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Magical' KANEEZ SURKA 'Funny, intense, thoughtful' FARAH BASHIR 'A rare, precious memoir' NATASHA BADHWAR When Shubnum Khan signed up for a photoshoot as part of an art project in college, she hadn’t imagined that the photographs would be plastered on billboards and advertisements all over the world. Two years on, her smiling face had sold condos in Mumbai and Florida, drawn subscribers to dating websites and convinced desperate customers of the supposed wonders of skin-lightening creams. This is but one of the many astounding misadventures she chronicles in How I Accidentally Became a Global Stock Photo and Other Strange and Wonderful Stories. In this part memoir, part travelogue, Shubnum takes you on unpredictable journeys far from her family home in South Africa. Whether it’s going off the grid in the Himalayas, getting pulled out of the ocean in Turkey or becoming a bride on a rooftop in Shanghai, she is quirky, moving and vulnerable in what she shares. All the while, she reflects on what it means to be a woman, especially a single Muslim woman, in the modern world. Her book is a helpful reminder that once ‘you step off the edge, anything can happen’.
Khadeejah is a hard-working and stubborn first-generation Indian woman who longs for her beloved homeland and often questions what she is doing on the tip of Africa. At 37, her daughter Summaya is struggling to reconcile her South African and Indian identities, while Summaya’s own daughter, eleven-year-old Aneesa, is a girl who has some difficult questions of her own. Is her mother lying to her about her father’s death? Why won’t she tell her what really happened? Gradually, the past merges with the present as the novel meanders through their lives, uncovering the secrets people keep, the words they swallow, and the emotions they elect to mute. For this family, faintly detectable through the sharp spicy aromas that find their way out of Khadeejah’s kitchen, the scent of tragedy is always threatening. Eventually, it will bring this family together. If not, it will tear them apart.
#1 NATIONAL BESTSELLER • A passionate call to arms against our era’s most pervasive human rights violation—the oppression of women and girls in the developing world. From the bestselling authors of Tightrope, two of our most fiercely moral voices With Pulitzer Prize winners Nicholas D. Kristof and Sheryl WuDunn as our guides, we undertake an odyssey through Africa and Asia to meet the extraordinary women struggling there, among them a Cambodian teenager sold into sex slavery and an Ethiopian woman who suffered devastating injuries in childbirth. Drawing on the breadth of their combined reporting experience, Kristof and WuDunn depict our world with anger, sadness, clarity, and, ultimately, hope. They show how a little help can transform the lives of women and girls abroad. That Cambodian girl eventually escaped from her brothel and, with assistance from an aid group, built a thriving retail business that supports her family. The Ethiopian woman had her injuries repaired and in time became a surgeon. A Zimbabwean mother of five, counseled to return to school, earned her doctorate and became an expert on AIDS. Through these stories, Kristof and WuDunn help us see that the key to economic progress lies in unleashing women’s potential. They make clear how so many people have helped to do just that, and how we can each do our part. Throughout much of the world, the greatest unexploited economic resource is the female half of the population. Countries such as China have prospered precisely because they emancipated women and brought them into the formal economy. Unleashing that process globally is not only the right thing to do; it’s also the best strategy for fighting poverty. Deeply felt, pragmatic, and inspirational, Half the Sky is essential reading for every global citizen.
Forsaking Paradise is a collection of stories that address and express the angst ridden dilemmas of modern Ladakhi society. Written by Abdul Ghani Sheikh, one of the foremost writers in Urdu in Ladakh today, these stories offer a glimpse into a world that has been highly romanticized but is grounded in reality.
Explores globalization, its opportunities for individual empowerment, its achievements at lifting millions out of poverty, and its drawbacks--environmental, social, and political.
The post-apartheid dispensation that has seen Black people continue to be hurled at the margins of existence has crystalised mental pathologies that have their roots in our violent and amoral past. Millions of Black people in South Africa are battling with a range of mental health challenges resulting from a complex interplay between biological, psychological, social and environmental factors. In Corridors of Death, the lived experiences of Black students in historically White universities is explored, exposing how structural violence, racism and a culture of alienation are pushing them to the edge of depression and increasingly, suicide. The book contends that urgent structural and institutional interventions need to be made, the centre of which must be transformation that reflects the demographic and socio-political construct of the South African society. Unless and until this happens, Black students will increasingly reach an unendurable level of invisible agony, and die in universities.
A building collapses in Mumbai. In the debris is a man who is mumbling something in delirium. It appears that he is passing on the real-time movements of a young Muslim couple. Elsewhere, a young intelligence agent is assigned to shadow two terror suspects, one of whom is a teenager and the sweetheart of her street, Laila.Taking up a slice of recent history, the novel glares at the entire system - not just politicians, the bureaucracy, the police and lackeys, but also the good folks. Pervasive in its satire, wicked in its humour and broad-based in its canvas, Miss Laila, Armed and Dangerous is one of the most stylish and honest works of fiction about India ever written.
What is the function of art in the era of digital globalization? How can one think of art institutions in an age defined by planetary civil war, growing inequality, and proprietary digital technology? The boundaries of such institutions have grown fuzzy. They extend from a region where the audience is pumped for tweets to a future of “neurocurating,” in which paintings surveil their audience via facial recognition and eye tracking to assess their popularity and to scan for suspicious activity. In Duty Free Art, filmmaker and writer Hito Steyerl wonders how we can appreciate, or even make art, in the present age. What can we do when arms manufacturers sponsor museums, and some of the world’s most valuable artworks are used as currency in a global futures market detached from productive work? Can we distinguish between information, fake news, and the digital white noise that bombards our everyday lives? Exploring subjects as diverse as video games, WikiLeaks files, the proliferation of freeports, and political actions, she exposes the paradoxes within globalization, political economies, visual culture, and the status of art production.
"In South Africa, both 'crime' and 'safety' are loaded terms. Ziyanda Stuurman unpacks the complex and fraught history of policing, courts and prisons in South Africa. In her analysis of the problems nationally and in putting those problems in context with the rest of the world, she concludes that more resources won't necessarily lead to more safety. What then, will? Ziyanda unpacks this complex question deftly with a view of a better future for us all"--Provided by Publisher.