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In 1583 in Vienna, a 16-year-old girl suffered stomach cramps. A team of Jesuits exorcized her for eight weeks. The priests announced that they had expelled 12,652 demons from her, demons that her grandmother had kept as flies in glass jars. The grandmother was tortured into confessing that she was a witch who had engaged in sex with Satan. She was then burned at the stake. This was one of perhaps one million such executions during three centuries of witch-hunts. In 1989 in Moradabad, India, a pig caused hundreds of people to kill one another when the animal walked through a Muslim holy ground. Muslims, who think pigs are an embodiment of Satan, accused Hindus of driving the pig into the sacred spot. Members of both faiths went on a rampage, stabbing and clubbing. The pig riot spread to a dozen cities and left two hundred dead. A squad of armed Islamic zealots raided a Christian church at Behawalpur, Pakistan, on October 28, 2001, killing the minister, fourteen worshipers, and the church's police guard. It is said that there is never enough religion in the world to make people love one another--just enough to make them hate one another. Incendiary blends of fundamentalist religion, politics, nationalism, and ethnic zealotry engender countless examples of atrocity in the name of faith and orthodoxy. If anything, religious persecution is more savage now than everbefore in the history of mankind. HOLY HORRORS chronicles the grim spectrum of religious persecution from ancient times to the present. Fully illustrated with drawings, woodcuts, and photographs, the book recounts such historic religious persecution as the Crusades, the Islamic jihads, the Catholic wars against heretics, the Inquisition, witch-hunts, and the Reformation. It also chronicles modern-day atrocities, including the Holocaust, the seemingly insoluble Catholic-Protestant schism in Northern Ireland, religious tribalism in in Lebanon, and the barbaric cruelty of the theocracy in Iran.
Since the 1950s, children have provided some of horror's most effective and enduring villains, from dainty psychopath Rhoda Penmark of The Bad Seed (1956) and spectacularly possessed Regan MacNeil of The Exorcist (1973) to psychic ghost-girl Samara of The Ring (2002) and adopted terror Esther of Orphan (2009). Using a variety of critical approaches, including those of cinema studies, cultural studies, gender studies, and psychoanalysis, Bad Seeds and Holy Terrors offers the first full-length study of these child monsters. In doing so, the book highlights horror as a topic of analysis that is especially pertinent socially and politically, exposing the genre as a site of deep ambivalence toward—and even hatred of—children.
How does God respond to trauma in a world full of horrors? Beyond their physical and emotional toll, the horrors of this world raise difficult theological and existential questions. Where is God in the darkest moments of the human experience? Is there any hope for recovery from the trauma generated by these horrors? There are no easy answers to these questions. In God of All Comfort, Scott Harrower addresses these questions head on. Using the Gospel of Matthew as a backdrop, he argues for a Trinitarian approach to horrors, showing how God--in his triune nature--reveals himself to those who have experienced trauma. He explores the many ways God relates restoratively with humanity, showing how God's light shines through the darkness of trauma.
Sacred Terror examines the religious elements lurking in horror films. It answers a simple but profound question: When there are so many other scary things around, why is religion so often used to tell a scary story? In this lucid, provocative book, Douglas Cowan argues that horror films are opportune vehicles for externalizing the fears that lie inside our religious selves: of evil; of the flesh; of sacred places; of a change in the sacred order; of the supernatural gone out of control; of death, dying badly, or not remaining dead; of fanaticism; and of the power--and the powerlessness--of religion.
In Reading the Bible with Horror, Brandon R. Grafius takes the reader on a whirlwind tour through the dark corners of the Hebrew Bible. Along the way, he stops to place the monstrous Leviathan in conversation with contemporary monster theory, uses Derrida to help explore the ghosts that haunt the biblical landscape, and reads the House of David as a haunted house. Conversations arise between unexpected sources, such as the Pentateuch legal texts dealing with female sexuality and Carrie. Throughout the book, Grafius asks how the Hebrew Bible can be both sacred text and tome of fright, and he explores the numerous ways in which the worlds of religion and horror share uncomfortable spaces.
