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Renee was adopted by Walter and Frances Burt--of the notorious Burt crime family of Rhode Island--when she was just 15 months old. While the Burts are known for their crimes involving arson, welfare fraud, and assaults, Renee's own experiences are more far-ranging and horrific than any newspaper headlines suggest. Beginning at age 6, Renee faced unspeakable instances of sexual abuse, physical beatings, and constant verbal tirades of her worthlessness, all by the "good Catholic" parents who'd adopted her. From weekly nighttime visits from her father, to lacerations inflicted by her mother's power cord, Renee's childhood was filled with traumatic horrors. It was not until Renee had her own child at age 17 that she finally found something to live and to fight for. Author Renee Snyder painstakingly details every torment she faced at the hands of the Burts for a period exceeding 20 years. House of Shadows and Illusion is Renee's own story of unspeakable suffering and, ultimately, survival.
The wooded hills of Oxfordshire conceal the remains of the aptly named Ashdown House—a wasted pile of cinders and regret. Once home to the daughter of a king, Ashdown and its secrets will unite three women across four centuries in a tangle of intrigue, deceit and destiny… In the winter of 1662, Elizabeth Stuart, the Winter Queen, is on her deathbed. She entrusts an ancient pearl, rumored to have magic power, to her faithful cavalier William Craven for safekeeping. In his grief, William orders the construction of Ashdown Estate in her memory and places the pearl at its center. One hundred and fifty years later, notorious courtesan Lavinia Flyte hears the maids at Ashdown House whisper of a hidden treasure, and bears witness as her protector Lord Evershot—desperate to find it—burns the building to the ground. Now in the present day, a battered mirror and the diary of a Regency courtesan are the only clues Holly Ansell has to finding her brother, who has gone missing researching the mystery of Elizabeth Stuart and her alleged affair with Lord Craven. As she retraces his footsteps, Holly’s quest will soon reveal the truth about Lavinia and compel her to confront the stunning revelation about the legacy of the Winter Queen. Previously published.
National Book Award Finalist Stay, Illusion, the much-anticipated volume of poems by Lucie Brock-Broido, illuminates the broken but beautiful world she inhabits. Her poems are lit with magic and stark with truth: whether they speak from the imagined dwelling of her “Abandonarium,” or from habitats where animals are farmed and harmed “humanely,” or even from the surreal confines of death row, they find a voice like no other—dazzling, intimate, startling, heartbreaking. Eddying between the theater of the lavish and the enigmatic, between the gaudy and the unadorned, Brock-Broido’s verse scours America for material to render unflinchingly the here and now. Grandeur devolves into a comic irony: “We have come to terms with our Self / Like a marmoset getting out of her Great Ape suit.” She dares the unexplained: “The wings were left ajar / At the altar where I’ve knelt all night, trembling, leaning, rough / As sugar raw, and sweet.” Each poem is a rebellious chain of words: “Be good, they said, and so too I was / Good until I was not.” Strange narratives, interior and exterior, make a world that is foreign and yet our own; like Dickinson, Brock-Broido constructs a spider-sibling, commanding the “silk spool of the recluse as she confects her eventual mythomania.” And why create the web? Because: “If it is written down, you can’t rescind it.”
From the New York Times bestselling author of Bird Box and Malorie comes a haunting tale of love and mystery, as the date of a lifetime becomes a maddening exploration of the depths of the heart. “Malerman expertly conjures a fairy tale nostalgia of first love, and we follow along, all too willingly, ignoring the warning signs even as the fear takes hold.”—Lit Reactor The story begins: young lovers, anxious to connect, agree to a first date, thinking outside of the box. At seventeen years old, James and Amelia can feel the rest of their lives beginning. They have got this summer and this summer alone to experience the extraordinary. But they didn’t expect to find it in a house at the bottom of a lake. The house is cold and dark, but it’s also their own. Caution be damned, until being carefree becomes dangerous. For the teens must decide: swim deeper into the house—all the while falling deeper in love? Whatever they do, they will never be able to turn their backs on what they discovered together. And what they learned: Just because a house is empty, doesn’t mean nobody’s home.
"A brilliant and groundbreaking exploration of the promises and pitfalls of the spiritual path written by one of the pioneers of transpersonal psychology. A must for every serious spiritual seeker, students of consciousness, and all those concerned about the future of our planet." -Stanislav Grof, M.D. "Regardless of one's religious preferences, this pioneering classic eloquently and objectively addressees the spiritual issues of our time." -Angeles Arrien "Here, presented with clarity and courage, are the foundations for a transpersonal psychotherapy that respects the multileveled richness of the human psyche." -Ram Dass
Easy to use, competently indexed, and fun to explore, this bibliography is an irresistible antidote for all forms of gothic snobbery. Recommended for gothophiliacs, gothophobiacs, and readers with idle nights and empty weekends.
When a little boy goes outside to play, he discovers something mysterious, which he can't seem to get away from, no matter how hard he tries.
The Palace of Illusions takes us back to a time that is half-history, half-myth, and wholly magical; narrated by Panchaali, the wife of the five Pandava brothers, we are - finally - given a woman's take on the timeless tale that is the Mahabharata Tracing Panchaali's life - from fiery birth and lonely childhood, where her beloved brother is her only true companion; through her complicated friendship with the enigmatic Krishna; to marriage, motherhood and Panchaali's secret attraction to the mysterious man who is her husbands' most dangerous enemy - The Palace of Illusions is a deeply human novel about a woman born into a man's world - a world of warriors, gods and the ever manipulating hands of fate. ‘A mythic tale brimming with warriors, magic and treachery’ Los Angeles Times ‘A radiant entree into an ancient mythology . . . Charming and remarkable’ Houston Chronicle ‘A woman’s look at crime and punishment, loyalty, promises, love and vengeance . . . With The Palace of Illusions, Divakaruni has proven that her storytelling talents put her right up there with the best’ Miami Herald
This is the shocking story about the hidden cause of Terrorism. Few seem to be aware of the bloody manifestation moving toward their lives today on main street. The locales are strange, as are the characters in the Nether world around them. The story is high in suspense and action. ANYTHING CAN HAPPEN TO ANYONE ANYWHERE AT ANY TIME. This defining statement of the Age of Terror was put out on the wind in 1990. It has gone around the world, and even into commercials. This book is the amplification of it.
The making of shadows is an act as old as architecture itself. From the gloom of the medieval hearth through to the masterworks of modernism, shadows have been an essential yet neglected presence in architectural history. Shadow-Makers tells for the first time the history of shadows in architecture. It weaves together a rich narrative – combining close readings of significant buildings both ancient and modern with architectural theory and art history – to reveal the key places and moments where shadows shaped architecture in distinctive and dynamic ways. It shows how shadows are used as an architectural instrument of form, composition, and visual effect, while also exploring the deeper cultural context – tracing differing conceptions of their meaning and symbolism, whether as places of refuge, devotion, terror, occult practice, sublime experience or as metaphors of the unconscious. Within a chronological framework encompassing medieval, baroque, enlightenment, sublime, picturesque, and modernist movements, a wide range of topics are explored, from Hawksmoor's London churches, Japanese temple complexes and the shade-patterns of Islamic cities, to Ruskin in Venice and Aldo Rossi and Louis Kahn in the 20th century. This beautifully-illustrated study seeks to understand the work of these shadow-makers through their drawings, their writings, and through the masterpieces they built.