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WINNER OF THE BOOKER PRIZE ‘A passionate, scintillating, brilliant song of a book’ Guardian Sammy's had a bad week. Most of it's just a blank space in his mind, and the bits that he can remember, he'd rather not. His wallet's gone, along with his new shoes, he's been arrested then beaten up by the police and thrown out on the street - and he's just gone blind. He remembers a row with his girlfriend, but she seems to have disappeared; and he might have been trying to fix a bit of business up with an old mate, he's not too sure. Things aren't looking too good for Sammy and his problems have hardly begun.
James Kelman, the Man Booker Prize–winning author of How Late It Was, How Late, tells the story of Helen—a sister, a mother, a daughter—a very ordinary young woman. Her boyfriend said she was quirky but she is much more than that. Trust, love, relationships; parents, children, lovers; death, wealth, home: these are the ordinary parts of the everyday that become extraordinary when you think of them as Helen does, each waking hour. Mo Said She Was Quirky begins on Helen’s way home from work, with the strangest of moments when a skinny, down-at-heel man crosses the road in front of her and appears to be her lost brother. What follows is an inspired and absorbing story of twenty-four hours in the life of a young woman.
Murdo, a teenager obsessed with music, dreams of a life beyond his Scottish island home. His dad Tom has recently lost his wife and stumbles towards the future, terrified of losing control of what remains of his family life Both are in search of something as they set out on an expedition into the American South. As they travel they encounter a new world and we discover whether the hopes of youth can conquer the fears of age. Dirt Road is a major novel exploring the brevity of life, the agonising demands of love and the lure of the open road. It is also a beautiful book about the power of music and all that it can offer.
In the superbly crafted and critically acclaimed You Have to Be Careful in the Land of the Free, James Kelman has created an unforgettable character and a darkly comic portrait of a post-9/11 America. Jeremiah Brown, a Scottish immigrant in his early thirties, has lived in the United States for twelve years. He has moved as many times, from the East Coast to the West Coast and back again, all in the hope his luck would change. To add to his restlessness and indecision, he now has a nonrefundable ticket to Glasgow--by way of Seattle, Canada, Iceland, and England--to visit his mother. On his last night in the States, Jeremiah finds himself in a town south of Rapid City, moving from bar to bar, attracting and repelling strangers, losing count of the beers he has drunk. All the while he is haunted by memories and by an acute sense of foreboding.
Patrick Doyle is a twenty-nine-year-old teacher in an ordinary comprehensive school. Isolated, frustrated and increasingly bitter at the system he is employed to maintain, he begins his rebellion, fuelled by drink and his passionate, unrequited love for a fellow teacher.
This novel is set in an unnamed country that appears to be under military rule. The language used is an atypical English form, but akin to the basic translation that might appear within a department of an overseas foreign office.
A significant number of Americans get some of their "news" about politics and national affairs from comedy shows. Is "infotainment" a debasement, or a replacement, for traditional news outlets?
Newly arrived from Ghana with his mother and older sister, eleven-year-old Harrison Opoku lives on the ninth floor of a block of flats on a London housing estate. The second best runner in the whole of Year 7, Harri races through his new life in his personalised trainers - the Adidas stripes drawn on with marker pen - blissfully unaware of the very real threat all around him. With equal fascination for the local gang - the Dell Farm Crew - and the pigeon who visits his balcony, Harri absorbs the many strange elements of his new life in England: watching, listening, and learning the tricks of inner-city survival. But when a boy is knifed to death on the high street and a police appeal for witnesses draws only silence, Harri decides to start a murder investigation of his own. In doing so, he unwittingly endangers the fragile web his mother has spun around her family to try and keep them safe. A story of innocence and experience, hope and harsh reality, Pigeon English is a spellbinding portrayal of a boy balancing on the edge of manhood and of the forces around him that try to shape the way he falls.
From the Man Booker Prize–winner of The Promise: “This tale of ill-fated journeys through Greece, Africa and India shows” the author of The Quarry “at a superb new high” (The Guardian). In this newest novel from South African writer Damon Galgut, a young loner travels across eastern Africa, Europe, and India. Unsure what he’s after, and reluctant to return home, he follows the paths of travelers he meets along the way. Each new encounter—with an enigmatic stranger, a group of careless backpackers, and a woman on the verge—leads him closer to confronting his own identity. Traversing the quiet of wilderness and the frenzy of border crossings, every new direction is tinged with surmounting mourning, as he is propelled toward a tragic conclusion. Shortlisted for the 2010 Man Booker Prize, In a Strange Room is a hauntingly beautiful evocation of life on the road. It was first published in the Paris Review in three parts—“The Follower,” “The Lover,” and “The Guardian”—one of which was selected for a National Magazine Award and another for the O. Henry Prize.
Intimate new stories from the Booker Prize-winning James Kelman, bringing 'alive a human consciousness like no other writer can'. A trucker passes through a town he used to know and a local tries to sell him his sister; a couple put their children to bed and hear a loud scratching at the wall; a Principal and his associate examine the dead body before them; a man looks into a mirror and reflects on becoming more like his father. Sparky, touching and brilliantly daring, these stories reveal profound human feeling in the ordinary and the everyday, and are a reminder of Kelman's exceptional talent.