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Tunes of Glory Household Ghosts Silence This volume collects three of the very best works by James Kennaway, the brilliant young novelist and screenwriter who tragically died in a car crash at the early age of forty. Memorably filmed with Alec Guinness and John Mills, Tunes of Glory is a grippingly dramatic exploration of the glamour and the brutality of post-war army life as the tensions and conflicts in the officers' mess of a Highland regiment lead to shame and tragedy. Household Ghosts is a claustrophobic tale of family tension, love triangles and the persistence of the past-one of Kennaway's favourite themes. Set in a country house in Scotland the book is haunted, like the privileged family it describes, by the ghosts of Scotland's own turbulent history. Taken from completed drafts on the author's desk, Silence tells of the accidental meeting and the complex union between a white man and a black woman in times of racial tension and sexual violence. Set in a North American city in midwinter Kennaway's last and brilliantly succinct novel expands into a universal allegory of suffering and death.
What did war look like in the cultural imagination of 1914? Why did men in Scotland sign up to fight in unprecedented numbers? What were the martial myths shaping Scottish identity from the aftermath of Bannockburn to the close of the nineteenth century, and what did the Scottish soldiers of the First World War think they were fighting for? Scotland and the First World War: Myth, Memory and the Legacy of Bannockburn is a collection of new interdisciplinary essays interrogating the trans-historical myths of nation, belonging and martial identity that shaped Scotland’s encounter with the First World War. In a series of thematically linked essays, experts from the fields of literature, history and cultural studies examine how Scotland remembers war, and how remembering war has shaped Scotland.
Edited and introduced by Valentina Bold. This selection of Lewis Grassic Gibbon’s writing brings together old favourites and new material for the first time. There are all his lively contributions to Scottish Scene (co-written by Hugh MacDiarmid) including the unforgettable lilt and flow of his short stories ‘Smeddum’, ‘Clay’, ‘Greendenn’, ‘Sim’ and ‘Forsaken’. The anthology ends with the full text of his last novel, The Speak of the Mearns, unpublished in his lifetime. Valentina Bold has also included a collection of poems, ‘Songs of Limbo’, taken from typescripts in the National Library of Scotland, and a selection of Grassic Gibbon’s articles and short fiction, with work done for The Cornhill Magazine along with book reviews and essays on Diffusionism, ancient American civilization and selected studies from his book on the lives of explorers, Nine Against the Unknown. A Lewis Grassic Gibbon Anthology provides an indispensable supplement to Canongate’s edition of A Scots Quair, and it also offers further insight into the wide-ranging interests and the lyrical, historical and political writing of the greatest and best-loved Scottish novelist of the early twentieth century. ‘It would be impossible to over-estimate Lewis Grassic Gibbon’s importance . . . [his work] permeates the Scottish literary consciousness and colours all subsequent writing of its kind.’ David Kerr Cameron ‘Gibbon’s style is one of the great achievements of [A Scots Quair] and should be seen in relation to Scottish forerunners like John Galt as well as in the context of modern innovators such as James Joyce, Gertrude Stein and William Faulkner.’ Tom Crawford
Edited and Introduced by Nicolas Barker This book is an autobiographical account of the early years of James McBey, the self-taught boy from a humble north-east village who became one of Scotland's most successful and celebrated artists. Writing with charismatic frankness and realism, McBey describes his passionate desire to be an artist, from his first etchings (printed with the help of an old mangle) to the moment when he left a stultifying job to strike out for Holland to create a life of his own. McBey's journey was not an easy one. Poverty, ignorance, his family's indifference, the petty routines of an Aberdeen bank, his mother's suicide, all these are evoked with gravity, clarity and a lightness of touch – like the etchings themselves – which will long remain in the reader's mind. Introduced by Nicolas Barker, who edited the original manuscripts, this book offers a real-life portrait of the artist as a young man and establishes James McBey as a gifted prose stylist in his own right.
