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From East L.A. to the barrios of New York City and the Cuban neighborhoods of Miami, Latino literature, or literature written by Hispanic peoples of the United States, is the written word of North America's vibrant Latino communities. Emerging from the fusion of Spanish, North American, and African cultures, it has always been part of the American mosaic. Written for students and general readers, this encyclopedia surveys the vast landscape of Latino literature from the colonial era to the present. Aiming to be as broad and inclusive as possible, the encyclopedia covers all of native North American Latino literature as well as that created by authors originating in virtually every country of Spanish America and Spain. Included are more than 700 alphabetically arranged entries written by roughly 60 expert contributors. While most of the entries are on writers, such as Julia Alvarez, Sandra Cisneros, Lorna Dee Cervantes, Oscar Hijuelos, and Piri Thomas, others cover genres, ethnic and national literatures, movements, historical topics and events, themes, concepts, associations and organizations, and publishers and magazines. Special attention is given to the cultural, political, social, and historical contexts in which Latino literature has developed. Entries cite works for further reading, and the encyclopedia closes with a selected, general bibliography. Entries cite works for further reading, and the encyclopedia closes with a selected, general bibliography. The encyclopedia gives special attention to the social, cultural, historical, and political contexts of Latino literature, thus making it an ideal tool to help students use literature to learn about history and cultural diversity.
The Wind Shifts gathers, for the first time, works by emerging Latino and Latina poets in the twenty-first century. Here readers will discover 25 new and vital voices including Naomi Ayala, Richard Blanco, David Dominguez, Gina Franco, Sheryl Luna, and Urayoán Noel. All of the writers included in this volume have published poetry in well-regarded literary magazines. Some have published chapbooks or first collections, but none had published more than one book at the time of selection. This results in a freshness that energizes the enterprise. Certainly there is poetry here that is political, but this is not a polemical book; it is a poetry book. While conscious of their roots, the artists are equally conscious of living in the contemporary world—fully engaged with the possibilities of subject and language. The variety is tantalizing. There are sonnets and a sestina; poems about traveling and living overseas; poems rooted in the natural world and poems embedded in suburbia; poems nourished by life on the U.S.–Mexico border and poems electrified by living in Chicago or Los Angeles or San Francisco or New York City. Some of the poetry is traditional; some is avant-garde; some is informed by traditional poetry in Spanish; some follows English forms that are hundreds of years old. There are love poems, spells that defy logic, flashes of hope, and moments of loss. In short, this is the rich and varied poetry of young, talented North American Latinos and Latinas.
This “delicious take on the one percent in our nation’s capital” (Town & Country) and clever combination of The Bonfire of the Vanities and The Nest explores what Washington, DC’s high society members do behind the closed doors of their stately homes. They are the families considered worthy of a listing in the exclusive Green Book—a discriminative diary created by the niece of Edith Roosevelt’s social secretary. Their aristocratic bloodlines are woven into the very fabric of Washington—generation after generation. Their old money and manner lurk through the cobblestone streets of Georgetown, Kalorama, and Capitol Hill. They only socialize within their inner circle, turning a blind eye to those who come and go on the political merry-go-round. These parents and their children live in gilded existences of power and privilege. But what they have failed to understand is that the world is changing. And when the family of one of their own is held hostage and brutally murdered, everything about their legacy is called into question in this unputdownable novel that “combines social satire with moral outrage to offer a masterfully crafted, absorbing read that can simply entertain on one level and provoke reasoned discourse on another” (Booklist, starred review).
A panorama of literature by Latinos, whether born or resident in the United States.
Moby-Dick's Ishmael and Queequeg share a bed, Janie in Zora Neale Hurston's Their Eyes Were Watching God imagines her tongue in another woman's mouth. And yet for too long there has not been a volume that provides an account of the breadth and depth of queer American literature. This landmark volume provides the first expansive history of this literature from its inception to the present day, offering a narrative of how American literary studies and sexuality studies became deeply entwined and what they can teach each other. It examines how American literature produces and is in turn woven out of sexualities, gender pluralities, trans-ness, erotic subjectivities, and alternative ways of inhabiting bodily morphology. In so doing, the volume aims to do nothing less than revise the ways in which we understand the whole of American literature. It will be an indispensable resource for scholars, graduate students, and undergraduates.