This book broaches the theme of the profanation of the Eucharist in the very bosom of the Roman-Catholic Church in North America which has been going on for approximately a half century. The problem consists in pouring the remaining Eucharistic Blood of Christ into the sacrarium (a special sink usually located in the sacristy of the church) after the distribution of Holy Communion during Mass. The essence of the matter is that this practice is strictly prohibited in the Catholic Church, and those who pour the Consecrated Wine into the sacrarium incur an automatic penalty of excommunication reserved to the Apostolic See (Canon 1367 of the Code of Canon Law and Paragraph 107 of the instruction on the Eucharist Redemptionis Sacramentum issued by the Congregation for Divine Worship and the Discipline of the Sacraments). For Catholics, who believe in the real presence of the LORD Jesus Christ in the Eucharist, the aforementioned practice is a great liturgical and moral abuse. As a priest, I want to stir up the conscience of those who act contrary to the faith of the Catholic Church, and I dedicate the present book to this issue.
Christopher Hitchens, described in the London Observer as “one of the most prolific, as well as brilliant, journalists of our time” takes on his biggest subject yet–the increasingly dangerous role of religion in the world. In the tradition of Bertrand Russell’s Why I Am Not a Christian and Sam Harris’s recent bestseller, The End Of Faith, Christopher Hitchens makes the ultimate case against religion. With a close and erudite reading of the major religious texts, he documents the ways in which religion is a man-made wish, a cause of dangerous sexual repression, and a distortion of our origins in the cosmos. With eloquent clarity, Hitchens frames the argument for a more secular life based on science and reason, in which hell is replaced by the Hubble Telescope’s awesome view of the universe, and Moses and the burning bush give way to the beauty and symmetry of the double helix.
Since Cherie Priest burst onto the speculative fiction scene, she's built a huge following through novels that have earned her accolades and the titles "The Queen of Horror" and "The High Priestess of Steampunk" at various times. A nominee for the Nebula, Hugo, and Goodreads Choice Awards and a winner of the Locus Award, Priest is also a master of the short form. In her first collection of short fiction, Holy Terror: Stories by Cherie Priest, readers will be taken on haunting journeys that showcase Priest's unparalleled range. In an early story, "The October Devotion," William Miller's predicted mid-19th century apocalypse ends up with a girl discovering what might or might not be Lovecraftian salvation in the forest. A soldier brings a dragon home from World War II to east Tennessee in "The Immigrant." Two stories here take place in Priest's beloved Clockwork Century universe: "Reluctance," in which a teen veteran with a war injury lands his dirigible in a town that seems empty, only to end up in a race against time and zombies, and the novella "Clementine," following the adventures of Maria Isabella Boyd and Captain Croggon Beauregard Hainey. Another novella, The Wreck of the Mary Byrd, weaves the story of a disappearing boat in 1870 in the words of the captain and some of the passengers...as well as an unforgettable villain. And there's so much more. Holy Terror also features an introduction from New York Times' bestselling author Kevin Hearne, extensive notes on each story from Priest, and an exclusive new novelette, "Talking in Circles" that is sure to become a fan favorite. Get ready to hide under the covers, crack this volume open, and take a delicious trip to the dark side.
When Cook's newborn baby entered the world, he had nothing but hope for its future. However, it was immediately clear that this was no ordinary child-it's murderous screams seemed a dark portent. As it grew, things only got worse, and the child's mother began to despair. The new parents hoped their child would grow out of it, but soon came to realise that its inauspicious beginnings were only a sign of things to come. Herbert George Wells (1866 - 1946) was a prolific English writer who wrote in a variety of genres, including the novel, politics, history, and social commentary. Today, he is perhaps best remembered for his contributions to the science fiction genre thanks to such novels as "The Time Machine" (1895), "The Invisible Man" (1897), and "The War of the Worlds" (1898). "The Father of Science Fiction" was also a staunch socialist, and his later works are increasingly political and didactic. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.