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Read this fascinating myth from India recounted in this fabulously produced book. From wise sages to demonic asuras, beautiful river deities to arrogant kings, wayward gods to brave princes, each e-singles edition brings alive these enchanting and magical stories from Indian mythology, beautifully retold by noted author Anita Nair. With stunning full-colour illustrations, this story recreates the fantastic world of gods and demons like never before.
When Surya the sun god got married, his wife could not bear the heat of his rays and ran away. Surya was heartbroken and the world plunged into darkness. A dwarf asked a king for some land, which he measured with three footsteps, and ended up claiming the earth and the sky. Sage Daksha got his daughters married to the moon, but later, in a fit of rage, cursed the moon with consumption, making it wax and wane. These are some of the fifty myths from India recounted in this fabulously produced book. From wise sages to demonic asuras, beautiful river deities to arrogant kings, wayward gods to brave princes, this collection of myths showcases the most enchanting and magical stories from Indian mythology.
As the title indicates, this book is a critical study of an Indian epic, ëThe Ramayanaí. It proceeds in the same order as that of Sanskrit original consisting of : Bala kanda, Ayodhya kanda, Aranya kanda, Kishkindha kanda, Sundara kanda, Yuddha kanda and Uttara kanda. While Valmikiís Ramayana is composed of about 24,000 slokas (verses), ëRamayana the Poisonous Treeí consists of 16 stories, long and short, accompanied by 11 ëlinksí (narratives that ëlinkí the stories) and 504 foot-notes that show evidence from the Sanskrit original in support of the critique. Besides the main components of the text, this book has a long ëPrefaceí discussing the social essence of the epic in the context of history of evolution of human society from the ancient times to the modern times. The book also offers a critical review of the works of ësome earlier critics of Ramayanaí. The authoress describes Ramayana as a Poisonous Tree because it defends the autocratic rule of the kings against the people, their imperial expansion by invading other weak kingdoms, exploitation of the poor by the rich, oppression of lower castes by upper castes, aggression of the civilized non-tribal communities against primitive tribal communities, male chauvinism against women, superstitious beliefs against the rational thinking, fathersí domination over sons, elder brothersí superiority over younger brothers and so on. She substantiated her arguments by providing hundreds of foot notes from the Sanskrit original. She characterizes the culture of Ramayana as predominantly ëfeudalí in nature with an admixture of remnants of primitive ëtribalí culture. The book, it is hoped, will be of interest to both academic and non-academic circles. It is relevant to the students, teachers and researchers who are connected with such disciplines as South Asian Studies, Cultural Studies, Comparative Literature, Comparative Religions, Indology, Literary Criticism and so on. It is also relevant to the social and political activists who would like to disseminate ëprogressiveí ideas among the people who are subjected to various forms of inequality: Class, Caste, Gender, Race, Ethnicity. Ranganayakamma (born 1939) is a writer of novels, stories and essays in Telugu. She has published about 60 books.
The Vedic-Puranic literature as well as archaeological, geological, historical, linguistic, and literary accounts have been reviewed to establish the various cultures that evolved in ancient India from about 3500 BCE to the Mahabharata War (1450 BCE). The book describes various misconceptions, e.g., the myth about an Aryan invasion. The following markers are used to establish the dates and geographical locations of various cultures: (i) The rise in sea levels due to melting of land-based snow after the last Ice Age. (ii) Migration of the Dravidian people from the lost continent of Kumari Kandam that submerged under the Indian Ocean. (iii) The dates for the start of farming, use of kiln-baked bricks, domestication of horses, and metal working in the Indian subcontinent. (iv) The dates when Sarasvati River dried up and the Mahabharata War occurred. The book notes that asva-containing or rath-containing names could not have existed before horses were domesticated or chariots were in use. The book also notes that Mathura Krsna is different from Dwarka Krsna; the two are separated by more then 1000 years. During Mathura Krsna’s time, conflicts were settled by hand-to-hand combat or with the use of a mace. In contrast, during Dwarka Krsna’s time, metal arms were used.
Indian Short Stories for Kids The fifth edition of the Bharatiya Katha Vaibhava series continues with its tales of gods and goddesses, sages and saints, kings and devotees. Indian short stories for kids highlights the rich cultural heritage of Bharat which is a must read for every growing child, teenager and adults alike. They illustrate the importance of inculcating faith and heroism in our lives, while being humble and devout. These interesting and informative stories will be a treat for both children and adults! Stories in Bharatiya Katha Vaibhava 5 Origin of Sri Venkateshwara Suprabhatam 2. Bhima meets Hanuman 3. Dwelling for Lord Shiva! 4. Sri Sampat Lakshmi Vrata 5. Govardhana Giridhari: Sri Govinda 6. Sri Vadiraja Tirtha 7. Aswathama Bargains for the Sudarshana Chakra 8. Nageswar Jyotirlinga 9. Samudra Manthana: Churning of the Milk-Ocean! 10. Sri Arunagirinathar. 11. The Fire-touch Rakshasa: Bhasmasura 12. Lord Jagannatha and His Friend-devotee 13. Sage Agastya 14. Sri Rama and the Kalpavriksha 15. Sage Narada and Hari! 16. King Mayuradhwaja 17. Alluri Venkatadri Swami and the Lord’s Diamond Crown 18. Krishna and the Peanut Diet! 19. Devi and the Asuras 20. Sri Rama Paduka Pattabhisheka 21. Krishna and Akrura 22. Hanuman Crosses the Ocean 23. Vamana Avatara 24. Guruvayoor Sri Krishna 25. Rukmini Kalyana To read the other Bharatiya katha vaibhavas
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