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Building on the success of the Journey Prize-shortlisted title story, the stories of How Does a Single Blade of Grass Thank the Sun? present an updated and whimsical new take on what it means to be Canadian. Lau alludes to the personal and political histories of a number of young Asian Canadian characters to explain their unique perspectives of the world, artfully fusing pure delusion and abstract perception with heartbreaking reality. Correspondingly, the book’s title refers to an interview with Chinese basketball star Yao Ming, who when asked about the Shanghai Sharks, the team that shaped his formative sporting years, responded, “How does a single blade of grass thank the sun?” Lau’s stories feature the children and grandchildren of immigrants, transnational adoptees and multiracial adults who came of age in the 1990s—all struggling to find a place in the Western world and using the only language they know to express their hopes, fears and expectations.
*WINNER OF THE T. S. ELIOT PRIZE 2015* *WINNER OF THE SUNDAY TIMES / PETERS FRASER + DUNLOP YOUNG WRITER OF THE YEAR AWARD 2015* *SHORTLISTED FOR THE FORWARD PRIZE FOR BEST FIRST COLLECTION 2015* There is a Chinese proverb that says: ‘It is more profitable to raise geese than daughters.’ But geese, like daughters, know the obligation to return home. In her exquisite first collection, Sarah Howe explores a dual heritage, journeying back to Hong Kong in search of her roots. With extraordinary range and power, the poems build into a meditation on hybridity, intermarriage and love – what meaning we find in the world, in art, and in each other. Crossing the bounds of time, race and language, this is an enthralling exploration of self and place, of migration and inheritance, and introduces an unmistakable new voice in British poetry.
The characters of Moccasin Square Gardens inhabit Denendeh, the land of the people north of the sixtieth parallel. These stories are filled with in-laws, outlaws and common-laws. Get ready for illegal wrestling moves (“The Camel Clutch”), pinky promises, a doctored casino, extraterrestrials or “Sky People,” love, lust and prayers for peace. While this is Van Camp’s most hilarious short story collection, it’s also haunted by the lurking presence of the Wheetago, human-devouring monsters of legend that have returned due to global warming and the greed of humanity. The stories in Moccasin Square Gardens show that medicine power always comes with a price. To counteract this darkness, Van Camp weaves a funny and loving portrayal of the Tłı̨chǫ Dene and other communities of the North, drawing from oral history techniques to perfectly capture the character and texture of everyday small-town life. “Moccasin Square Gardens” is the nickname of a dance hall in the town of Fort Smith that serves as a meeting place for a small but diverse community. In the same way, the collection functions as a meeting place for an assortment of characters, from shamans and time-travelling goddess warriors to pop-culture-obsessed pencil pushers, to con artists, archivists and men who just need to grow up, all seeking some form of connection.
A landmark special edition celebrating the 35th anniversary of the Journey Prize. Since its inception in 1989, the Journey Prize anthology has been widely celebrated for introducing readers to a who’s-who of up-and-coming Canadian literary voices, many of whom have gone on to become some of our most beloved writers. This special thirty-fifth-anniversary edition of Canada’s most prestigious annual fiction anthology gathers thirty-one timeless stories from throughout the prize’s history—some contemporary classics, some hidden gems—as chosen by two modern masters of the short story, Souvankham Thammavongsa and Alexander MacLeod, who are themselves previous Journey Prize contributors. After her Olympic ski-jumper husband lifts off but never comes down, a woman counters the world’s doubts with her own leap of faith. A daughter reflects on the simple ritual she shared with her father—and the moment when her unconditional love for him was called into question. An Indigenous Elder recounts an alternative creation story of Ah-damn and Evening to a trio of anthropologists. After months of trying to sell the worthless sports card collection his no-good father left behind, a boy is unprepared for a bizarre encounter with the “pile of human being” who wants to buy a card to complete his collection. A mother and child contend with the strange after-effects of an unusual multi-course meal. Infighting, blatant favouritism, and judging irregularities mar a living-room beauty pageant as four sisters vie for the title of Miss Canada. A carpet collector reimagines his family’s fractured history by weaving new tapestries to tell their stories. The last words of a fifty-year-old pet parakeet leads to the first in a series of unfortunate events. Marvellously eclectic, constantly surprising, and full of vibrant life, these glittering stories speak to the power of the short story and the extraordinary impact the Journey Prize continues to make on Canadian literature. Journey is a gift for readers and writers alike. Featuring an introduction by the editors, and stories by André Alexis, Michael Christie, Alicia Elliott, Jessica Grant, Kevin Hardcastle, Angélique Lalonde, Annabel Lyon, Thomas King, Téa Mutonji, Saleema Nawaz, Heather O'Neill, Eden Robinson, Naben Ruthnum, and Madeleine Thien, among others.
As a basketball player and international spokesman, Yao Ming has quickly become the eighth wonder of the sports world. Amazing fans, players, and experts with both his surprising performance and down-to-earth personality, Yao has proven to be a refreshing font of contemporary wisdom. But perhaps that is because that Yao's words and deeds are deeply rooted in the ancient Chinese philosophy of Taoism.
