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The Horn Player's Audition Handbook provides a handy, one-volume reference guide to the literature, especially for those players preparing for an imminent auditions, containing, as it does, the repertoire most frequently asked for by American orchestras. Since audition lists almost always include a few "non-standard" works, the well-versed student will also want to have employed the more comprehensive collections of excerpts in the course of his/her general preparation for an orchestral career. However, the advantages of having the most "important" audition material under one cover will readily be appreciated and makes this book a welcome addition to the literature.
Division of measure includes counting rest values as well as note values. A mistake in counting note values while playing is heard and corrected by the instructor, but counting rest values is a silent business and difficult at times for the instructor to detect just where the mistake was made, or who made the mistake. 101 Rhythmic Rest Patterns will help solve that problem, as the unison feature will enable the instructor and the whole ensemble to count aloud all in unison, on any or all rest patterns until each rest pattern is perfect.
Contains melodies from the famous Schantl Collection.
"A master source of symphonic and operatic excerpts from the works of the great composers, selected from the repertoire most frequently used for recitals, placement exams and professional auditions. The author provides comments on many of the selections which point out particular difficulties of the pieces, such as awkward transpositions, rhythms or fingerings. Where necessary to the understanding of the excerpt, some passages include second, third or fourth horn parts."
This immensely practical handbook is designed to provide both the student and teacher of the horn the tools needed to achieve excellence in all areas of horn playing. The work of a musician, composer, and teacher at Rochester, New York's Eastman School of Music, it is the first book to cover the topic, presenting a broad introduction to horn study, practice, and performance. The book confronts the problems faced by horn players from their early instruction to the beginning of their professional careers. The author emphasizes the development of a broad musicianship through ear-training, score study, and the investigation of music beyond the horn literature. Leading the player and teacher through the etude, solo, chamber music, and orchestral literature of the horn, the book also provides examples of exercises for warm-up and for perfecting technique.
The Singer’s Audition & Career Handbook is a comprehensive guide to the training, audition technique, and professional development essential for launching and sustaining a rewarding career in classical singing. Expanding on author Claudia Friedlander’s online collaboration with mezzo-soprano Joyce DiDonato and the Weill Music Institute at Carnegie Hall, the book brings together insights from nearly seventy prominent performers, educators, and opera industry professionals. Whether you are a young singer preparing for conservatory auditions, a professional opera singer, or an avocational singer seeking to improve your technique and pursue local performance opportunities, this book will help you take inventory of your skills and achieve the next stages of your musical journey.
Fergus McWilliam has been a member of the Berlin Philharmonic since 1985 and was a founding member of the Berlin Philharmonic Wind Quintet in 1988. He has spent the last twenty years touring the world with the Berlin Philharmonic and has made over a dozen recordings with his ensemble. During his career, he has performed with many of the major conductors of our times, including Herbert von Karajan, Claudio Ababado, Sir Simon Rattle, Leonard Bernstein, Carlos Kleiber, Seiji Ozawa, Pierre Boulez, James Levine, Daniel Barenboim and more. In addition, McWilliam also founded the Horns of Berlin Philharmonic and has helped re-establish the Winds of Berlin Philharmonic. His solo and chamber music activities continue to take him throughout Europe, the Americas and the Far East. Fergus McWilliam is also an internationally esteemed and sought-after teacher. He continues to give master classes at leading music schools in many countries, including the Berlin Philharmonic Orchestra Academy, the Hans-Eisler Musikhochschule in Berlin, the Royal Academy of Music and the Guildhall School in London, the Paris Conservatoire, the Tokyo University of Fine Arts, the Royal Scottish Academy of Music and Drama in Glasgow, the Venezuela Youth Music programme and more. Blow your OWN Horn is Fergus McWilliams 'take' on horn playing and more generally on music education. Written in a very spirited style, the book covers all aspects of playing and the profession, including, practical elements such as: auditions, embouchure, breathing, exercises. In addition, McWilliam explores topics such as: mind games, attitude, strategies, relativity, under pressure, why do we need teachers and much more
This book has been compiled to aid teachers and students in the development of the French Horn embouchure, particularly in the important period following elementary development. It is based upon the theory that, mechanically, nearly all of the problems to be met by the player in the orchestra, band, chamber ensemble, etc., can be covered by a comprehensive daily routine of practice. Various drills have been devised, with no claim to originality, to cope with the various mechanical problems of embouchure with which the player is faced in the field.
The Audition Playbook is a two-part guide and workbook designed to help musicians of all instruments and levels efficiently and effectively plan and prepare for orchestra, band, or other ensemble auditions. No matter the goal, the Audition Playbook provides the framework upon which musicians can carefully create, implement, and follow their own plans from start to finish. Many factors go into having a successful audition and every winner will tell you about wildly different tools and secrets that set them apart from the pack. Every person--and every audition--is different. However, there are certain elements that tend to be universal among audition winners, and often, the most important factor is simply having a plan--a thoughtful, deliberate plan--and sticking with it. The Audition Playbook is not a "one-size-fits-all" template and does not set out to plan your entire audition for you. "Part One: The Guide" offers an overview of the the many different facets of audition preparation to consider and provides tools, suggestions, and exercises to implement into your own plan. "Part Two: The Workbook" provides the canvas upon which you will build your personal audition plan. Among the many topics covered: The four phases of audition preparation Goal-setting and re-setting Taking honest assessments of your technique, knowledge of the repertoire, and other skills Planning your daily and weekly practicing The development of performance skills Planning for the unexpected Recording your practice Mock auditions Writing your "Audition Day Script" Reflecting on your auditions Whether you're already a regular on the audition trail, a first-timer new to the world of auditions, or an already-established professional looking to up your game, the Audition Playbook is for you. ** Rachelle Jenkins is an accomplished horn player who has played with the Los Angeles Philharmonic, Montréal Symphony, Iceland Symphony, Hawaii Symphony, and many other orchestras and chamber ensembles around the world. She studied at The Colburn School, McGill University, and the University of Central Florida. Foreword by Dr. Don Greene, author of Performance Success, Audition Success, Fight Your Fear and Win, and College Prep for Musicians.