Download Free How It Feels To Float Book in PDF and EPUB Free Download. You can read online How It Feels To Float and write the review.

"Profoundly moving . . . Will take your breath away." —Kathleen Glasgow, author of Girl in Pieces "Give this to all your friends immediately . . . It tackles mental health, depression, sexual identity, and anxiety with beauty and empathy." —Cosmopolitan.com A Kirkus Reviews Best Book of the Year A Chicago Public Library Best of the Best of the Year Biz knows how to float, right there on the surface—normal okay regular fine. She has her friends, her mom, the twins. She has Grace. And she has her dad, who shouldn't be here but is. So Biz doesn't tell anyone anything—not about her dark, runaway thoughts, not about kissing Grace or noticing Jasper, the new boy. And not about seeing her dad. Because her dad died when she was seven. But after what happens on the beach, the tethers that hold Biz steady come undone. Her dad disappears and, with him, all comfort. It might be easier, better, sweeter to float all the way away? Or maybe stay a little longer, find her father, bring him back to her. Or maybe—maybe maybe maybe—there's a third way Biz just can't see yet. Debut author Helena Fox tells a story about love, grief, and inter-generational mental illness, exploring the hard and beautiful places loss can take us, and honoring those who hold us tightly when the current wants to tug us out to sea. "I haven't been so dazzled by a YA in ages." —Jandy Nelson, author of I'll Give You the Sun (via SLJ) "Mesmerizing and timely." —Bustle "Nothing short of exquisite." —PopSugar "Immensely satisfying" —Girls' Life * "Lyrical and profoundly affecting." —Kirkus (starred review) * "Masterful...Just beautiful." —Booklist (starred review) * "Intimate...Unexpected." —PW (starred review) * "Fox writes with superb understanding and tenderness." —BCCB (starred review) * "Frank [and] beautifully crafted." —BookPage (starred review) "Deeply moving...A story of hope." —Common Sense Media "This book will explode you into atoms." —Margo Lanagan, author of Tender Morsels "Helena Fox's novel delivers. Read it." —Cath Crowley, author of Words in Deep Blue "This is not a book; it is a work of art." —Kerry Kletter, author of The First Time She Drowned "Perfect...Readers will be deeply moved." —Books+Publishing
The beautiful struggle of a girl desperate for the one relationship that has caused her the most pain. In "one of the most lyrical novels I’ve ever read. Haunting and exquisite." —Nicola Yoon, #1 New York Times bestselling author of Everything, Everything and The Sun is Also a Star Cassie O'Malley has spent the past two and a half years in a mental institution--dumped there by her mother, against her will. Now, at 18, Cassie emancipates herself, determined to start over and reclaim her life. But when the unhealthy mother-daughter relationship that defined Cassie's childhood and adolescence threatens to pull her under once again, Cassie must decide: whose version of history is the truth, and whose life must she save? TEEN VOGUE listed as "One of the best books you need to know now." PASTE MAGAZINE lists it as "one of their most anticipated debuts of 2016" and as "one of the best books of the year so far." ALA BOOKLIST names it to their “Top 10 First Novels for Youth” list Included in B&N Teen Blog's Best Young Adult Books of 2016 More praise for The First Time She Drowned: "Lyrical, emotional...resonant." —Entertainment Weekly "Beautiful and passionate . . . [Kletter is] a writer of great distinction and infinite promise." —Pat Conroy, #1 New York Times bestselling author of The Prince of Tides and South of Broad ". . . An incredible read. Be warned though—you will want to read Cassie’s story, start to finish, in one sitting. And then you will want to race to put it in the hands (and hearts) of everyone you know and love." —Jennifer Niven, New York Times bestselling author of All the Bright Places "The First Time She Drowned is an exquisite and masterful dive, a brave exploration into the complexities of family, and the saving grace of friendship. Kletter’s writing is hypnotic, her characters alive, her story tragic, beautiful, hopeful. Simply put, this book is stunning." —David Arnold, critically acclaimed author of Mosquitoland and Kids of Appetite "[A] beautiful, gut-wrenching ache of a story. If you are at all interested in books, this is required reading." —Becky Albertalli, author of the Morris Award-winning Simon vs. the Homo Sapiens Agenda "The best writers are able to tell the most difficult stories with the most empathy, and that’s just what Kletter does in this haunting debut about a girl lost in the depths of her family’s secrets and shame. Complex, affirming, and beautifully written." —Stephanie Kuehn, author of the Morris Award-winning Charm & Strange "Gorgeous, sumptuously lyrical, luminous…a feast for lovers of language. The First Time She Drowned singlehandedly shatters every argument that YA books aren't fit fare for adults." —Jeff Zentner, author of The Serpent King
From the critically acclaimed author of the Edge of Extinction series comes this fast-paced, action-packed, and heartfelt adventure about a group of kids with uncontrollable abilities, perfect for fans of Gordon Korman, Lisa McMann, and Dan Gutman! Emerson can float…he just can’t do it very well. His uncontrollable floating is his RISK factor, which means that he deals with Reoccurring Incidents of the Strange Kind. The last place Emerson wants to be is at a government-mandated summer camp for RISK kids like him, so he’s shocked when he actually starts having fun at camp—and he even makes some new friends. But it’s not all canoeing and capture the flag at Camp Outlier. The summer of fun takes a serious turn when Emerson and his friends discover that one of their own is hiding a deadly secret that puts all of their lives in danger. It’s up to the Red Maple boys to save themselves—and everyone like them.
