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Preface 1. Introduction 1.1. Strategies of Demonstration 1.2. Errors and Endings 1.3. Presuppositions and the Scope of Experimental Autonomy 1.4. Overview 2. From Aggregates to Atoms 2.1. History versus Statistics 2.2. The Apparatus of Averages 2.3. Molecular Magnets 2.4. The Electron 2.5. Einstein's Experiment 2.6. Einstein's Presuppositions 2.7. The Forgotten Influence of Terrestrial Magnetism 2.8. Expectations Defied 2.9. Ducks, Rabbits, and Errors 2.10. The Scylla and Charybdis of Ending an Experiment 3. Particles and Theories 3.1. Particles One by One 3.2. Millikan's Cosmic Rays 3.3. Beliefs behind the "Birth Cry of Atoms" 3.4. Contesting Instruments and Theories 3.5. Testing Quantum Mechanics 3.6. Quantum Theory Fails 3.7. A New Kind of Radiation 3.8. Regrouping the Phenomena 3.9. Two Cases for a New Particle 3.10. Corroboration by Theory, Corroboration by Experiment 3.11. Persuasive Evidence and the End of Experiments 4. Ending a High-Energy Physics Experiment 4.1. The Scale of High-Energy Physics 4.2. The Collective Wisdom: No Neutral Currents 4.3. Symmetries and Infinities 4.4. Priorities 4.5. Good Reasons for Disbelief 4.6. The Role of Theorists 4.7. Background and Signal 4.8. Do Neutral Currents "Really Exist"? 4.9. A Picture Book Event 4.10. The Expanding Circle of Belief 4.11. Models, Background, and Commitment 4.12. Experiment 1A: Parts and Participants 4.13. Short Circuits and High Theory 4.14. First Data 4.15. "Shadow of a Suspicion" 4.16. Dismantling an Ending 4.17. "I Don't See How to Make These Effects Go Away" 5. Theoretical and Experimental Cultures 5.1. Levels of Theoretical Commitment 5.2. Long-Term Constraints 5.3. Middle-Term Constraints 5.4. Short-Term Constraints 5.5. Carving Away the Background 5.6. Directness, Stability, and the Stubbornness of Phenomena 6. Scale, Complexity, and the End of Experiments 6.1. The Assembly of Arguments 6.2. Collaborations and Communities 6.3. Subgroups, Arguments, and History 6.4. The End Appendix: Authors of Papers on Neutral Currents Abbreviations for Archival Sources Bibliography Index.
This text gathers together group of contributors from the worlds of sociology, musicology, literature, and communications to discuss how artists from jazz musicians to painters work: how they coordinate their efforts, how they think, how they start, and, of course, how they finish their productions.
Designed as a hands-on guide for labs, the hobbyist, or for the industry professional, this book covers instructions and methods for doing experiments with currents and magnetism. The book includes 49 separate experiments on electricity, magnetism, currents, voltage, generators, transformers, relays, alternators, resistance, gaps, and more. Each experiment covers: the object, method, result, and questions with answers on the experiment under discussion. A separate chapter at the end of the book has over 175 questions with answers to test your knowledge of electricity and electronics. Features: •Covers the object, setup and method, result, and questions with answers for doing experiments with currents and magnetism •Includes 49 separate experiments on electricity, magnetism, currents, voltage, generators, transformers, relays, alternators, resistance, gaps, and more •Ends with a separate chapter containing over 175 questions with answers to test your general knowledge of electricity and electronics
Experimental Life establishes the multiple ways in which Romantic authors appropriated the notion of experimentation from the natural sciences. Winner of the Michelle Kendrick Memorial Book Prize of the Society for Literature, Science, and the Arts, BSLS Book Prize of the British Society for Literature and Science If the objective of the Romantic movement was nothing less than to redefine the meaning of life itself, what role did experiments play in this movement? While earlier scholarship has established both the importance of science generally and vitalism specifically, with regard to Romanticism no study has investigated what it meant for artists to experiment and how those experiments related to their interest in the concept of life. Experimental Life draws on approaches and ideas from contemporary science studies, proposing the concept of experimental vitalism to show both how Romantic authors appropriated the concept of experimentation from the sciences and the impact of their appropriation on post-Romantic concepts of literature and art. Robert Mitchell navigates complex conceptual arenas such as network theory, gift exchange, paranoia, and biomedia and introduces new concepts, such as cryptogamia, chylopoietic discourse, trance-plantation, and the poetics of suspension. As a result, Experimental Life is a wide-ranging summation and extension of the current state of literary studies, the history of science, cultural critique, and theory.
