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It starts out innocently enough, when reporters Tony Dumont and Robin Shepherd are sent to interview teenager Mark Elias, a scientific genius, about a scholarship he has won. But it is quickly clear that there is something very strange about the Elias family. Mark and his sister Shirley spend long hours behind closed doors conducting weird and inscrutable experiments involving electricity and a tape recorder. And then there is old Mrs. Elias, the children's grandmother, who died recently and whom the family seems terrified to discuss. The two journalists believe there may be a more serious news story than the one they were sent to cover, but they have no idea how serious--until people begin to die...
By the age of fifteen, Arthur Rimbaud was already one of the most brilliant poets of his time. And for the next four years - and four only - Rimbaud (the Claude Morel of this book) was simultaneously a writer of genius, a visionary idealist, and a deliberate wallower in gutters of depravity perhaps unmatched in all of human experience. But at the age of nineteen, he was through forever with both writing and debauchery, and at this point, he all but vanished, spending most of his remaining years as a vagabond wanderer through Europe and Africa. In the epic "The Day on Fire" (1958), a masterwork of biographical fiction, James Ramsey Ullman retraces the steps of Rimbaud's life from his rebellious youth in a dull provincial town to his teenage years as a homosexual, drunkard and drug addict in Paris, and his later years, wandering the desert in search of some elusive beauty or truth. As Ullman writes in his Foreword, "The truth, the inward core, of Rimbaud's life, is a truth for all times, as long as each of us, all of us, have our nights alone and our days on fire, our seasons in hell and our hope of heaven." "It comes close to being the best book we've ever read." - "Victoria Advocate" "A literary masterpiece ... One of the most forceful novels of our decade." - "Montreal Gazette" "A haunting tale with an obsessive fascination." - "Kirkus Reviews" "Shocking ... Ullman has succeeded in making believable a life whose terms would be considered absolutely unbelievable if we did not know that they were true." - "Chicago Tribune" "Engrossing ... a tragic life dramatically, poetically and compellingly visualized." - "Booklist""
DigiCat Publishing presents to you this special edition of "The Fall of Valor" by Charles R. Jackson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This is a reprint of a classic horror novel, Burnt Offerings by Robert Marasco with a new introduction and artwork.
Andrew Pinkney is a young English lawyer with boyish good looks and a gentle manner, but a dark side emerges when his girlfriend Jennifer laughs at his impotence. He lashes out in a violent rage, knocking her unconscious. At the suggestion of his employer, Andrew heads to an isolated cottage in the dark Welsh countryside to take a break and get a grip on himself. In the woods, he discovers the grotesque stinkhorn mushroom, whose phallic shape seems to rise in obscene mockery of his own shortcomings. But the stinkhorn gives him an idea, a way to win Jennifer back. As the seeds of obsession take root in Andrew's mind, he embarks on a nightmarish quest, with unexpected and horrifying results.
Graveyard Gothic is the first sustained consideration of the graveyard as a key Gothic locale. This volume examines various iterations of the Gothic graveyard (and other burial sites) from the eighteenth century to the twenty-first, as expressed in numerous forms of culture and media including poetry, fiction, TV, film and video games. The volume also extends its geographic scope beyond British traditions to accommodate multiple cultural perspectives, including those from the US, Mexico, Japan, Australia, India and Eastern Europe. The seventeen chapters from key international Gothic scholars engage a range of theoretical frameworks, including the historical, material, colonial, political and religious. With a critical introduction offering a platform for further scholarship and a coda mapping potential future critical and cultural developments, Graveyard Gothic is a landmark volume defining a new area of Gothic studies.
In the new millennium, what secrets lay beyond the far reaches of the universe? What mysteries belie the truths we once held to be self evident? The world of science fiction has long been a porthole into the realities of tomorrow, blurring the line between life and art. Now, in The Year's Best Science Fiction: Thirty-Third Annual Collection, the very best SF authors explore ideas of a new world. This venerable collection brings together award-winning authors and masters of the field. With an extensive recommended reading guide and a summation of the year in science fiction, this annual compilation of short stories has become the definitive must-read anthology for all science fiction fans and readers interested in breaking into the genre.
In 1816, following the scandalous collapse of his marriage, Lord Byron left England forever. His first destination was the Villa Diodati by Lake Geneva where he stayed together with Percy Bysshe Shelley, Mary Godwin, Claire Clairmont and John Polidori. Byron in Geneva focuses sharply on the poet’s life in the summer of that year, a famous time for meteorologists (for whom 1816 is the year without a summer), but also that crucial moment in the development of his writing when, urged on by Shelley, Byron tried to transform himself into a Romantic poet of the Wordsworthian variety. The book gives a vivid impression of what Byron thought and felt in these few months after the breakdown of his marriage, but also explores the different aspects of his nature that emerge in contact with a remarkable cast of supporting characters, which also included Madame de Staël, who presided over a famous salon in Coppet, across the lake from Geneva, and Matthew Lewis, author of the splendidly erotic `Gothic’ best-seller, The Monk. David Ellis sets out to challenge recent damning studies of Byron and through his meticulous exploration of the private and public life of the poet at this pivotal moment, he reasserts the value of Byron’s wit, warm-heartedness, and hatred of cant.