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DigiCat presents to you the biggest collection of supernatural, macabre, horror and gothic classics: H. P. Lovecraft: The Case of Charles Dexter Ward At The Mountains of Madness The Colour out of Space The Whisperer in Darkness The Dunwich Horror The Shunned House... Mary Shelley: Frankenstein The Mortal Immortal The Evil Eye... John William Polidori: The Vampyre Edgar Allan Poe: The Tell-Tale Heart The Cask of Amontillado The Black Cat... Henry James: The Turn of the Screw The Ghostly Rental... Bram Stoker: Dracula The Jewel of Seven Stars The Lair of the White Worm... Algernon Blackwood: The Willows A Haunted Island A Case of Eavesdropping Ancient Sorceries... Gaston Leroux: The Phantom of the Opera Marjorie Bowen: Black Magic Charles Dickens: The Mystery of Edwin Drood Oscar Wilde: The Picture of Dorian Gray Washington Irving: The Legend of Sleepy Hollow Théophile Gautier: Clarimonde The Mummy's Foot Richard Marsh: The Beetle Arthur Conan Doyle: The Hound of the Baskervilles The Silver Hatchet... Joseph Sheridan Le Fanu: Carmilla Uncle Silas... M. R. James: Ghost Stories of an Antiquary A Thin Ghost and Others Wilkie Collins: The Woman in White The Haunted Hotel The Devil's Spectacles E. F. Benson: The Room in the Tower The Terror by Night... Nathaniel Hawthorne: The Birth Mark The House of the Seven Gables... Ambrose Bierce: Can Such Things Be? Present at a Hanging and Other Ghost Stories Arthur Machen: The Great God Pan The Terror... William Hope Hodgson: The House on the Borderland The Night Land M. P. Shiel: Shapes in the Fire Ralph Adams Cram: Black Spirits and White Grant Allen: The Reverend John Creedy Dr. Greatrex's Engagement... Horace Walpole: The Castle of Otranto William Thomas Beckford: Vathek Matthew Gregory Lewis: The Monk Ann Radcliffe: The Mysteries of Udolpho Jane Austen: Northanger Abbey Charlotte Brontë: Jane Eyre Emily Brontë: Wuthering Heights Rudyard Kipling: The Phantom Rickshaw Guy de Maupassant: The Horla Jerome K. Jerome: Told After Supper...
Horror Classics: 560+ Titles in One Edition is an ambitious anthology that transcends the contours of fear, exploring the depths of the human psyche through a mosaic of horror narratives. This collection celebrates the eclectic dimensions of horror literature, spanning Gothic tales, supernatural stories, and psychological thrillers. By weaving together a tapestry of styles ranging from the eerie subtleties of Henry James to the cosmic horrors of H.P. Lovecraft, this anthology underscores the diversity and richness of the genre. Significant works within the collection demonstrate the evolution of horror, charting a course from the foundational terror of Mary Shelley's influence to the nuanced dread of Algernon Blackwood. The anthology represents a comprehensive survey of horror's literary landscape, capturing the zeitgeist of multiple eras and offering a window into the myriad ways that fear manifests in literature. The authors and editors, hailing from diverse backgrounds and epochs, bring with them their unique historical, cultural, and literary perspectives. Collectively, they represent the multifaceted nature of horror writing, aligning with various movements from Romanticism to Modernism, and touching upon themes of imperialism, gender, and existentialism. Their stories offer a rich commentary on the societal fears and anxieties of their times, providing insight into the human condition. This collaborative effort illuminates the shared human experience of fear, binding the collection into a cohesive exploration of horror's thematic richness and depth. Horror Classics: 560+ Titles in One Edition is a seminal compilation that promises to enchant, educate, and provoke thought, appealing to both aficionados and newcomers of the horror genre. This anthology not only serves as a comprehensive guide through the eerie landscapes of terror and the macabre but also as a testament to the enduring power of storytelling in confronting the unknown. Readers are invited to delve into this extensive collection, to unravel the complex tapestry of horror literature, and to engage in a dialogue with some of the most influential voices in the genre. It is a must-read for those seeking to grasp the full spectrum of horrors literary heritage and its evolution across centuries.
This horror anthology is a remarkable collection that spans the gamut of the most chilling and macabre tales in English literature, from the eerie subtleties of psychological terror to the stark dread of the supernatural. The collection showcases a diverse range of literary styles, from the gothic to the modernist, encapsulating the evolution of horror as a genre across different periods. Standouts in the collection reveal the genre's capacity to explore the deepest fears of the human psyche, making manifest the anxieties of the times. The editors have meticulously curated works that not only entertain but also serve as a critical lens through which to examine the broader cultural and historical contexts from which these stories spring. The contributing authors and editors, hailing from varied backgrounds, bring a rich tapestry of cultural perspectives to the anthology, underscoring the universal appeal and adaptability of the horror genre. Figures such as Edgar Allan Poe and H.P. Lovecraft, whose work has defined and redefined horror literature, are presented alongside authors like Charlotte Perkins Gilman and Elizabeth Gaskell, who contribute uniquely feminist perspectives to the collection. This amalgam of voices aligns with notable literary movements, including Romanticism, Victorianism, and Modernism, providing readers with a comprehensive overview of the genre's evolution and its intersections with social and political issues. This anthology presents a unique opportunity for readers to engage with the horror genre in all its diversity and complexity. It encourages a deeper exploration of the themes of fear, the unknown, and the supernatural, showcasing how these themes resonate across different times and cultures. The collection is an invaluable resource for both aficionados of horror literature and those new to the genre, offering educational insights and prompts for further reflection. By fostering a dialogue between the works of different authors, this anthology serves not only as a testament to the enduring power of horror literature but also as an invitation to explore the shadows that linger in the human mind.
