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Climate, environment, history, and technology are transforming architecture worldwide. The second volume in the Homes for Our Time series documents this housing revolution. It explores new approaches in building and presents resourceful and green private homes. This is a multilingual edition - English, French, German.
Aging, skirt-chasing lawyer David Grant studies lucid dreaming with Dr. Thotmoses at the Trans-Humanist Institute, hoping to dream up the most perfect woman possible and incidentally discover the underlying truth of life. When Grant falls in love with Thotmoses's daughter, Kat, he chases her through multiple dream worlds until he learns to control his dreams and propel himself into other realities. Soon he learns that Kat's family wants to use his abilities to plead on their behalf before God. As multiple realities flood his life, Grant believes himself insane and must choose whether to accept the godlike gifts he has been offered or live as a crazy person in a damaged body.
Aging, skirt-chasing lawyer David Grant studies lucid dreaming with Dr. Thotmoses at the Trans-Humanist Institute, hoping to dream up the most perfect woman possible and incidentally discover the underlying truth of life. When Grant falls in love with Thotmoses's daughter, Kat, he chases her through multiple dream worlds until he learns to control his dreams and propel himself into other realities. Soon he learns that Kat's family wants to use his abilities to plead on their behalf before God. As multiple realities flood his life, Grant believes himself insane and must choose whether to accept the godlike gifts he has been offered or live as a crazy person in a damaged body.
Popular demand has led IMAGES' team of researchers to scour the world for yet another stunning
The Wildwoods are four boroughs on a South Jersey barrier island first settled in the late 1800s. Once known as Five Mile Beach, the wind-whipped forest and beaches transformed from fishing town to summer resort. Developers divided the ground into lots, hired architects to draw houses, and construction companies to build them. This all happened during an architectural transition period at the turn of the century, resulting in a diverse range of styles, from Victorian to Craftsman and Gothic to Colonial, many of which were as grand as those in Cape May. Although Wildwood's Victorian architecture was called noteworthy by architects, many homes were not appreciated or protected. Instead of being restored or renovated, they became run-down and were knocked down. But luckily, not all was lost. There are homeowners and developers who see potential in the Wildwoods' history and character. They accept the challenges of preservation, knowing the benefits it brings the community. These people are saving what makes the Wildwoods worth living in.
From an unrestored masterpiece such as the Aiken-Rhett House in Charleston, South Carolina, to a farmhouse in upstate New York, inhabited only by a bird nesting in the bathroom sink, Old Houses profiles 20 houses whose peeling paint, faded fabrics, and antique furniture impart a surprising elegance and beauty. An unusual volume, this book will appeal to historians, restoration specialists, and style-conscious homeowners lookingfor new ideas form examples of the past. Over 250 full-color photographs.
Pretty Good House provides a framework and set of guidelines for building or renovating a high-performance home that focus on its inhabitants and the environment--but keeps in mind that few people have pockets deep enough to achieve a "perfect" solution. The essential idea is for homeowners to work within their financial and practical constraints both to meet their own needs and do as much for the planet as possible. A Pretty Good House is: * A house that's as small as possible * Simple and durable, but also well designed * Insulated and air-sealed * Above all, it is affordable, healthy, responsible, and resilient.
Contemporary projects on an area of up to 500 sqft from around the world with an amazing range of enthralling building concepts and fascinating design solutions.
As an innovative thinker about building and planning, Christopher Alexander has attracted a devoted following. His seminal books--The Timeless Way of Building, A Pattern Language, and The Oregon Experiment--defined a radical and fundamently new process of environmental design. Alexander now gives us the latest book in his series--a book that puts his theories to the test and shows what sort of production system can create the kind of environment he has envisioned. The Production of Houses centers around a group of buildings which Alexander and his associates built in 1976 in northern Mexico. Each house is different and the book explains how each family helped to lay out and construct its own home according to the family's own needs and in the framework of the pattern language. Numerous diagrams and tables as well as a variety of anecdotes make the day-today process clear. The Mexican project, however, is only the starting point for a comprehensive theory of housing production. The Production of Houses describes seven principles which apply to any system of production in any part of the world for housing of any cost in any climate or culture or at any density. In the last part of the book, "The Shift of Paradigm," Alexander describes, in detail, the devastating nature of the revolution in world view which is contained in his proposal for housing construction, and its overall implications for deep-seated cultural change.
The idea that 'home' is a special place, a separate place, a place where we can be our true selves, is so obvious to us today that we barely pause to think about it. But, as Judith Flanders shows in this revealing book, 'home' is a relatively new concept. When in 1900 Dorothy assured the citizens of Oz that 'There is no place like home', she was expressing a view that was a culmination of 300 years of economic, physical and emotional change. In The Making of Home, Flanders traces the evolution of the house across northern Europe and America from the sixteenth to the early twentieth century, and paints a striking picture of how the homes we know today differ from homes through history. The transformation of houses into homes, she argues, was not a private matter, but an essential ingredient in the rise of capitalism and the birth of the Industrial Revolution. Without 'home', the modern world as we know it would not exist, and as Flanders charts the development of ordinary household objects - from cutlery, chairs and curtains, to fitted kitchens, plumbing and windows - she also peels back the myths that surround some of our most basic assumptions, including our entire notion of what it is that makes a family. As full of fascinating detail as her previous bestsellers, The Making of Home is also a book teeming with original and provocative ideas.