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Drawing on a huge range of resources and references Daniel Pinchbeck presents a compelling argument for the need for change on a global basis - it is only when we see ourselves as one planetary tribe that this change can occur. The central thesis is that humanity has self-willed the ecological crisis in order to bring about the necessary conditions for transcendence of our current state of being, by undergoing an initiatory ordeal on a planetary scale. This collective ordeal is necessary for us to evolve from one state of being - our current level of consciousness - to the next. By passing through this initiation we realize ourselves as one unified being, a planetary super-organism in a symbiotic relationship with the Earth's ecology and the entire web of life. Covering everything from energy and agriculture, to culture, politics, media and ideology, Pinchbeck's book is ultimately about the nature of the human soul and the future of our current world. He calls for an intentional and consciously designed metamorphosis of our current systems. which transform capitalist and exclusive structures into participatory, democratic, and inclusive ones, based on an integration of Eastern metaphysics, social ecology, and radical political thought. "How Soon is Now? gives us the context we need to understand the chaos and turbulence of our times." – Sting
One of the most tangible aftershocks of Punk was its urgency to prompt individuals into action. Document your reality: do it yourself. From this, a generation of young men were inspired and, with often zero financial planning or business sense, in a bedroom, garage or shed, labels such as Factory, Rough Trade, Mute, 4AD, Beggars Banquet, Warp, Domino and Creation began, shifting the musical landscape and trading on an ethos and identity no brand consultant would now dare dream of. Musicians were encouraged to do whatever the hell they wanted and damn the consequences. From humble beginnings, some of our most influential artists were allowed to thrive: New Order, The Smiths, Depeche Mode, Orange Juice, Cocteau Twins, Sonic Youth, Happy Mondays, Primal Scream, Aphex Twin, Teenage Fanclub, My Bloody Valentine, Autechre, Broadcast, Vampire Weekend, The White Stripes and Artic Monkeys to name but a handful. This is the story, set to an incredible soundtrack, of the enormous scale of the passions, the size of the egos, and the true extent of the madness of the mavericks who had the vision and bloody-mindedness to make the musical landscape exciting again.
We are on the brink of an ecological mega-crisis threatening the future of life on earth and our actions over the next few years may well determine the destiny of our descendants. Between a manifesto and a tactical plan of action, How Soon is Now? by radical futurist and philosopher Daniel Pinchbeck outlines a vision for a mass social movement that will address this crisis. Drawing on a huge range of resources and references Daniel Pinchbeck presents a compelling argument for the need for change on a global basis – it is only when we see ourselves as one planetary tribe that this change can occur. The central thesis is that humanity has self-willed the ecological crisis in order to bring about the necessary conditions for transcendence of our current state of being, by undergoing an initiatory ordeal on a planetary scale. This collective ordeal is necessary for us to evolve from one state of being – our current level of consciousness – to the next. By passing through this initiation we realize ourselves as one unified being, a planetary super-organism in a symbiotic relationship with the Earth's ecology and the entire web of life. Covering everything from energy and agriculture, to culture, politics, media and ideology, Pinchbeck's book is ultimately about the nature of the human soul and the future of our current world. He calls for an intentional and consciously designed metamorphosis of our current systems, which transform capitalist and exclusive structures into participatory, democratic, and inclusive ones, based on an integration of Eastern metaphysics, social ecology, and radical political thought. "How Soon is Now? gives us the context we need to understand the chaos and turbulence of our times." – Sting
Morrissey & Marr: The Severed Alliance is among the most successful – and controversial – rock biographies ever published. Having denounced the book and called for the death of its author Johnny Rogan, Morrissey later did a U-turn and cited it as evidence in the royalty-related court case brought by Smiths drummer Mike Joyce.Now, 20 years after it was first published, Rogan has returned to his definitive Smiths biography to produce a completely revised edition based on new information and new interviews to add to the almost 100 initially conducted over a four-year period. Widely acclaimed as one rock’s leading writers, Johnny Rogan now brings yet more insight and analysis to his best-selling book that revealed, for the first time, the true and unsanitised story of The Smiths – the most important group of their generation.