The expanded second edition of this award-winning readers' advisory guide describes and organizes hundreds of horror titles according to reading preference. Focusing on titles published in the last decade as well as older classics, the authors cover 13 popular subgenres of horror fiction; lively annotations, commentary, background information, and lists of pertinent resources accompany titles. New features include streamlined organization for easy access, the inclusion of graphic novels, and indications of audio, e-book, and large print formats. Hundreds of new and classic horror titles are described and organized according to reading preferences in this expanded second edition of Fonseca and Pulliam's award-winning readers' advisory guide. Focusing on titles published in the last decade and older classics that are currently in print or commonly available in libraries, the authors cover 13 popular subgenres of horror fiction, including vampires and werewolves, techno horror, ghosts and haunted houses, and small town horror. Lively annotations and commentary help you find the right book for even your most demanding horror fans. Background information is also offered along with lists of pertinent resources. Special features of this book are a new streamlined organization for easy access; the inclusion of graphic novels; indications of audio, e-book, and large print formats; and much more. An essential tool for readers' advisors in all library settings, and a perfect guide for fans craving for their next great read!
Set in the American Southwest, "desert terror" films combine elements from horror, film noir and road movies to tell stories of isolation and violence. For more than half a century, these diverse and troubling films have eluded critical classification and analysis. Highlighting pioneering filmmakers and bizarre production stories, the author traces the genre's origins and development, from cult exploitation (The Hills Have Eyes, The Hitcher) to crowd-pleasing franchises (Tremors, From Dusk Till Dawn) to quirky auteurist fare (Natural Born Killers, Lost Highway) to more recent releases (Bone Tomahawk, Nocturnal Animals). Rare stills, promotional materials and a filmography are included.
The inspiration for the film starring Tilda Swinton and John C. Reilly, this resonant story of a mother’s unsettling quest to understand her teenage son’s deadly violence, her own ambivalence toward motherhood, and the explosive link between them remains terrifyingly prescient. Eva never really wanted to be a mother. And certainly not the mother of a boy who murdered seven of his fellow high school students, a cafeteria worker, and a much–adored teacher in a school shooting two days before his sixteenth birthday. Neither nature nor nurture exclusively shapes a child's character. But Eva was always uneasy with the sacrifices and social demotion of motherhood. Did her internalized dislike for her own son shape him into the killer he’s become? How much is her fault? Now, two years later, it is time for her to come to terms with Kevin’s horrific rampage, all in a series of startlingly direct correspondences with her estranged husband, Franklin. A piercing, unforgettable, and penetrating exploration of violence and responsibility, a book that the Boston Globe describes as “impossible to put down,” is a stunning examination of how tragedy affects a town, a marriage, and a family.
'I FELT RECOGNISED ON EVERY PAGE, LEARNT SO MANY NEW THINGS, AND LAUGHED SO HARD I CHOKED ON MY WATER. READ THIS!!!' NAOISE DOLAN, AUTHOR OF EXCITING TIMES 'CANDID, WITTY ... A BRAVE BOOK THAT PUTS VULNERABILITY FULLY ON SHOW' INDEPENDENT Obsessive was, still is, my natural state, and I never wondered why. I didn't mind, didn't know that other people could feel at peace. I always felt like a raw nerve, but then, I thought that everyone did. Writer and journalist Marianne Eloise was born obsessive. What that means changes day to day, depending on what her brain latches onto: fixations with certain topics, intrusive violent thoughts, looping phrases. Some obsessions have lasted a lifetime, while others will be intense but only last a week or two. Obsessive, Intrusive, Magical Thinking is a culmination of a life spend obsessing, offering a glimpse into Marianne's brain, but also an insight into the lives of others like her. From death to Medusa, to Disneyland to fire, to LA to her dog, the essays explore the intersection of neurodivergence, fixation and disorder, telling the story of one life underpinned and ultimately made whole by obsession.
Welcome to Bright Falls-a seemingly idyllic small town in the Pacific Northwest. The perfect place for Alan Wake, a bestselling crime novelist, and his wife, Alice, to relax for a few weeks. Maybe a second honeymoon and the fresh air will cure Wake of his writer's block. But when Alice goes missing under mysterious circumstances, Wake's desperate search for her leads him into a hell only he could imagine. In the depths of nearby Cauldron Lake, a dark and malevolent presence has awakened from a long slumber. It's reaching out now, turning the townsfolk into mindless killers. Sheathed in shadows, vulnerable only to light, they are Taken. Wake's journey will lead him to the very edge of madness, and deep within the dark woods, he will come face-to-face with a story he has no recollection of ever writing.