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You'll scream with delight while reading this fun and engaging book that discusses fright flicks all horror fans need to see to ascend to the level of a true Horror Freak —from classics (Dracula and Psycho) to modern movies (Drag Me to Hell) and lesser-known gems (Dog Soldiers). Movies are divided into various categories including Asian horror, beginners, homicidal slashers, supernatural thrillers, and zombie invasion. Features more than 130 movies, 250+ photos of movie stills and posters, and a chapter on remakes and reimaginings. The book also includes the DVD of George A. Romero's original 1968 version of "Night of the Living Dead."
Freak Of Horror - An Coloring Books for horror fans. This book contain 25 coloring pages and base on classic monsters and villains from classic horror films, classic horror literature, modern horror films and shows. Including popular creatures: Freddy, Joker, Chucky Doll, IT, Jason Voorhees, and many other evil beings! In this book you will find: 25 Coloring Pages to Color A large print 8.5 x 11 inches Single-sided pages. Every image is placed on its own black page to avoid bleed through The perfect gift for horror lovers and for people they are in to the metal genre as well We hope this book gives you the inspiration to create something truly terrifying.
"Is being a hot Hollywood mega-star all it's cracked up to be? Not if you're box-office star Rick Coogin, who jets off to do a fertilizer promotion and ends up a distorted, mutated freak in a land full of them!"--Cover
Entertainment Weekly's controversial critic of more than two decades looks back at a life told through the films he loved and loathed. Owen Gleiberman has spent his life watching movies-first at the drive-in, where his parents took him to see wildly inappropriate adult fare like Rosemary's Baby when he was a wide-eyed 9 year old, then as a possessed cinemaniac who became a film critic right out of college. In Movie Freak, his enthrallingly candid, funny, and eye-opening memoir, Gleiberman captures what it's like to live life through the movies, existing in thrall to a virtual reality that becomes, over time, more real than reality itself. Gleiberman paints a bittersweet portrait of his complicated and ultimately doomed friendship with Pauline Kael, the legendary New Yorker film critic who was his mentor and muse. He also offers an unprecedented inside look at what the experience of being a critic is really all about, detailing his stint at The Boston Phoenix and then, starting in 1990, at EW, where he becomes a voice of obsession battling-to a fault-to cling to his independence. Gleiberman explores the movies that shaped him, from the films that first made him want to be a critic (Nashville and Carrie), to what he hails as the sublime dark trilogy of the 1980s (Blue Velvet, Sid and Nancy, and Manhunter), to the scruffy humanity of Dazed and Confused, to the brilliant madness of Natural Born Killers, to the transcendence of Breaking the Waves, to the pop rapture of Moulin Rouge! He explores his partnership with Lisa Schwarzbaum and his friendships and encounters with such figures as Oliver Stone, Russell Crowe, Richard Linklater, and Ben Affleck. He also writes with confessional intimacy about his romantic relationships and how they echoed the behavior of his bullying, philandering father. And he talks about what film criticism is becoming in the digital age: a cacophony of voices threatened by an insidious new kind of groupthink. Ultimately, Movie Freak is about the primal pleasure of film and the enigmatic dynamic between critic and screen. For Gleiberman, the moving image has a talismanic power, but it also represents a kind of sweet sickness, a magnificent obsession that both consumes and propels him.
New York City, 1976. Newspaper ads dare the denizens of Times Square to see a morbid little movie called The Incredible Torture Show. The film is yanked from theaters before it finds its audience. Years later it is retitled Blood Sucking Freaks and hits pay dirt, playing to shocked crowds and becoming a perverse cult classic. Its writer and director is Joel M. Reed. Like his films, the life of Joel M. Reed is a crazy cocktail of New York satire and sleaze, from swanky supper clubs in the 1950s through to the decrepit grindhouses of the 1970s. Using Reed and his films as its cornerstone, this book — twenty years in the making — is a dirty snapshot of the last gasp of Times Square before AIDS, crack cocaine, and anti-pornography laws strike their final blow. Strap yourself in for an unforgettable journey.
