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The definitive survey of one of the great treasures of the English country landscape and British architectural heritage.
James Turrell is widely acknowledged as one of the most important artists working today. From the mid 1960s onwards his principal concern has been the way we apprehend light and space. His study of mathematics and perceptual psychology, as well as his Quaker upbringing and background as a pilot, inform his practice. His first exhibition in 1967 of 'projection pieces' used high-intensity light projectors to give the illusion of a solid geometrical object, often seemingly floating in space. From these investigations of light, Turrell went on to begin his series of 'Skyspaces'. These are enclosed viewing chambers that affect our perception of the sky. Since then he has continued to create works using light as his medium. Perhaps his most celebrated works are his 'Ganzfeld' chambers, whole spaces immersed in light; as well as his more recent 'Tall Glass' series, which resemble windows of slowly changing color. Meanwhile, Turrell continues work on a monumental project at Roden Crater, an extinct volcano in Arizona. Here he has created a series of viewing chambers, tunnels and apertures to heighten our sense of the heavens and earth in one of the most ambitious artistic endeavors of modern times. In summer/autumn 2015, Houghton Hall, Norfolk, hosted an ambitious and significant exhibition of James Turrell's light pieces, many collected by the Marquess of Cholmondeley, owner of Houghton, who has long been an admirer of his work. This publication has been produced to document and to accompany the exhibition - a project devoted to James Turrell's work has been a long-held ambition of Lord Cholmondeley. He first discovered Turrell's work twenty years ago, and in 2000 invited him to Houghton to install a 'Skyspace' amongst the trees on the west side of the house. Soon afterwards, a rusty water tank was removed from an eighteenth-century folly in the park to make way for his atmospheric interior space, 'St Elmo's Breath'. The exhibition was centered around works from the Houghton collection, which also includes projections, a 'Tall Glass', holograms, and prints. The exhibition was complemented by further loans to help illustrate the broad spectrum of Turrell's work; and a unique, site-specific installation was created especially for Houghton - 'The Illumination'- lighting the whole west façade of the house that could be viewed from dusk. LightScape follows three highly acclaimed exhibitions by Turrell in 2013/14 at the Guggenheim, New York, the Los Angeles County Museum of Art, and the Museum of Fine Arts, Houston. The National Museum of Australia, Canberra has also hosted a major retrospective of his work, which closed just as the exhibition at Houghton Hall opened. The publication includes a foreword by David Cholmondeley, a text by Peter Murray, and an interview with the artist by Hiram C. Butler. Designed by Peter B. Willberg and printed in Italy, this hardback, cloth-covered publication is essential reading for all admirers of Turrell's oeuvre.
"This nonfiction book documents 1,000 years of exciting English and American history from the perspective of one family--the Houghtons. From the Norman Conquest of England in 1066 AD, when our earliest ancestors first fought for William the Conquerer, to the 21st Century in America, this has been an epic adventure." "I have included a new chapter at the end of the book captioned '21st Century DNA Testing.' It provides, for the first time in print, fascinating information on the origins and lives of stone Age ancestors of the Houghton Family that lived in Europe over 300,000 years ago!" --from back cover.
In 1779 the family of Sir Robert Walpole, Britain's first prime minister, sold his remarkable art collection to Catherine the Great, Empress of Russia. More than two centuries later, these masterpieces, rarely seen outside Russia since that time, are returning to Houghton Hall, the great house built by Walpole. This book illustrates these superlative work hanging once again in William Kent's magnificent interiors. Exhibition: Houghton Hall, King's Lynn, Norfolk, UK (15.5.-15.9.2013).
After the fall of Sir Robert Walpole, Britain's first 'prime' minister, from political power in 1742, most of his celebrated collection of Old Master paintings was removed to his newly-built Palladian house in Norfold, Houghton Hall. In 1779 this collection was sold by Sir Robert's grandson to the Empress Catherine II of Russia, which was seen as a scandalous loss to Britain. This book catalogues for the first time the entire collection in Russia as well as those works of art that remained at Houghton Hall. Accompanying the catalogue are essays on various aspects of the formation and sale of the collection.
Published for Bard Graduate Center: Decorative Arts, Design History, Material Culture, New York.
Isabel and Julian Bannerman have been described as "mavericks in the grand manner, touched by genius" (Min Hogg, World of Interiors) and "the Bonnie and Clyde of garden design" (Ruth Guilding, The Bible of British Taste). Their approach to design, while rooted in history and the classical tradition, is fresh, eclectic and surprising. They designed the British 9/11 Memorial Garden in New York and have also designed gardens for the Prince of Wales at Highgrove and the Castle of Mey, Lord Rothschild at Waddesdon Manor, the Duke and Duchess of Norfolk at Arundel Castle in Sussex and John Paul Getty II at Wormsley in Buckinghamshire. The garden they made for themselves at Hanham Court near Bath was acclaimed by Gardens Illustrated as the top garden of 2009, ahead of Sissinghurst. When they moved from Hanham it was to the fairytale castle of Trematon overlooking Plymouth Sound, where they have created yet another magical garden. Landscape of Dreams celebrates the imaginative and practical process of designing, making and planting all of these gardens, and many more.
Includes section: Notes and reviews.