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"Although gothic, almost ghoulish, this 1976 Spanish Literary Critics awards winner is also wildly imaginative and lyrically written, with a translation to match". -- Publishers Weekly-- 1995 Publishers Weekly Best Books of the Year-- 1995-96 Critics' Choice List
Originally published in 1975, Cavalls cap a la fosca was hailed by public and critics alike as perhaps the most incisive Catalan novel since the Spanish Civil War.
A neon blue horse carries a girl into the night sky, where she picks a bouquet of stars and feeds them to her steed.
“A Horse at Night is like light from a candle in the evening: intimate, pleasurable, full of wonder. It asks us to consider fiction as life and life as fiction. Amina Cain is our generous, gentle guide through an exquisite library. A truly beautiful book.” —Ayşegül Savaş “I adore her work, and sensibility,” writes Claire-Louise Bennett of Amina Cain; and Jenny Offill: “Cain writes beautiful precise sentences about what it means to wander through this luminous world.” Cain’s unique wandering sensibility, her attention to the small and the surprising, finds a profound new expression in her first nonfiction book, a sustained meditation on writers and their work. Driven by primary questions of authenticity and freedom in the shadow of ecological and social collapse, Cain moves associatively through a personal canon of authors— including Marguerite Duras, Elena Ferrante, Renee Gladman, and Virginia Woolf— and topics as timely and various as female friendships, zazen meditation, neighborhood coyotes, landscape painting, book titles, and the politics of excess. A Horse at Night: On Writing is an intimate reckoning with the contemporary moment, and a quietly brilliant contribution to the lineage of Woolf’s A Room of One’s Own or Gass’s On Being Blue, books that are virtuosic arguments for—and beautiful demonstrations of—the essential unity of writing and life.
One of Canada’s most accomplished authors combines the best qualities of both the short story and the novel to create a lyrical evocation of the beauty, pain, and wonder of growing up. In eight interconnected, finely wrought stories, Margaret Laurence recreates the world of Vanessa MacLeod – a world of scrub-oak, willow, and chokecherry bushes; of family love and conflict; and of a girl’s growing awareness of and passage into womanhood. The stories blend into one masterly and moving whole: poignant, compassionate, and profound in emotional impact. In this fourth book of the five-volume Manawaka series, Vanessa MacLeod takes her rightful place alongside the other unforgettable heroines of Manawaka: Hagar Shipley in The Stone Angel, Rachel Cameron in A Jest of God, Stacey MacAindra in The Fire-Dwellers, and Morag Gunn in The Diviners.
There are over seven million horses in America -- even more than when they were the only means of transportation. Nir began riding horses when she was just two years old and hasn't stopped since. This is her funny, moving love letter to these graceful animals and the people who are obsessed with them. She takes us into the lesser-known corners of the riding world and profiles some of its most captivating figures, and speaks candidly of how horses have helped her overcome heartbreak and loss.
Gray’s life changes forever when she meets a boy as wild as an untamed stallion When Chav walks into Gray’s class at school for the first time dressed all in black, with wild hair and fierce eyes, Gray knows that her life is about to change. What she doesn’t yet know is that her mysterious new classmate is as fascinated by her as she is by him. Gray and Chav are drawn to each other by their shared love of horses. But Chav’s home life is more complicated than Gray could ever have imagined. Chav is a Gypsy and doesn’t trust gadjo, or non-Gypsy people. He and his siblings have run away from a painful past and he will do anything to defend his family. But when his brother and sister suddenly get sick, Chav needs help—Gray’s help. And earning Chav’s trust turns out to be harder than breaking a wild horse.
This is the story of two English girls, who travel to Australia to fi nd love and romance. Jenny the principal fi gure in the book is torn when she meets the dashing young, self-confi dent Ted but she fi nds out that he’s not what he seems, from the outset his self-confi dence and pride comes out to the detriment of everyone else. She has to fl ee to get back her freedom and she ends up in Kakadu where she fi nally meets Steve the love of her life.