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This delightful jewel-like book evokes unmistakably Italian landscapes and cityscapes. Anne Desmet's pen commits every detail to paper, and the small-scale format emphasises her distinctive flair for capturing the relationship between extreme foreground and distance. This is a unique opportunity to explore Italy, from the Apennines to the Veneto, through the eyes of a meticulous and precise artist. AUTHOR: Anne Desmet RA specialises in wood engravings, linocuts and mixed-media collages. She has received over thirty international awards, and her work is included in museum collections and publications worldwide. She was elected a member of the Royal Academy of Arts in May 2011. For fifteen years she was editor of Printmaking Today magazine, and has published three printmaking books. She lives and works in London. SELLING POINTS: * Desmet's beautifully packaged book is packed, cover to cover, with a seductive grand tour of Italian cityscapes and landscapes * Colourful and atmospheric sketches in pen, wash and watercolour grant a unique insight into the perspectives and preoccupations of the artist roaming abroad * Transports the viewer from Rome and Venice to the landscapes of Sicily and Umbria 60 colour
Wood Engraving is an easily followed, practical manual on wood engraving for the beginner, written by a master in the field. The processes of printing and engraving are clearly explained, together with their material requirements. Up-to-date variations on techniques, and all the tips and methods that the author has found helpful in 30 years as a practitioner are included. The book is also a beautiful art object in its own right as Simon Brett's work is highly collectible. This book is a must have for all those who treasure his work and fine wood engraving in general.
Of all the sophisticated traditional arts and crafts of Japan, woodblock prints are probably the most widely known in the West. The bold yet refined compositions are as fresh to the Western eye today as they were when they first came to the attention of the Impressionists in the nineteenth century. With their fluid lines, intricate carving and delicate colors, Japanese prints are still as fascinating as ever. In this book, Rebecca Salter takes us through the history of the Japanese woodblock, discusses the materials, tools, and papers available (and their Western equivalents) and shows how to get the most out of them through interesting step-by-step projects. The work of an international group of artists shows the varied and exciting prints being produced today.
Explaining the distinctions between wood engraving, woodcuts and linocuts, this book introduces the reader to the rich and varied effects that can be achieved in printmaking. The author goes through the history of printmaking with some fascinating historical examples, then explores how the technique has developed as an art form.
" From the artist whom Nicholas Basbanes calls "the most important book illustrator working in America today" comes a primer on the art of wood engraving, a pursuit which one can "learn" in less than an hour but which one can master only through years of persistence, dedication, and indefatigable energy. Learning to engrave a block, says Barry Moser, is like learning to play the piano: it is all practice, practice, practice, all teaching the muscles how to perform the basics. At first your every gesture will be halting, labored, and self-conscious; then at last will come the moment when, like Ashkenazy at the keyboard, you can forget about "process," about "technique," and focus all your mental energy on making art. "There are no shortcuts," warns Moser. "Mastery comes only with time, work, and repetition. A great number of bad wood engravings must be made before one can expect to make a good one. Once your muscles know how to do their work, once they know how to carve thin white lines into boxwood, your mind will be free to invent." There is a lifetime of knowledge in this book: how to prepare a printing block; how to think in the medium's properties of line, shape, and ink; how to transfer a drawing onto a block. There is advice, too, on tools: not only on gravers (burins, scorpers, stipplers, and spitzstickers) but also on lights (you'll need a good strong one) and engraving bags (the leather pillows that cradle the blocks as you carve). Here is how to ink, how to choose paper, and how to print. Here is how to fail, how to move on, and how to acquire the habit of work that leads to real achievement. Wood Engraving is an art lesson and a life lesson. And because it's a book by Barry Moser, it is also a gallery of prints and beautiful to behold."--Publisher's website.
A clearly written, practical and illustrated handbook to woodcut techniques and printmaking, both a how-to book and reference for printmakers, designers and collectors that includes finished examples by accomplished woodcut artists.
"This original collection gathers the finest woodcuts of one of the most creative and prolific English artists of the early 20th century. Ranging from the religious to the erotic, featured designs include images inspired by The Song of Songs, The Canterbury Tales, and The Four Gospels. A feast for the eyes and an important and accessible reference. "--
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