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Essay from the year 2005 in the subject American Studies - Literature, grade: 1,0, University of Siegen (FB 3: Literatur-, Sprach- und Medienwissenschaften), course: Slave Narratives, language: English, abstract: “If I hadn’t killed her, she would have died.” (119) It is a most horrible scene: A mother killing her own flesh and blood, out of deepest mother-love. Toni Morrison’s novel "Beloved" takes this gruesome deed as an approach to illuminate the tortuous and intricate slave mother/child relationship, a bond that in many respects reflects the atrocious nature of slavery. Hence, the essay aims at elucidating the significance and extensive meaning of maternity in Morrison’s extraordinary slave narrative.
Nellie Norton - or, Southern slavery and the Bible is an unchanged, high-quality reprint of the original edition of 1864. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
The first sustained analysis of the place of homoeroticism in Joyce's cultural politics
Winner of the Nobel Prize for Literature in 1993, Toni Morrison is among our most distinguished contemporary novelists. Morrison describes herself as a black woman novelist, and all her novels deal with African American characters and communities. Exploring the entire cycle of human life in a spiritual context, her novels are also universal in their depiction of families, especially mothers and their children. From her first novel, The Bluest Eye, to her most recent, Paradise, Toni Morrison has explored the African American experience, and by extension, the human experience. Her characters linger in our minds long after we have finished reading the novel. This is the only book-length study to discuss all of Morrison's novels published to date. This study analyzes in turn each of Morrison's novels. It also provides the reader with a complete bibliography of her writings, as well as selected reviews and criticism. Following a biographical chapter on Toni Morrison's life, Kubitschek discusses Morrison's writing in the tradition not only of African American literature but of the great modernist and postmodernist American writers. Each of the following chapters examines an individual novel: The Bluest Eye (1970), Sula (1973), Song of Solomon (1977), Tar Baby (1981), Beloved (1987), Jazz (1992), and Paradise (1998). The discussion of each novel features sections on plot and character development, narrative structure, thematic issues, and an alternative critical approach from which to read the novel. Written specifically for high school and college students and general readers, this study illuminates and enriches the reading of Morrison's novels.
This book closely examines the mother figure in six works by African American women at various times in American history: Harriet Jacobs's Incidents in the Life of a Slave Girl, Pauline Hopkins's Contending Forces, Nella Larsen's Passing, Gwendolyn Brooks's Maud Martha, Alice Walker's The Color Purple, and Toni Morrison's Beloved. It studies how the mother in each novel negotiates the ragged, hostile landscape of a prohibitive environment to love, protect, and raise her children. Delving far deeper than surface explanations, it is informed by psychological analysis to reveal the forces that create the unique tensions of the African American mother's life, her inspired strategies for survival, and the character of the nurturing she gives her children.
The book aims to broaden understanding of the diverse positions and meanings of motherhood by investigating understudied and marginalized mothers (rural itinerant, African American, and Irish Catholic American) between 1920 and 1960. Fuelled by anxieties around feminism, a perception of men’s loss of status and masculinity, racial tensions, and fears about immigration, "antimaternalism" discourse blamed mothers for a wide range of social ills in the first half of the 20th Century. Mothering, Time, and Antimaternalism considers the ideas, practices, and depictions of antimaternalism, and the ways that mothers responded. Religion, class, race, ethnicity, gender, and immigration status are all analysed as factors shaping maternal experience. The book develops the historical context of American motherhood between 1920 and 1960, examining how changing ideas – scientific motherhood, time efficiency, devaluation of domesticity, racial and religious bias - influenced the construction and experiences of motherhood. This is a fascinating and important book suitable for students and scholars in history, gender studies, cultural studies and sociology.
“A magisterial and landmark work, one that merits wide and thoughtful readership not only by historians, but, more important, by those of us who count on historians to tell us truly about our past.”—New York Times “A testament to the resilience of the black spirit, faced with a primitive and largely conscienceless regime.”—Bertram Wyatt-Brown, South Atlantic Quarterly “This volume does much more than merely present a rich collection of judiciously selected and skillfully edited sources of the history of slavery; in the process it reveals a host of large-as-life slaves and ex-slaves: Kale, the precocious eleven-year-old Mende of the Amistad rebels, who quickly learned to write eloquent and polished English; Harry McMillan of Beaufort, South Carolina, who talked frankly of black love and marriage; Charlotte Burris of Kentucky, so ‘afflicted’ that her husband was permitted to buy her for only $25.00—‘as much as I was worth,’ she self-effacingly said; and many more. This illumination of the slave as an individual is really what the book is all about.”—Journal of Southern History “A mammoth presentation of two centuries of slave recollections . . . extraordinary firsthand narratives that should become the premier reference volume on the slave experience for years to come.”—Columbia (SC) State “The largest collection of annotated and authenticated accounts of slaves ever published in one volume. . . . So valuable a compilation is this study that its real worth cannot be measured for some time to come.”—Richmond News Leader
This book analyzes Walt Disney’s impact on entertainment, new media, and consumer culture in terms of a materialist, psychoanalytic approach to fantasy. The study opens with a taxonomy of narrative fantasy along with a discussion of fantasy as a key concept within psychoanalytic discourse. Zornado reads Disney’s full-length animated features of the “golden era” as symbolic responses to cultural and personal catastrophe, and presents Disneyland as a monument to Disney fantasy and one man’s singular, perverse desire. What follows after is a discussion of the “second golden age” of Disney and the rise of Pixar Animation as neoliberal nostalgia in crisis. The study ends with a reading of George Lucas as latter-day Disney and Star Wars as Disney fantasy. This study should appeal to film and media studies college undergraduates, graduates students and scholars interested in Disney.
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