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The reissue of the 1938 revised edition of a work originally published in 1912 indicates its lasting value as a classic survey on the development of botany as a distinct scientific discipline.
Foreword: Intermediate horizons / Matthew Kirschenbaum -- Section I. Approach -- Benjamin Franklin's postal work / Christy L. Pottroff -- Linking book history and the digital humanities via museum studies / Jayme Yahr -- Section II. Access -- Material and digital traces in patterns of nature: early modern botany books and seventeenth-century needlework / Mary Learner -- Opening the book: the utopian dreams and uncertain future of open access textbook publishing / Joseph L. Locke and Ben Wright -- Books of ours: what libraries can learn about social media from books of hours / Alexandra Alvis -- Section III. Assessment -- Whose books are online? Diversity, equity, and inclusion in online text collections / Catherine A. Winters and Clayton P. Michaud -- Electronic versioning and digital editions / Paul A. Broyles -- Materialisms and the cultural turn in digital humanities / Mattie Burkert.
From the early misfortunes of Eve, condemning her descendants to a dubious reputation for fruit management, to the acclaimed successes of plant breeders such as the eccentric Ellen Willmott who combined bankruptcy with iris breeding, the fortunes of the female gardener have been as varied as their roles. Telling the tales of the sixteenth-century housewife, who neatly sidestepped accusations of herbal witchcraft while working her plot, and the unconventional Ladies of Llangollen, who eloped together and created their gothic garden and many other women besides, A History of Women in the Garden showcases female horticulturists through the centuries. An enlightening and entertaining read that will allow the reader to gain fresh enthusiasm for even the most menial of garden tasks, and realise that hundreds of women have trod the garden path before.
The formal gardens of Elizabethan England were among the glories of their age. Complementing the great houses of the day, they reflected the aspirations of their owners, whose greatest desire was to achieve success at Court and to delight the Queen. No leading courtier would be without his great house, no great house was complete without its garden. In this richly illustrated work, Jane Whitaker explores these gems of Elizabethan England, focusing on the gardens of the Queen and her leading courtiers. Drawing on the cultural and horticultural sources of the day, as well as evidence surviving on the ground, she recreates these lost gardens, revealing both the rich and Renaissance culture that underlay them and the sumptuous world of the Elizabethan aristocracy. The result is an evocation of one of the most opulent reigns in English history and an entertaining and informative study of one of the most interesting periods of garden history.
A vivid narration of the history of the tulip, from its origins on the barren, windswept steppes of central Asia to its place of honor in the lush imperial gardens of Constantinople, to its starring moment as the most coveted—and beautiful—commodity in Europe. In the 1630s, visitors to the prosperous trading cities of the Netherlands couldn't help but notice that thousands of normally sober, hardworking Dutch citizens were caught up in an extraordinary frenzy of buying and selling. The object of this unprecedented speculation was the tulip, a delicate and exotic Eastern import that had bewitched horticulturists, noblemen, and tavern owners alike. For almost a year rare bulbs changed hands for incredible and ever-increasing sums, until single flowers were being sold for more than the cost of a house. Historians would come to call it tulipomania. It was the first futures market in history, and like so many of the ones that would follow, it crashed spectacularly, plunging speculators and investors into economic ruin and despair. This colorful cast of characters includes Turkish sultans, Yugoslav soldiers, French botanists, and Dutch tavern keepers—all centuries apart historically and worlds apart culturally, but with one thing in common: tulipomania.
This is the latest volume in a major series that describes selections of the rare books, manuscripts, and other works of art held at Oak Spring Garden Library, a collection formed by Rachel Lambert Mellon. The 111 items chosen for this volume on floral illustration since the later Middle Ages include Books of Hours, still-life and vanitas paintings, botanical prints, and books of instruction of every kind, from planting a garden to making flowers using colored papers or wax. Lucia Tongiorgi Tomasi groups the works into chapters on such topics as florilegia, women artists, tulipomania, Dutch and Flemish painting, and exotic flowers from distant lands, providing an introduction to each chapter that gives the contextual background necessary for a real understanding and appreciation of floral illustration past and present. The sheer beauty as well as extraordinary skills encountered, for example, in manuscript florilegia by Jacob Marrel and Maria Sibylla Merian, in hand-colored books by Jacques Le Moyne de Morgues and G.B. Ferrari, and in flower studies painted by John Constable, Margaret Mee, and others, are testament to the high status accorded floral illustration over the centuries. This handsome, richly illustrated volume will attract all those with an interest in rare books and the history of art as well as horticulturalists, botanists, and garden historians.