“Hayes leaves resonance cleaving the air.” —NPR In these works based on his Bagley Wright lectures on the poet Etheridge Knight, Terrance Hayes offers not quite a biography but a compilation “as speculative, motley, and adrift as Knight himself.” Personal yet investigative, poetic yet scholarly, this multi-genre collection of writings and drawings enacts one poet’s search for another and in doing so constellates a powerful vision of black literature and art in America. The future Etheridge Knight biographer will simultaneously write an autobiography. Fathers who go missing and fathers who are distant will become the bones of the stories. There will be a fable about a giant who grew too tall to be kissed by his father. My father must have kissed me when I was boy. I can’t really say. . . . By the time I was eleven or even ten years old I was as tall as him. I was six inches taller than him by the time I was fifteen. My biography about Knight would be about intimacy, heartache. Terrance Hayes is the author of How to Be Drawn, which received a 2016 NAACP Image Award for Poetry; Lighthead, which won the 2010 National Book Award for poetry; and three other award-winning poetry collections. He is the poetry editor at the New York Times Magazine and also teaches at the University y of Pittsburgh. American Sonnets for My Past and Future Assassin will also be forthcoming in 2018.
"New York's Chelsea Hotel may no longer be home to its most famous denizens--Andy Warhol, Leonard Cohen, Patti Smith, to name a few--but the eccentric spirit of the Chelsea is alive and well. Meet the family Rips: father Michael, a lawyer turned writer with a penchant for fine tailoring; mother Sheila, a former model and renowned artist who matches her welding outfits with couture; and daughter Nicolaia, a precocious high school junior at work on a record of her peculiar seventeen years. Nicolaia is a perpetual outsider who has struggled to find her place in public schools populated by cliquish girls and loudmouthed boys. But at the Chelsea, Nicolaia need not look far to find her tribe"--
Like many ambitious New York City teenagers, Craig Gilner sees entry into Manhattan's Executive Pre-Professional High School as the ticket to his future. Determined to succeed at life—which means getting into the right high school to get into the right college to get the right job—Craig studies night and day to ace the entrance exam, and does. That's when things start to get crazy. At his new school, Craig realizes that he isn't brilliant compared to the other kids; he's just average, and maybe not even that. He soon sees his once-perfect future crumbling away.
Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.
A New York Times Book Review Notable Book of the Year • A New York Times Book Review Editors' Choice • Winner of the Alex Award and the Massachusetts Book Award • Named a Best Book of the Year by NPR, San Francisco Chronicle, Entertainment Weekly, The Huffington Post, BuzzFeed, Grantland Booklist, St. Louis Post-Dispatch, Shelf Awareness, Book Riot, School Library Journal, Bustle, and Time Our New York The acclaimed debut novel by the author of Little Fires Everywhere and Our Missing Hearts “A taut tale of ever deepening and quickening suspense.” —O, the Oprah Magazine “Explosive . . . Both a propulsive mystery and a profound examination of a mixed-race family.” —Entertainment Weekly “Lydia is dead. But they don’t know this yet.” So begins this exquisite novel about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee, and her parents are determined that she will fulfill the dreams they were unable to pursue. But when Lydia’s body is found in the local lake, the delicate balancing act that has been keeping the Lee family together is destroyed, tumbling them into chaos. A profoundly moving story of family, secrets, and longing, Everything I Never Told You is both a gripping page-turner and a sensitive family portrait, uncovering the ways in which mothers and daughters, fathers and sons, and husbands and wives struggle, all their lives, to understand one another.
Now a major motion picture starring Andrea Bang and Robbie Amell! A heartfelt summer read for fans of Sarah Dessen and Jenny Han about holding on and letting go. Waverly Lyons has been caught in the middle of her parents’ divorce for as long as she can remember. This summer, the battle rages over who she’ll spend her vacation with, and when Waverly’s options are shot down, it’s bye-bye Fairbanks, Alaska and hello Holden, Florida to stay with her aunt. Coming from the tundra of the north, the beach culture isn’t exactly Waverly’s forte. The sun may just be her mortal enemy, and her vibe is decidedly not chill. To top it off? Her ability to swim? Nonexistent. Enter Blake, the (superhot) boy next door. Charming and sweet, he welcomes Waverly into his circle. For the first time in her life, Waverly has friends, a social life, and soon enough, feelings . . . for Blake. As the two grow closer, Waverly’s fortunes begin to look up. But every summer must come to an end, and letting go is hardest when you’ve finally found where you belong.
Chosen by Randall Mann as a winner of the Jake Adam York Prize, Brian Tierney’s Rise and Float depicts the journey of a poet working—remarkably, miraculously—to make our most profound, private wounds visible on the page. With the “corpse of Frost” under his heel, Tierney reckons with a life that resists poetic rendition. The transgenerational impact of mental illness, a struggle with disordered eating, a father’s death from cancer, the loss of loved ones to addiction and suicide—all of these compound to “month after / month” and “dream / after dream” of struck-through lines. Still, Tierney commands poetry’s cathartic potential through searing images: wallpaper peeling like “wrist skin when a grater slips,” a “laugh as good as a scream,” pears as hard as a tumor. These poems commune with their ghosts not to overcome, but to release. The course of Rise and Float is not straightforward. Where one poem gently confesses to “trying, these days, to believe again / in people,” another concedes that “defeat / sometimes is defeat / without purpose.” Look: the chair is just a chair.” But therein lies the beauty of this collection: in the proximity (and occasional overlap) of these voices, we see something alluringly, openly human. Between a boy “torn open” by dogs and a suicide, “two beautiful teenagers are kissing.” Between screams, something intimate—hope, however difficult it may be.