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How the Movies Got a Past presents a comprehensive survey of the rise of historiographical discourse on cinema in North America as it is reflected in publications, exhibitions, lectures, and films about the cinema as a technology, artform, and source of entertainment, from its inception up to 1930. With a wealth of case studies and illustrations, this book will appeal to media historians, silent movie buffs, film archivists, and students alike.
Essays that consider how classic movies have reflected history include the writings of such noted historians as Paul Fussell, Antonia Fraser, and Gore Vidal.
Describes the accuracy, historical context, plot, and entertainment value of over three hundred significant films
“Being Kevin Smith is my favorite thing in the world. . . . I don’t have a job. I don’t even have a career anymore. I’m just me for a living.” Making the leap from convenience store worker to international film icon, Kevin Smith has spent over twenty-five years at the forefront of pop culture. In this hilariously candid treasure trove of artifacts and anecdotes, Kevin tells the full story of his incredible life for the first time, from his early days in Highlands, New Jersey, through to the breakout success of low-budget indie smash Clerks in 1994, and the series of hit films that allowed him to build his own cinematic “View Askewniverse.” • THE STORY OF KEVIN SMITH, TOLD BY KEVIN HIMSELF: Both funny and confessional, Kevin Smith’s Secret Stash sees the director hold forth on all aspects of his career, including his live shows and podcasts, plus his comics and television work, such as the hit AMC show Comic Book Men. • NEVER-BEFORE-SEEN TREASURES: This deluxe volume is illustrated with a wealth of rare and never-before-seen items from Kevin’s personal archives, including script pages, personal letters, and concept art from beloved movies including Mallrats, Chasing Amy, Jay and Silent Bob Strike Back, Red State, Tusk, Jay and Silent Bob Reboot, and more. It also features a range of special pullout features exclusive to the book, including Kevin’s application to film school and comic art from Chasing Amy. • SPECIAL CONTRIBUTORS: In addition to a foreword from Kevin’s longtime collaborator and friend Jason Mewes, the book includes contributions from J. J. Abrams, Ben Affleck, Marc Bernardin, Ming Chen, Shannon Elizabeth, Walt Flanagan, Ralph Garman, Mark Hamill, Bryan Johnson, David Klein, Justin Long, Scott Mosier, Brian O’Halloran, Seth Rogen, Jennifer Schwalbach-Smith, and Harley Quinn Smith. • OWN THE ULTIMATE KEVIN SMITH TRIBUTE: Definitive, revelatory, and packed with exclusive surprises, Kevin Smith’s Secret Stash is the book fans have been waiting for and a must-have for pop culture aficionados everywhere.
The men of Fertile FC, a six-a-side football team, came together to get fit, played for fun and then stayed up far too late after every game having a good time. But before they had the chance to kick a ball for their second season, they'd all, bar one, scored a goal of a different kind. They'd become expectant fathers and were looking at entirely new goals of responsibility and commitment. Jim, Yari, Ross, Rick, Neil and Nick tell of their journeys into fatherhood - how they dealt with the good bits (more sex before pregnancy); the bad bits (less sex after pregancy); the sticky bits (the birth); and finally bringing home the trophy - a shiny new baby. These men aren't experts at childbirth (or football) but their stories will appeal to new fathers (and mothers) as they prepare the game of their lives.
ANOTHER VENTURE BOUND BOOK! Whether you are seeking a new travel adventure, enjoy immersing yourself in history with a light touch, or are just looking for a good tale, the Andersons' first volume of Travels Into Our Past: America's Living History Museums & Historical Sites will be a satisfying reading experience. When you delve into the pages of this book, you'll find yourself on an investigation of your ancestors' legacy on the different farms at Old World Wisconsin, each originally settled by a Norwegian, Dane, German, Pole, Finn, and a rich Yankee. Discover the Arabia Steamboat Museum near Kansas City and learn the unusual story of the ship which sank in the Missouri River in 1856. Because of one of the many course changes of the "Big Muddy," the Arabia was later found buried deep in a farmer's field and was excavated with its cargo, a virtual "floating Wal-Mart." In Fort Smith, Arkansas, you'll read of a fire that became known as "the night of the lingerie parade." Living history museums are an engaging and interactive way to learn about various facets of our vast country's relatively short history through demonstrations, preserved structures and re-enacted events. The Andersons share over fifty of their memorable experiences at these story-telling historical sites.
From William Dickson's Rip Van Winkle films (1896) to Baz Luhrmann's big-budget production of The Great Gatsby (2013) and beyond, cinematic adaptations of American literature participate in a rich and fascinating history. Unlike previous studies of American literature and film, which emphasize particular authors like Edith Wharton and Nathaniel Hawthorne, particular texts like Moby-Dick, particular literary periods like the American Renaissance, or particular genres like the novel, this volume considers the multiple functions of filmed American literature as a cinematic genre in its own right-one that reflects the specific political and aesthetic priorities of different national and historical cinemas even as it plays a decisive role in defining American literature for a global audience.
In 1948, the Australian government banned the production, importation and exhibition of horror films in a move to appease religious communities and entertainment watchdogs. Drawing upon previously unseen government documents, private letters and contemporary newspaper accounts, this book is the first to extensively cover the history of censorship and the early production of horror movies in Australia. Beginning its examination in the late 19th century, the book documents the earliest horror films like Georges Melies' The Haunted Castle (1896), and how Australians enjoyed such films before the ban. The book then explains how certain imports, like 1954's Creature from the Black Lagoon, were able to circumvent the ban while others were not. It also reveals how Australian television, though similarly impacted by government censorship, was occasionally able to broadcast films technically banned from cinematic release. The work concludes with a look at the first Australian horror films produced after the ban was formally lifted in 1969, like Terry Bourke's Night of Fear (1973).
More than 70 scholars examine how filmmakers have presented and interpreted the most important events, topics, eras and figures in the American past, often comparing the film versions of events with the interpretations of the best historians who have explored the topic.