilience of joy.
At just six years old Tom Wilson fell prey to a predator of the worst sort. David Murphy was supposed to be his carer, instead he lifted his victims from their beds in the dead of night, and Tom was powerless to stop it. Tom endured years of horrific abuse which led to years of silence and self-torture. He grew up to be a troubled man, stumbling through care homes, schools, borstal and eventually prison. The damage that was done to him in those early years had destroyed his life. Then, one day, Tom read a newspaper article which unlocked the terrible memories he'd kept hidden for over forty tormented years. And a painful battle for justice began...
As The Giving Tree turns fifty, this timeless classic is available for the first time ever in ebook format. This digital edition allows young readers and lifelong fans to continue the legacy and love of a classic that will now reach an even wider audience. "Once there was a tree...and she loved a little boy." So begins a story of unforgettable perception, beautifully written and illustrated by the gifted and versatile Shel Silverstein. This moving parable for all ages offers a touching interpretation of the gift of giving and a serene acceptance of another's capacity to love in return. Every day the boy would come to the tree to eat her apples, swing from her branches, or slide down her trunk...and the tree was happy. But as the boy grew older he began to want more from the tree, and the tree gave and gave and gave. This is a tender story, touched with sadness, aglow with consolation. Shel Silverstein's incomparable career as a bestselling children's book author and illustrator began with Lafcadio, the Lion Who Shot Back. He is also the creator of picture books including A Giraffe and a Half, Who Wants a Cheap Rhinoceros?, The Missing Piece, The Missing Piece Meets the Big O, and the perennial favorite The Giving Tree, and of classic poetry collections such as Where the Sidewalk Ends, A Light in the Attic, Falling Up, Every Thing On It, Don't Bump the Glump!, and Runny Babbit. And don't miss the other Shel Silverstein ebooks, Where the Sidewalk Ends and A Light in the Attic!
The death of high school basketball star Rob Washington in an automobile accident affects the lives of his close friend Andy, who was driving the car, and many others in the school.
Eighty-nine-year-old Regina and ninety-year-old Jackie met in 1955, an era when women were rounded up and jailed simply for dancing together or dressing like a man. On a cold winter day they manage to get themselves out of the house with the help of TJ and Ramon, two young men from their working-class neighborhood in Western Massachusetts. They tie their long-dead Christmas tree to the top of their car and, using a screwdriver in place of a broken gearshift, slowly make the drive to the dump. This is also the day when everything changes. During the course of their adventure, memories are triggered. Their history as a passionate and devoted, but troubled couple at the intersection of historic cultural and political change unfolds via scenes from the past—including their first meeting during a police raid on a bar and Regina's epiphany that she could truly love another woman. In the early years, they often live apart as they flee landlords who discover their secret. As their journey leads them to seek jobs and a sustainable life, they are sometimes separated—but always find their way back to each other. Combining the pathos and social significance of Fried Green Tomatoes at the Whistle Stop Café and the humor of The Golden with a cast of diverse characters worthy of the musical Rent, Fishwives chronicles a lifetime through the eyes of two old women behaving badly.
This thoughtful, poetic book uses metaphors and beautiful imagery to explore the reasons for our tears. In a soft voice, Mario asks, “Mother, why do we cry?” And his mother begins to tell him about the many reasons for our tears. We cry because our sadness is so huge it must escape from our bodies. We cry because we don’t understand the world, and our tears go in search of an answer. Most important, she tells him, we cry because we feel like crying. And, as she shows him then, sometimes we feel like crying for joy. This warm, reassuring hug of a book makes clear that everyone is allowed to cry, and that everyone does.
Alfredo, a choir boy in 18th-century Italy, loses his family in a fire, and his mysterious Uncle Giorgio spirits him away to their ancestral home below a volcano. There he learns that Uncle Giorgio is the Master of the Mountain; he can control the volcano. He is also an alchemist, able to make gold from the tears of the fiery salamander he captured from the heart of the mountain. Alfredo is his heir, the next Master; and as Alfredo learns the history of his family and its power, he begins to suspect that his uncle is actually a fearsome sorcerer.
When a woman becomes pregnant, miscarriage is usually the furthest thing from her mind. Such was the case for Jessalyn Hutto when she became pregnant with her first baby. But as is all too common in our post-fall world, the life she carried came to an abrupt end. Death had visited her womb, and the horrors of miscarriage had become a part of her life’s story. ••• Ultimately, she would lose two children in the womb, at 6 and 15 weeks gestation. Through these painful losses, a whole new world of suffering opened up to her. It seemed that everywhere she looked women were quietly mourning the loss of their unborn children. Yet this particular type of loss has been grossly overlooked by the church. ••• Couples navigating the unique sorrow of losing a child are often left with little biblical counsel to draw upon. Well-meaning friends and family often offer empty platitudes and Christian clichés. But what these couples truly need is the hope of the gospel. ••• Short, sensitive, and theologically robust, Inheritance of Tears offers hope and comfort to those who are called to walk through the painful trial of miscarriage, and shows pastors and church members how to effectively minister to these parents in their time of need.