This volume brings together literary and musical compositions of medieval France, including the Occitanian region, identifying the use of voice in these works as a way of articulating gendered identities. The contributors to this volume argue that because medieval texts were often read or sung aloud, voice is central for understanding the performance, transmission, and reception of work from the period across a wide variety of genres. These essays offer close readings of narrative and lyric poetry, chivalric romance, sermons, letters, political writing, motets, troubadour and trouvère lyric, crusade songs, love songs, and debate songs. Through literary, musical, and historiographical analyses, contributors highlight the voicing of gendered perspectives, expressions of sexuality, and power dynamics. The volume includes feminist readings, investigations of masculinity, queer theory, and intersectional approaches. The contributors interpret literary or musical works by Chrétien de Troyes, Aimeric de Peguilhan, Hue de la Ferté, the Chastelain de Couci, Jacques de Vitry, Christine de Pizan, Anne de Graville, Alain Chartier, and Giovanni Boccaccio, among others. Gender and Voice in Medieval French Literature and Song offers a valuable interdisciplinary approach and contributes to the history of women’s voices in the Middle Ages and Early Modern periods. It illuminates the critical role of voice in negotiating culture, celebrating and innovating traditions, advancing personal and political projects, and defining the literary and musical developments that shaped medieval France. Contributors: Lisa Colton | Emily J Hutchinson | Daisy Delogu | Tamara Bentley Caudill | Katherine Kong | Meghan Quinlan | Lydia M Walker | Rachel May Golden | Anna Kathryn Grau | Anne Adele Levitsky
In 1983, an Ohio radio station called WOXY launched a sonic disruption to both corporate rock and to its conservative home region, programming an omnivorous range of genres and artists while being staunchly committed to local independent art and media. In the 1990s, as alternative rock went mainstream and radio grew increasingly homogeneous, WOXY gained international renown as one of Rolling Stone's "Last Great Independent Radio" stations. The station projected a philosophy that prioritized such independence—the idea that truly progressive, transgressive, futuristic disruptions of the status quo were possible only when practiced with and for other people. In The Future of Rock and Roll, philosopher Robin James uses WOXY's story to argue against a corporate vision of independence—in which everyone fends for themselves—and in favor of an alternative way of thinking and relating to one another that disrupts norms but is nevertheless supported by communities. Against the standard retelling of the history of "modern rock," James looks to the local scenes that made true independence possible by freeing individual artists from the whims of the boardroom. This philosophy of community-rooted independence offers both a counternarrative to the orthodox history of indie rock and an alternative worldview to that of the current corporate mainstream.
The definitive book about The Smiths, one of the most beloved, respected, and storied indie rock bands in music history. They were, their fans believe, the best band in the world. Hailing from Manchester, England, The Smiths--Morrissey, Johnny Marr, Andy Rourke, and Mike Joyce--were critical and popular favorites throughout their mid-1980s heyday and beyond. To this day, due to their unforgettable songs and lyrics, they are considered one of the greatest British rock groups of all time--up there with the Beatles, the Stones, the Who, and the Clash. Tony Fletcher paints a vivid portrait of the fascinating personalities within the group: Morrissey, the witty, literate lead singer whose loner personality and complex lyrics made him an icon for teenagers who felt forlorn and forgotten; his songwriting partner Marr, the gregarious guitarist who became a rock god for a generation of indie kids; and the talented, good-looking rhythm section duo of bassist Rourke and drummer Joyce. Despite the band's tragic breakup at the height of their success, A Light That Never Goes Out is a celebration: the saga of four working-class kids from a northern English city who come together despite contrasting personalities, find a musical bond, inspire a fanatical following, and leave a legacy that changed the music world--and the lives of their fans.
The Third Edition of Knowles Neoplastic Hematopathology has been thoroughly updated by the world's experts to cover all aspects of neoplastic hematopathology, a field that covers disorders of the bone marrow, spleen, and lymphatic system. Now in full-color, this completely revised and expanded edition integrates the basic science, modern diagnostic techniques, and clinical aspects of malignant diseases affecting these organs. It is the most comprehensive, encyclopedic textbook concerning neoplastic hematopathology available on the market today.
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