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From her days as a youthful minx at Metro Goldwyn Mayer to her post-studio reign as America's lustiest middle-aged movie queen, Taylor has defined the very essence of Hollywood stardom. How to be a Movie Star is a different kind of book about Elizabeth Taylor: an intimate, up-close look at a girl who grew up with fame, who learned early-and well-how to be famous, and how that fame was used and constructed to carry her through more than sixty years of public life. Indeed, one might say Elizabeth went to school to learn how to be famous, her education courtesy of Metro Goldwyn Mayer, the greatest, most glamorous movie studio of all time.
Josy wants to be a movie star... along with half of Los Angeles. But his big break could come in the form of an enigmatic novelist named Q-Bert, who Josy might have a friend crush on, and Q-Bert's directorial debut.
If I were a movie star, I would jet to places around the world. I would wear fancy costumes and get my hair and make-up done. I would make audiences laugh and cry. Dream big, and see what fun it is to be a movie star.
So you want to be a Movie Star? What kind will you be? Pirate Captain? Noble Queen? Superhero? Maybe a Comedian or a star on Broadway? Anything is possible with a little fun and a whole lot of creativity. Join Evie (and Oscar) as they imagine their way through the magic of movies, theatre and play time.
Having unexpectedly landed a role in a movie being shot at her high school, Jessie discovers that movie stars and the film industry are not as glamorous as she once thought.
While spending the summer in California with her movie-star grandmother, fifteen-year-old Kat reluctantly agrees to impersonate the aging actress in the hopes of helping her land an important movie role.
A narrative account of Elizabeth Taylor's career, with particular attention paid to how the consummate movie star influenced and crafted her image over the years.
During the mid-1950s, when Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock 'n' roll stars. Rock stars eventually found cinema to be a useful space to extend their creative practices, and the motion picture and recording industries increasingly saw cinematic rock stardom as a profitable means to connect multiple media properties. Indeed, casting rock stars for film provided a tool for bridging new relationships across media industries and practices. From Elvis Presley to Madonna, this book examines the casting rock stars in films. In so doing, Rock Star/Movie Star offers a new perspective on the role of stardom within the convergence of media industries. While hardly the first popular music culture to see its stars making the transition to screen, the timing of rock's emergence and its staying power within popular culture proved fortuitous for a motion picture business searching for its place in the face of continuous technological and cultural change. At the same time, a post-star-system film industry provided a welcoming context for rock stars who have valued authenticity, creative autonomy, and personal expression. This book uses illuminating archival resources to demonstrate how rock stars have often proven themselves to be prominent film workers exploring this terrain of platforms old and new - ideal media laborers whose power lies in the fact that they are rarely recognized as such. Combining star studies with media industry studies, this book proposes an integrated methodology for writing media history that combines the actions of individuals and the practices of industries. It demonstrates how stars have operated as both the gravitational center of media production as well as social actors who have taken on a decisive role in the purposes to which their images are used.
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LEX DANTE IS A HANDSOME AND TALENTED YOUNG MOVIE STAR. HE SHOULD HAVE THE WORLD AT HIS FEET BUT THERE IS A STREAK OF SELF-LOATHING IN LEX. HE HAS FOUND THAT FAME HAS DISADVANTAGES. HE HAS LITTLE PRIVACY AND HIS PERSONAL RELATIONSHIPS CAUSE MEDIA SPECULATION.WHEN LEX ARRIVES IN LONDON FROM HOLLYWOOD TO PROMOTE HIS LATEST FILM HE LEARNS THAT AN OLD FRIEND, TRUDY, HAS BEEN MURDERED. HER DEATH SPARKS OFF A TRAIL OF JEALOUSY AND REVENGE.CAN LEX FIND OUT WHO KILLED TRUDY?