This volume aims to introduce undergraduates, graduates, and general readers to the diversity and richness of Canadian short story writing and to the narrative potential of short fiction in general. Addressing a wide spectrum of forms and themes, the book will familiarise readers with the development and cultural significance of Canadian short fiction from the early 19th century to the present. A strong focus will be on the rich reservoir of short fiction produced in the past four decades and the way in which it has responded to the anxieties and crises of our time. Drawing on current critical debates, each chapter will highlight the interrelations between Canadian short fiction and historical and socio-cultural developments. Case studies will zoom in on specific thematic or aesthetic issues in an exemplary manner. The Routledge Introduction to the Canadian Short Story will provide an accessible and comprehensive overview ideal for students and general readers interested in the multifaceted and thriving medium of the short story in Canada.
“This year, eighty-one different stories battled for our affections, ranging in content from a post-apocalyptic suburb coping with rumours of cannibalism, to a movie theatre in Mauritius where dreams of a better future flicker onscreen, to a mattress store where a long-lasting friendship threatens to come undone. For each of us, it was a chance to partake in a process that now stretches back twenty-five years, a sneak peak at authors who – in the future – will likely become favourites.” --Miranda Hill, Mark Medley, and Russell Wangersky (from their Introduction) Among the stories this year: Brimming with restless energy, Doretta Lau’s “How Does a Single Blade of Grass Thank the Sun?” is a sometimes provocative portrait of adolescent angst and rebellion set among a gang of “dragoons” growing up in Vancouver. It vividly brings to life a twenty-first-century culture clash and illuminates the struggles, and alienation, of Chinese youth – whether from Hong Kong or the Mainland – now living in “Lotus Land.” Doretta Lau’s story positively hums, the language a well-shaken cocktail of influences ranging from hip-hop and Asian cinema to Chinese history and “the slang of the West.” As vibrant and colourful as graffiti. Well-timed and yet still carefully fractured enough to be jarring, Eliza Robertson’s “My Sister Sang” is a marvel of unexpected directions and sharp edges. A deftly-told story of two eavesdroppers, one a linguist, the other, professionally tuned to acoustics, who listen – over and over – to every scrap of a tragedy. Even with the distance and detachment of its characters from the centre of its disaster, there is no easy peace, no mere scientific examination of cause and effect: this is writing as carefully crafted and fine as pastry, with thin, perfect layers where every line serves to strengthen the rest. Naben Ruthnum’s “Cinema Rex” is as rich and visual as the films at its centre, which play on the new movie screen in one neighbourhood of Mauritius in the 1950s. The author beautifully draws the connections between the changing community, inundated by Hollywood and after-school English lessons, and a season of vital shifts for three friends transitioning out of boyhood. Full of heady sensory details, Ruthnum’s deft observations of family and class interactions create an entire world of established histories and hierarchies, even though the reader is only privy to a sliver of these stories.
Since the late twentieth century, letters in literature have seen a remarkable renaissance. The prominence of letters in recent fiction is due in part to the rediscovery, by contemporary writers, of letters as an effective tool for rendering aspects of historicity, liminality, marginalization and the expression of subjectivity vis-à-vis an ‘other’; it is also due, however, to the artistically challenging inclusion of the new electronic media of communication into fiction. While studies of epistolary fiction have so far concentrated on the eighteenth century and on thematic concerns, this volume charts the epistolary renaissance in recent literature, entering new territory by also focusing on the aesthetic implications of the epistolary mode. In particular, the essays in this volume illuminate the potential of the epistolary (including digital forms) for rendering contemporary sensitivities. The volume thus offers a comprehensive assessment of letter narratives in contemporary literature. Through its focus on the aesthetic and structural aspects of new epistolary fiction, the inclusion of various narrative forms, and the consideration of both conventional letters and their new digital kindred, The Epistolary Renaissance offers novel insight into a multi-facetted (re)new(ed) genre.
Like The O. Henry Prize Stories, The Pushcart Prize, and the Best American Short Stories series, The Journey Prize Stories is one of the most celebrated annual literary anthologies in North America. For almost 30 years, the anthology has consistently introduced readers to the next generation of great Canadian authors, a tradition that proudly continues with this latest edition. With settings ranging from wartime China to an island off the coast of British Columbia, the ten stories in this collection represent the year's best short fiction by some of our most exciting emerging voices. A young boy who believes he is being stalked by an unstoppable, malevolent entity discovers that he may not be the only one. In a sweeping story set against the fall of Shanghai during the Second Sino-Japanese War, a pregnant woman waits anxiously for her doctor husband to leave the city before it's too late. A river that runs through a First Nations community is the source of sustenance, escape, and tragedy for a girl and her family. The haunting footage of the politically motivated self-immolation has unexpected reverberations for a Tibetan-Canadian woman dealing with multiple conflicts in her own life. A man who works a back-breaking job at an industrial mat cleaning service is pushed to his limit. When her mother has to return to Kinshasa to bury a family member, a girl gradually learns of the intricacy and depth of grief, in an evocative piece that illuminates the cultural gaps common within immigrant families, and the power of food and stories to bridge them. The stories included in the anthology are contenders for the $10,000 Journey Prize, which is made possible by Pulitzer Prize-winning author James A. Michener's donation of Canadian royalties from his novel Journey, which McClelland & Stewart published in 1988. The 2017 winner will be announced by the Writers' Trust of Canada in November 2017.
This book deals with letters in Anglophone Canadian short stories of the late twentieth and the early twenty-first century in the context of liminality. It argues that in the course of the epistolary renaissance, the letter – which has often been deemed to be obsolete in literature – has not only enjoyed an upsurge in novels but also migrated to the short story, thus constituting the genre of the epistolary short story. .