The women of the tiny town of Fetter-Rothnie have grown used to a life without men, and none more so than the tangle of mothers and daughters, spinsters and widows living at the Weatherhouse. Returned from war with shellshock, Garry Forbes is drawn into their circle as he struggles to build a new understanding of the world from the ruins of his grief. In The Weatherhouse Nan Shepherd paints an exquisite portrait of a community coming to terms with the brutal losses of war, and the small tragedies, yearnings and delusions that make up a life.
Introduced by Naomi Mitchison. Set over two thousand years ago on the clam and fertile shores of the Black Sea, Naomi Mitchison’s The Corn King and the Spring Queen tells of ancient civilisations where tenderness, beauty and love vie with brutality and dark magic. Erif Der, a young witch, is compelled by her father to marry his powerful rival, Tarrik the Corn King, so becoming the Spring Queen. Forced by her father, she uses her magic spells to try and break Tarrik’s power. But one night Tarrik rescues Sphaeros, an Hellenic philosopher, from a shipwreck. Sphaeros in turn rescues Tarrik from near death and so breaks the enchantment that has bound him. And so begins for Tarrik a Quest – a fabulous voyage of discovery which will bring him new knowledge and which will reunite him with his beautiful Spring Queen. ‘This breathtaking recreation of life in the ancient world welds the power of myth and magic to a stirring plot.’ Ian Rankin
'Half Scotland sniggered and the other half scowled, when in letters to the Scotsman and the Glasgow Herald, I put forward my suggestion that prisoners in Scottish jails be allowed to wear their kilts as their national birthright if such be their wish.' From his origins as an illegitimate child in the slums of Glasgow, Fergus Lamont sets out to reclaim his inheritance and to remake his identity as soldier, poet and would-be aristocrat. Covering the years from the turn of the century to the Second World War, Fergus's unforgettable voice recounts a tale of vanity, success and betrayal which shines its own sardonic light on Scotland and the cultural and political issues of the day. At odds with his origins and unsettled in his aristocratic pretensions, Fergus Lamont reaches middle age before he is offered at least the hope of redemption in a love affair with an island woman. How it turns out and what he learns too late, adds a tragic dimension to the scathing humour of this, Robin Jenkins's most searching exploration of the modern Scottish psyche.
Introduced by Donald MacAulay. This indispensable anthology contains selections of the best work by Scotland’s most acclaimed modern Gaelic poets: Sorley Maclean, George Campbell Hay, Iain Crichton Smith, Derick Thomson and Donald MacAulay. Designed as much for English readers of Gaelic, the poems are presented with line-for-line translations. These translations have been made by the poets themselves, thereby maximising the retention of the sprit and form of the originals. Donald MacAulay is Professor of Celtic at the University of Glasgow. ‘This is the ideal collection for those who wish to enjoy Gaelic poetry without learning the language.’ Birmingham Post ‘This book deserves to be read not only to gain an insight into modern Gaelic poetry, but because it contains poetry of merit that is now available in English.’ Press and Journal ‘Nua-Bhardachd Ghaidhlig breathes the very soul of Gaelic Scotland. It is an anthology of the first importance.’ Books Ireland
This huge novel, closer in scope to a Russian epic than to any English counterpart, opens at the turn of the century in the extreme poverty of the Rhinns of Galloway, an agricultural backwater of the southern-most part of Scotland. With a loving regard for the land and its people, Barke traces the lives of David and Jean Ramsay who, full of hope, painstakingly uproot themselves and their family in the search for prosperity. Their efforts to retain respect and a decent way of life are thwarted by unemployment in increasingly hostile circumstances, and a harsh environment inevitably leaves its mark. But a new generation emerges to question the authority of an uncaring society and, even as Fascism rages through Europe, a new hope is born. ‘Barke’s characters are both intelligent and spirited.’ Times Literary Supplement ‘An elegy for the old way of life.’ New Statesman