This book develops a framework for the analysis of scientific experimentation and applies it to the experimental field of economics looking at the epistemic role of the participation of human subjects in economics experiments.
The discipline of rhetoric - adapted through a wide range of reformulations to the specific requirements of Greek, Roman, Medieval, and Renaissance societies - dominated European education and discourse, whether public or private, for more than two thousand years. The end of classical rhetoric's domination was brought about by a combination of social and cultural transformations that occured between the seventeenth and nineteenth centuries. Concurrent with the 'theory boom' of recent decades, rhetoric has appeared as a center of discussion in the humanities and social sciences. Rhetorical inquiry, as it is thought and practiced today, occurs in an interdisciplinary matrix that touches on philosophy, linguistics, communication studies, psychoanalysis, cognitive science, sociology, anthropology, and political theory. Rhetoric is now an area of study without accepted certainties, a territory not yet parceled into topical subdivisions, a mode of discourse that adheres to no fixed protocols. It is a noisy field in the cybernetic sense of the term: a fertile ground for creative innovation. This volume embodies the interdisciplinary character of rhetoric. The essays draw on wide-ranging conceptual resources, and combine historical, theoretical, and practical points of view. The contributors develop a variety of perspectives on the central concepts of rhetorical theory, on the work of some of its major proponents, and on the breaks and continuities of its history. The spectrum of thematic concern is broad, extending from the Greek polis to the multi-ethnic city of modern America, from Aristotle to poststructuralism, from questions of figural language to problems of persuasion and interaction. But a common interdisciplinary interest runs through all the essays: the effort to rethink rhetoric within the contemporary epistemological situation. In this sense, the book opens new possibilities for research within the human sciences.
Don't fly blind. See how the power of experiments works for you. When it comes to improving customer experiences, trying out new business models, or developing new products, even the most experienced managers often get it wrong. They discover that intuition, experience, and big data alone don't work. What does? Running disciplined business experiments. And what if companies roll out new products or introduce new customer experiences without running these experiments? They fly blind. That's what Harvard Business School professor Stefan Thomke shows in this rigorously researched and eye-opening book. It guides you through best practices in business experimentation, illustrates how these practices work at leading companies, and answers some fundamental questions: What makes a good experiment? How do you test in online and brick-and-mortar businesses? In B2B and B2C? How do you build an experimentation culture? Also, best practice means running many experiments. Indeed, some hugely successful companies, such as Amazon, Booking.com, and Microsoft, run tens of thousands of controlled experiments annually, engaging millions of users. Thomke shows us how these and many other organizations prove that experimentation provides significant competitive advantage. How can managers create this capability at their own companies? Essential is developing an experimentation organization that prizes the science of testing and puts the discipline of experimentation at the center of its innovation process. While it once took companies years to develop the tools for such large-scale experiments, advances in technology have put these tools at the fingertips of almost any business professional. By combining the power of software and the rigor of controlled experiments, today's managers can make better decisions, create magical customer experiences, and generate big financial returns. Experimentation Works is your guidebook to a truly new way of thinking and innovating.
Traditionally experimentation has been understood as an activity performed within the laboratory, but in the twenty-first century this view is being challenged. Schwarz uses ecological and environmental case studies to show how scientific experiments can transcend the laboratory.