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In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
Bringing together the finest names in comic book horror, this volume features nearly 50 comics that caused a furor in the US and sparked legislation to crack down on explicit horror—from the 1940s to the 21st century. Includes names like Steve Niles, Pete Von Sholly, Michael Kaluta, Mike Ploog, Rudy Palais, Rand Holmes, Vincent Locke, Frank Brunner, and many more. Reproduced in black and white for this brand-new collection.
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
Frank Castle's war begins! From his debut in Amazing Spider-Man to his first hit miniseries, the opening entries in the Punisher's war journal are collected in this can't-miss Omnibus. A grim figure willing to achieve justice by any means, the Punisher's early adventures shook the black-and-white world of heroes and villains off its foundation. Top creators, from Frank Miller to Mike Zeck, brought striking depth and moral resonance to the Punisher, and each of their character-defining stories is collected here. Featuring a massive trove of original art, sketches, posters and more, this is the definitive edition for every Punisher fan. COLLECTING: AMAZING SPIDER-MAN (1963) 129, 134-135, 161-162, 174-175, 201-202, ANNUAL (1964) 15; MARVEL PREVIEW (1975) 2; MARVEL SUPER ACTION (1975) 1; CAPTAIN AMERICA (1968) 241; DAREDEVIL (1964) 182-184; SPECTACULAR SPIDER-MAN (1976) 81-83; PUNISHER (1986) 1-5
More than 2,300 works of fiction and poetry are discussed, each cross-referenced to other works with similar or contrasting themes. Winners and nominees for major awards are identified. Books that are part of a series are flagged, with a complete list of books in series included in a final chapter, along with a comprehensive list of awards, of translations, and of young adult and children's books.
The most renowned writers, illustrators, publishers, actors, and filmmakers are drawn together in this exquisite portrayal of horror. Every media from comics, paperbacks, hardcovers, and movies is represented in full color.
About the history of comics.
Featuring full-color images from the best moments in graphic novel history, this comprehensive reference explores everything from dragons, cow races, and monstrous rats to insider secrets from Casanova himself. Includes top ten must-reads for every popular genre.