It's the late 1970s and 20-something Christopher Fowler is a film freak, obsessively watching lousy films in run-down fleapit cinemas. He longs to be a famous screenwriter and put his dreams on the big screen. And so he heads for Wardour Street, Britain's equivalent of Hollywood. But he's made a spectacular mistake, arriving just as the nation's filmmakers are falling to their knees, brought low by the arrival of video and the destruction of the old movie palaces. The only films being made are smutty low budget farces and TV spinoffs and instead of being asked to write another 'Bullitt', he's churning out short films advertising boilers and nylon sheets. Somehow, against the odds, he finds success - although in a very different guise to the one he expected. From the sticky Axminster of the local cinema to the red carpet at Cannes, Film Freak is a grimly hilarious and acutely observed trawl through the arse-end of the British film industry that turns into an ultimately affecting search for friendship and happiness.
If you can’t run more than 25 MPH, you’re toast! When Lillian Williams became the Sheriff of Daimler, SC, she thought she would have it easy for the rest of her career. Nothing ever truly happened there, ever, and that was the way she liked it. .....until the night that a maniac freak on a moped appeared and began a killing spree along the small-town roads and highways, and it was up to Lillian and her deputy son Dennis to track him down. In the tradition of 1980s low-budget horror/slasher films, author Chuck W. Chapman presents to you a wild and thrilling ride of suspense, murder and mayhem that is both highly entertaining, engaging, and will make you scream for more!
Featuring hundreds of movie posters from silent films to the present day. This book includes some of the best known posters for movies such as: The Phantom of the Opera (1925); Dracula (1931); The Mummy's Curse (1944); Invasion of the Body Snatchers (1956); Psycho (1960); Clockwork Orange (1971); Nightmare on Elm Street (1984); Scream (1996).
The screenwriter and producer behind Stephen King’s It shares a hilarious, tongue-in-cheek survival guide that celebrates iconic horror movies both past and present! THE PERFECT GIFT FOR HORROR MOVIE LOVERS: Features spooky illustrations, a list of 100 must-see horror films, and an introduction by Nightmare on Elm Street’s Wes Craven. Are you reading this in a cornfield, at a summer camp, or in an abandoned mental institution? Have you noticed that everything is poorly lit, or that music surges every time you open a door? If the answer is yes, you’re probably trapped in a horror movie. But don’t freak out—just read this book! With it you will learn how to overcome every obstacle found in scary films, including: • How to determine what type of horror film you’re trapped in • The five types of slashers and how to defeat them • How to handle killer dolls, murderous automobiles, and other haunted objects • How to deal with alien invasions, zombie apocalypses, and other global threats • What to do if you did something last summer, if your corn has children in it, or if you suspect you’re already dead So don't be afraid: no vampire, zombie horde, cannibal hillbilly, Japanese vengeance ghost, or other horror movie monster can hurt you—as long as you have this book.
Kirkus Reviews Best Book of the Year This “witty, engaging analysis” of female monsters in pop culture offers “provocative and incisive” commentary on society’s fear of female rage and power (Soraya Chemaly, author of Rage Becomes Her) Women have always been seen as monsters. Men from Aristotle to Freud have insisted that women are freakish creatures, capable of immense destruction. Maybe they are. And maybe that’s a good thing. Sady Doyle, hailed as “smart, funny and fearless” by the Boston Globe, takes readers on a tour of the female dark side, from the biblical Lilith to Dracula’s Lucy Westenra, from the T-Rex in Jurassic Park to the teen witches of The Craft. She illuminates the women who have shaped our nightmares: Serial killer Ed Gein’s “domineering” mother Augusta; exorcism casualty Anneliese Michel, who starved herself to death to quell her demons; author Mary Shelley, who dreamed her dead child back to life. These monsters embody patriarchal fear of women, and illustrate the violence with which men enforce traditionally feminine roles. They also speak to the primal threat of a woman who takes back her power. In a dark and dangerous world, Dead Blondes and Bad Mothers asks women to look to monsters for the ferocity we all need to survive. “Some people take a scalpel to the heart of media culture; Sady Doyle brings a bone saw, a melon baller, and a machete.” —Andi Zeisler, author of We Were Feminists Once