Providing a comprehensive history of the City University of New York, this book chronicles the evolution of the country’s largest urban university from its inception in 1961 through the tumultuous events and policies that have shaped it character and community over the past fifty years. On April 11, 1961, New York State Governor Nelson Rockefeller signed the law creating the City University of New York (CUNY). This legislation consolidated the operations of seven municipal colleges—four senior colleges (Brooklyn College, City College, Hunter College and Queens College) and three community colleges (Bronx Community College, Queensborough Community College, and Staten Island Community College)—under a common Board of Higher Education. Enrolling at the time approximately 91,000 students, CUNY would evolve over the next fifty years into the largest urban university in the country, serving more than 500,000 students. Reflecting on its uniqueness and broader place in U.S. higher education, Picciano and Jordan examine in depth the development of the CUNY system and all of its constituent colleges, with emphasis on its rapid expansion in the 1960s, and the end of its free tuition in the 1970s, and open admissions policies in the 1990s. While much of CUNY’s history is marked by twists and turns unique to its locale, many of the issues and experiences at CUNY over the past fifty years shed light on the larger nationwide developments in higher education.
Con una introducción del ganador del Premio Pulitzer, Viet Thanh Nguyen, En algún lugar somos humano es una antología de cuarenta y cuatro ensayos y poemas atrevidos, importantes y revolucionarios escritos por inmigrantes, refugiados y Dreamers, incluidos escritores galardonados, artistas y activistas, que iluminan la realidad del día a día de un indocumentado. Hoy en día, existe un efusivo debate sobre el tema de la inmigración en los Estados Unidos, pero se pierde de vista lo más importante: que los migrantes y refugiados viviendo precariamente en este país son madres y padres, hermanos y hermanas, hijos e hijas; individuos impulsados por la esperanza y el miedo que se juegan la vida con la promesa del sueño americano. Sus historias, sin embargo, caen a menudo en el olvido. En estos tiempos de inquietudes, agitación política e incertidumbre, esta antología de ensayos, poesía y arte intenta transformar la xenófoba y estereotipada perspectiva colectiva que tenemos sobre los inmigrantes y refugiados en una basada en la justicia y humanidad. Les autores de esta colección alterarán la visión que tienen de sí mismes y de sus respectivas comunidades a través de la narración y el arte para así declarar orgullosamente que, tanto aquí como en cualquier otro lugar, todos somos humanos a pesar de la militarización de las fronteras, la detención masiva y la legislación draconiana y antiinmigrante en los Estados Unidos. En algún lugar somos humanos revela cómo la alegría, la esperanza, el duelo y la perseverancia nos ayudan a florecer en los terrenos más áridos y en las condiciones más extremas.
""Wide-ranging yet consistently affecting, these pieces offer a crucial and inspired survey of the immigrant experience in America."" –Publishers Weekly "[These contributions] touch on so many different facets of the immigrant experience that readers will find much to ponder... [and] experience how creative writing enriches our understanding of each other and our lives." –Booklist Introduction by Pulitzer Prize–winning author Viet Thanh Nguyen A unique collection of 41 groundbreaking essays, poems, and artwork by migrants, refugees and Dreamers—including award-winning writers, artists, and activists—that illuminate what it is like living undocumented today. In the overheated debate about immigration, we often lose sight of the humanity at the heart of this complex issue. The immigrants and refugees living precariously in the United States are mothers and fathers, children, neighbors, and friends. Individuals propelled by hope and fear, they gamble their lives on the promise of America, yet their voices are rarely heard. This anthology of essays, poetry, and art seeks to shift the immigration debate—now shaped by rancorous stereotypes and xenophobia—towards one rooted in humanity and justice. Through their storytelling and art, the contributors to this thought-provoking book remind us that they are human still. Transcending their current immigration status, they offer nuanced portraits of their existence before and after migration, the factors behind their choices, the pain of leaving their homeland and beginning anew in a strange country, and their collective hunger for a future not defined by borders. Created entirely by undocumented or formerly undocumented migrants, Somewhere We Are Human is a journey of memory and yearning from people newly arrived to America, those who have been here for decades, and those who have ultimately chosen to leave or were deported. Touching on themes of race, class, gender, nationality, sexuality, politics, and parenthood, Somewhere We Are Human reveals how joy, hope, mourning, and perseverance can take root in the toughest soil and bloom in the harshest conditions.