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In the past two decades a quiet revolution has gained force: over 50,000 "zines" (independent, not-for-profit self-publications) have emerged and spread-mostly through the mail, with little publicity. Flaunting off-beat interests, extreme personal revelations and social activism, zines directly counter the pseudo-communication and glossy lies of the mainstream media monopoly. These interviews capture all the excitement associated with uncensored freedom of expression, while offering insight, inspiration and delight. Book jacket.
"Swing!" is the first book to tell the history of the new swing movement sweeping the country. "Remarkably exhaustive, " ("New York Times"). Details bands, clothes, hairstyles, dancing, vintage cars, top 100 records, A-Z of swing bands--it's a "bible" for swing enthusiasts. "Definitive."--"Washington Post." 365 photos.
An authoritative one-volume chronicle of Canada from its earliest times. First published in 1987, the 4th edition is fully updated and includes contemporary material on the rise of small government, Native land claims and Canada's post-Cold War role.
A prank is a "trick, a mischievous act, a ludicrous act." Pranksters such as Timothy Leary, Abbie Hoffman, Monte Cazazza, Jello Biafra, Earth First!, Joe Coleman, Karen Finley, John Waters, Henry Rollins and others challenge the sovereign authority of words, images and behavioral convention. "Pranks!" inspired the genre of prank recordings, prank TV, and will delight all lovers of humor, satire and irony.
An informed look at the myths and fears surrounding nuclear energy, and a practical, politically realistic solution to global warming and our energy needs. Faced by the world's oil shortages and curious about alternative energy sources, Gwyneth Cravens skeptically sets out to find the truth about nuclear energy. Her conclusion: it is a totally viable and practical solution to global warming. In the end, we see that if we are to care for subsequent generations, embracing nuclear energy is an ethical imperative.
When the Atrocity Exhibition was originally printed (1970), Nelson Doubleday saw a copy and was so horrified he ordered the entire press run shredded. Two years later Grove Press brought out a small hardback printing re-titled Love and Napalm: Export USA. Now Re/Search brings out an illustrated, large-format edition of this notorious work, augmented with four recently written stories, plus extensive annotations-written by the author, never before published-which clarify and illuminate this exhilarating, prophetic masterpiece. Book jacket.
GMA BOOK CLUB PICK • ONE OF PEOPLE MAGAZINE'S BEST BOOKS OF SUMMER • An outrageously funny debut novel about a woman who moves to a small beach town looking for peace, only to find herself in an all-out war with her neighbors. “Irreverent and unexpectedly tender, this story takes neighborhood feuding to new heights and finds beauty and reinvention in unlikely places." —Oprah Daily "Brings a tongue-in-cheek tone to the beach read genre."—TIME When Kathleen Deane’s husband, Tom, tells her he's no longer happy with his life and their marriage, Kathleen is confused. They live in Kansas. They’ve been married thirty years. Who said anything about being happy? But with Tom off finding himself, Kathleen starts to think about what she wants. And her thoughts lead her to a small beach community on the east coast, a town called Whitbey that has always looked lovely in the Christmas letters her childhood friend Josie sends every year. It turns out, though, that life in Whitbey is nothing like Josie’s letters. Kathleen’s new neighbor, Rosemary, is cantankerous, and the town’s supervisor won't return Kathleen’s emails, but worst of all is the Sugar Cube, the monstrosity masquerading as a holiday home that Kathleen’s absentee neighbors are building next door to her quaint (read: tiny) cottage. As Kathleen gets more and more involved in the fight against the Sugar Cube and town politics overall, she realizes that Whitbey may not be a fairytale, but it just might be exactly what she needed. Save What’s Left can best be described as the “un-beach read.” It pulls back the curtain on life in a beach town, revealing the true cost of a pretty view. Told from the candid and irreverent perspective of a newcomer turned local, this is a story of forgiveness, fortitude, and second chances.