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Gathers seventeen short plays set in the small Texas town of Harrison.
The play is set in a boarding house in a small town on the Gulf Coast of Texas. Three unmarried women, Alma Jean, Cutie and Miss Rowena, have lived there for years, watching the life of the town. Helen Crews, after a disagreement with her mother, also moves in; Helen had been engaged to Harvey Weems, a charming but weak young man, and the two mothers had managed to break off the engagement. Now Harvey, in love with Helen, but not strong enough to defy his mother, comes every night to Helen's window to call her name. Ralph Johnston, an attractive young man, has just moved to town, and into the boarding house, where he becomes very much interested in Helen. Thanks to Ralph's love, Helen is at last able to leave the town and go off to a happy life of her own and marriage, and Harvey, the midnight caller, is left behind, still calling for her.
No playwright in the history of the American theater has captured the soul of the nation more incisively than Horton Foote. From his Pulitzer Prize-winning play, The Young Man From Atlanta, to his film adaptation of To Kill a Mockingbird, which received an Oscar, millions of people have been touched by Foote's work. He has long been regarded by other playwrights and screenwriters, actors, and cognoscenti of the theater and cinema as America's master storyteller; critics compared him to William Faulkner and Anton Chekhov. Yet Horton Foote's compelling character and rich life remain largely unknown to the general public. His is the story of an artist who refused to compromise his talents for the sake of fame or money, or just to keep working -- who insisted on writing what he regarded as truth, even when for many years almost no one would listen. In the first comprehensive biography of this remarkable writer, Wilborn Hampton introduces Foote to countless Americans who have admired his work. Hampton, a theater critic for The New York Times, offers a colorful, compulsively readable account of a life and career that spanned seven decades. As a child in the small town of Wharton, Texas, Foote's favorite pastime was to listen to the stories his elders told -- about themselves, their families, their neighbors -- around the dinner table or sitting on the front porch. As he once explained: "One thing I was given in life is a deep desire to listen. I've spent my life listening. These stories have haunted me all my life." The stories also served as an inspiration for Foote's life work as he chronicled America's wistful odyssey through the twentieth century, mostly from the perspective of a small town in Texas. Beginning in the Golden Age of Television with dramas such as The Trip to Bountiful, through Broadway and Off-Broadway successes, to the mark he made in films such as Tender Mercies, and right up through a staging of his complete nine-play opus The Orphans' Home Cycle, he documented the struggle of ordinary people to maintain their dignity in the face of hardship and change that the erosion of time inevitably brings. It is a theme Horton Foote lived. Yet the paradox that shines through his work is that while the externals of life alter over the years -- wealth may be gained or squandered, love may be won or lost, friends and relations die -- people themselves do not. Like Eugene O'Neill, Arthur Miller, and Tennessee Williams, Horton Foote's portraits of American life are iconic and true. His stories have helped shape the way Americans see themselves -- indeed, they have become part of the nation's psyche, and they will speak to many generations to come.
THE STORIES: A YOUNG LADY OF PROPERTY. Wilma, a lonely girl of fifteen, lives with her aunt. Her mother is dead, and her father, who is weak and not too reliable, goes out with a Mrs. Leighton, a woman of whom the town disapproves. In a wistful mom
Since 1939, Horton Foote, "the Chekhov of the small town," has chronicled with compassion and acuity the experience of American life both intimate and universal. His adaptation of Harper Lee's To Kill a Mockingbird and his original screenplay Tender Mercies earned him Academy Awards. He has won a Pulitzer Prize, the Gold Medal for Drama from the American Academy of Arts and Letters, the PEN/Laura Pels Foundation Award for Drama, and the President's National Medal of Arts. Beginnings is the story of Foote's discovery of his own vocation. He didn't always want to write. When he left Wharton, Texas, at the age of sixteen to study at the Pasadena Playhouse, Foote aspired to be an actor. He remembers the terror and excitement of leaving home during the Depression, his early exposure to the influences of German theater, and the speech lessons he took to "cure" him of his Southern drawl. He eventually arrives in New York to search for acting jobs and to study with some of the great Russian and American teachers of the 1930s. But after mixed results on the stage, he finally recognizes his true passion, writing. From Martha Graham to Tennessee Williams, from Agnes de Mille to Lillian Gish, Horton collaborates with great artists in both dance and theater. The world he describes of fierce commitment and passion regardless of financial rewards is both captivating and inspiring. Through it all Horton maintains his genuine Southern charm, and he often travels home to Wharton, the town that nurtured him as a storyteller and has inspired his writing for the past sixty years. From one of the most moving and distinctive voices of our time, Beginnings is a rare, personal look at a fascinating era in American life, and at the making of a writer.
August Wilson penned his first play after seeing a man shot to death. Horton Foote began writing plays to create parts for himself as an actor. Edward Albee faced commercial pressures to modify his scripts-and resisted. After Wit, Margaret Edson swore off playwriting altogether and decided to keep her day job as a kindergarten teacher, instead. The Playwright's Muse presents never-before-published interviews with some of the greatest names of American drama-all recent winners of the Pulitzer Prize. In these scintillating exchanges with eleven leading dramatists, we learn about their inspirations and begin to grasp how the creative process works in the mind of a writer. We learn how their first plays took shape, how it felt to read their first reviews, and what keeps them writing for theater today. Introductory essays on each playwright's life and work, written by theater artists and scholars with strong professional relationships to their subjects, provide additional insight into the writers' contributions to contemporary theater.
THE STORY: Matriarch Stella Gordon is determined not to divide her 100-year-old Texas estate, despite her family's declining wealth and the looming financial crisis. But her three children have another plan. Old resentments and sibling rivalries su
THE STORY: 1929, Harrison Texas. Myra Tolliver makes her living playing the live music for the silent pictures. She makes barely enough to survive, caring for herself and her teenage son, Pete. As borders in the home of the Jacksons, Myra supplemen
"The plays in this book, written by Pulitzer Prize-winner Horton Foote, include: The Trip to Bountiful, The Chase, The Traveling Lady, and The Roads to Home."-- Amazon.