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A gorgeous reinvention of Elizabeth Barrett Browning's famous "Sonnet 43" from the bestselling author of the BabyLit board books and the acclaimed illustrator of Over and Under the Snow. How do I love thee? Let me count the ways. Whether in soft sunlight or rain-drizzled night or winter's frost-etched breath, three children share the love and joy of friendship while exploring the wonders of nature. Bestselling author Jennifer Adams has reimagined Elizabeth Barrett Browning's beloved "Sonnet 43," best known by its opening lines, creating a lyrical, evocative ode to the love of family and friends. Christopher Silas Neal brings the poetry to life with his beautiful, imaginative, and whimsical illustrations.
Finalist for the 2022 Plutarch Award Longlisted for the PEN/Jacqueline Bograd Weld Award for Biography A Washington Post Best Book of 2021 “An elegant act of rehabilitation.”—New York Times Book Review, Editors’ Choice A "nuanced and insightful" (New Statesman) portrait of Britain’s most famous female poet, a woman who invented herself and defied her times. "How do I love thee? Let me count the ways." With these words, Elizabeth Barrett Browning has come down to us as a romantic heroine, a recluse controlled by a domineering father and often overshadowed by her husband, Robert Browning. But behind the melodrama lies a thoroughly modern figure whose extraordinary life is an electrifying study in self-invention. Born in 1806, Barrett Browning lived in an age when women could not attend a university, own property after marriage, or vote. And yet she seized control of her private income, defied chronic illness and disability, became an advocate for the revolutionary Italy to which she eloped, and changed the course of cultural history. Her late-in-life verse novel masterpiece, Aurora Leigh, reveals both the brilliance and originality of her mind, as well as the challenges of being a woman writer in the Victorian era. A feminist icon, high-profile activist for the abolition of slavery, and international literary superstar, Barrett Browning inspired writers as diverse as Emily Dickinson, George Eliot, Rudyard Kipling, Oscar Wilde, and Virginia Woolf. Two-Way Mirror is the first biography of Barrett Browning in more than three decades. With unique access to the poet’s abundant correspondence, “astute, thoughtful, and wide-ranging guide” (Times [UK]) Fiona Sampson holds up a mirror to the woman, her art, and the art of biography itself.
As the nineteenth century gave way to the twentieth, attitudes about love, marriage, and gender roles began to undergo a radical shift. The five stories collected in this volume, written by literary luminaries such as Henry James, Walter Besant, and Thomas Hardy, expertly capture this period of transition.
Moore (English, Marshall U.) analyzes and contextualizes the Petrarchan love sonnet sequences of Gaspara Stampa, Louise Labe, Lady Mary Wroth, Charlotte Smith, Elizabeth Barrett Browning, and Edna St. Vincent Millay. Close readings of the poems are accompanied by theory and criticism regarding constructs of women, historical events, and biographical material, illuminating the poets, Petrarchism as a convention, ideas about women, and the range and limitations of female roles as erotic subjects and objects. Annotation copyrighted by Book News Inc., Portland, OR
I wrote a book about you. (No, really. I did. Youre holding it.)