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EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
Meritocracy today involves the idea that whatever your social position at birth, society ought to offer enough opportunity and mobility for ‘talent’ to combine with ‘effort’ in order to ‘rise to the top’. This idea is one of the most prevalent social and cultural tropes of our time, as palpable in the speeches of politicians as in popular culture. In this book Jo Littler argues that meritocracy is the key cultural means of legitimation for contemporary neoliberal culture – and that whilst it promises opportunity, it in fact creates new forms of social division. Against Meritocracy is split into two parts. Part I explores the genealogies of meritocracy within social theory, political discourse and working cultures. It traces the dramatic U-turn in meritocracy’s meaning, from socialist slur to a contemporary ideal of how a society should be organised. Part II uses a series of case studies to analyse the cultural pull of popular ‘parables of progress’, from reality TV to the super-rich and celebrity CEOs, from social media controversies to the rise of the ‘mumpreneur’. Paying special attention to the role of gender, ‘race’ and class, this book provides new conceptualisations of the meaning of meritocracy in contemporary culture and society.
The first three books in the Sydney Rye Mysteries: Unleashed, Death in the Dark, and Insatiable. My dog once took a bullet that was intended for me. A bullet that ripped through his chest, narrowly missing his heart, and exited through his shoulder blade, effectively shattering it. This left him unconscious on the floor of my home. Amazingly, this bullet did not kill him. Ten years ago I adopted Blue as a present to myself after I broke up with my boyfriend one hot, early summer night with the windows open and the neighborhood listening. The next morning I went straight to the pound in Bushwick, Brooklyn. Articles on buying your first dog tell you never to buy a dog on impulse. They want you to be prepared for this new member of your family, to understand the responsibilities and challenges of owning a dog. Going to the pound because you need something in your life that's worth holding onto is rarely, if ever, mentioned. I asked the man at the pound to show me the biggest dogs they had. He showed me some seven-week-old Rottweiler-German shepherd puppies that he said would grow to be quite large. Then he showed me a six-month-old shepherd that would get pretty big. Then he showed me Blue, the largest dog they had. The man called him a Collie mix and he was stuffed into the biggest cage they had, but he didn't fit. He was as tall as a Great Dane but much skinnier, with the snout of a collie, the markings of a Siberian husky, the ears and tail of a shepherd and the body of a wolf, with one blue eye and one brown. Crouched in a sitting position, unable to lie down, unable to sit all the way up, he looked at me from between the bars, and I fell in love. "He's still underweight," the man in the blue scrubs told me as we looked at Blue. "I'll tell you, lady, he's pretty but he's skittish. He sheds, and I mean sheds. I don't think you want this dog." But I knew I wanted him. I knew I had to have him. He was the most beautiful thing I had ever seen. Blue cost me $108. I brought him home, and we lived together for years. He was, for most of our relationship, my only companion. But when I first met Blue, a lifetime ago now, I had family and friends. I worked at a crappy coffeehouse. I was young and lost; I was normal. Back then, at the beginning of this story, before I'd ever seen a corpse, before Blue saved my life, before I felt what it was like to kill someone in cold blood, I was still Joy Humbolt. I'd never even heard the name Sydney Rye. P.S. The dog does not die. **Beware: If you can’t handle a few f-bombs, you can’t handle this series.**
Stephen C. Ferguson II provides a philosophical examination of Black popular culture for the first time. From extensive discussion of the philosophy and political economy of Hip-Hop music through to a developed exploration of the influence of the postmodernism-poststructuralist ideology on African American studies, he argues how postmodernism ideology plays a seminal role in justifying the relationship between corporate capitalism and Black popular culture. Chapters cover topics such as cultural populism, capitalism and Black liberation, the philosophy of Hip-Hop music, and Harold Cruse's influence on the “cultural turn” in African American studies. Ferguson combines case studies of past and contemporary Black cultural and intellectual productions with a Marxist ideological critique to provide a cutting edge reflection on the economic structure in which Black popular culture emerged. He highlights the contradictions that are central to the juxtaposition of Black cultural artists as political participants in socioeconomic struggle and the political participants who perform the rigorous task of social criticism. Adopting capitalism as an explanatory framework, Ferguson investigates the relationship between postmodernism as social theory, current manifestations of Black popular culture, and the theoretical work of Black thinkers and scholars to demonstrate how African American studies have been shaped.
(Book). Based on the official Top 20 charts from Billboard in the US and NME/Music Week in the UK, this entertaining book shows at a glance the monthly international status of the hits. The fully updated and revised fourth edition lists the charts since they began in January 1954 all the way through December 2000. Each song is listed with artist name and nationality, current and previous month's chart position, record label, weeks on the chart, and simultaneous position on the "other side of the pond." Special symbols indicate million-sellers, plus artists' first and most recent hits. All stars and songs are indexed separately, making it especially easy to pinpoint any Top 20 hit. Includes 200 photos, plus new pop trivia and star gossip!
A complete guide to the history, form and contexts of the genre, Autobiographical Comics helps readers explore the increasingly popular genre of graphic life writing. In an accessible and easy-to-navigate format, the book covers such topics as: · The history and rise of autobiographical comics · Cultural contexts · Key texts – including Maus, Robert Crumb, Persepolis, Fun Home, and American Splendor · Important theoretical and critical approaches to autobiographical comics Autobiographical Comics includes a glossary of crucial critical terms, annotated guides to further reading and online resources and discussion questions to help students and readers develop their understanding of the genre and pursue independent study.