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First published by Reich in 1953, People in Trouble is an autobiographical work in which Reich describes the development of his sociological thinking from 1927 to 1937. In simple narrative form he recounts his personal experiences with major social and political events and ideas, and reveals how these experiences gradually led him to an awareness of the deep significance of the human character structure in shaping and responding to the social process. The importance of Karl Marx's work and its distortion by communist politicians plays an important role in Reich's account, as does the political activity in the International Psychoanalytic Association which led to his expulsion from that organization in 1934. The Norwegian press campaign against his biological experiments is also discussed. People in Trouble is the story of one man's courageous struggle to understand the political activity of his fellow men.
Analyzing women labeled as terrorists in the United States in the late 1960s and early 1970s, Gender and the Political examines Western cultural constructions of the female terrorist. The chapters argue that the development of the discourse on terrorism evolves in parallel with, and in response to, radical feminism in the US during this time.
The central question in legal philosophy is the relationship between law and morality. The legal systems of many countries around the world have been influenced by the principles of the Enlightenment: freedom, equality and fraternity. The position is similar in relation to the accompanying state ideal of the democratic constitutional state as well as the notion of a welfare state. The foundation of these principles lies in the ideal of individual autonomy. The law must in this view guarantee a social order which secures the equal freedom of all. This freedom is moreover fundamental because in modern pluralistic societies a great diversity of views exist concerning the appropriate way of life. This freedom ideal is however also strongly contested. In Law, Order and Freedom, a historical overview is given pertaining to the question of the extent to which the modern Enlightenment values can serve as the universal foundation of law and society.
With a legacy stretching back into legend and folklore, the vampire in all its guises haunts the film and fiction of the twentieth century and remains the most enduring of all the monstrous threats that roam the landscapes of horror. In The Living and the Undead, Gregory A. Waller shows why this creature continues to fascinate us and why every generation reshapes the story of the violent confrontation between the living and the undead to fit new times. Examining a broad range of novels, stories, plays, films, and made-for-television movies, Waller focuses upon a series of interrelated texts: Bram Stoker's Dracula (1897); several film adaptations of Stoker's novel; F. W. Murnau's Nosferatu, A Symphony of Horror (1922); Richard Matheson's I Am Legend (1954); Stephen King's 'Salem's Lot (1975); Werner Herzog's Nosferatu the Vampyre (1979); and George Romero's Night of the Living Dead (1968) and Dawn of the Dead (1979). All of these works, Waller argues, speak to our understanding and fear of evil and chaos, of desire and egotism, of slavish dependence and masterful control. This paperback edition of The Living and the Undead features a new preface in which Waller positions his analysis in relation to the explosion of vampire and zombie films, fiction, and criticism in the past twenty-five years.
This intriguing study examines Western perceptions of war in and beyond the nineteenth century, surveying the writings of novelists, anthropologists, psychiatrists, psychoanalysts, philosophers, poets, natural scientists, and journalists to trace the terms of modern thought on the nature of military conflict. Daniel Pick brings together philosophical and historical models of war with fictions of invasion, propaganda from the Great War, interpretations of shellshock and speculations about the biological value of conquest. He discusses the work of such familiar commentators as Clausewitz, Engels, and Treitschke, and examines little-known writings by Proudhon, De Quincey, Ruskin, Valery, and many others, culminating in the extraordinary dialogue between Freud and Einstein, Why War? He analyses Victorian fears of French contamination through the Channel Tunnel as well as the widespread continuing dread of German domination. And he charts the history of the pervasive European belief that war is beneficial or at least functionally necessary. A central theme of the book is the disturbing relationship between machinery and destruction. Visions of relentless technological 'progress' and the inexorable advance of the military-industrial complex often seem to distort our understanding of war, even to reduce it to a sophisticated game played out by high-precision automata. Pick explores both the reassuring and troubling aspects of such representations. Shorn of human agency or responsibility, war apparently threatens to become technologically unstoppable, the remorseless 'perfect abattoir' of the industrial age. War Machine explores the enduring historical fascination with - and recoil from -brutal mechanical slaughter, and the modern aquiescence in, and enthusiasm for (in Rilke's phrase), 'these days of monstrously accelerated dying'.
This volume contains the first complete translations of Wilhelm Reich's writings from his Marxist period. Reich, who died in 1957, had a career with a single goal: to find ways of relieving human suffering. And the same curiosity and courage that led him from medical school to join the early pioneers of Freudian psychoanalysis, and then to some of the most controversial work of this century-his development of the theory of the orgone-led him also, at one period of his life, to become a radical socialist. The renewed interest in Reich's Marxist writings, and particularly in his notions about sexual and political liberation, follows the radical critiques of Herbert Marcuse, Frantz Fanon and Paul Goodman, the political protest movements toward personal liberation in the present decade.
Women can't fight. This assumption lies at the heart of the combat exclusion, a policy that was fiercely defended as essential to national security, despite evidence that women have been contributing to hostile operations now and throughout history. This book examines the role of women in the US military and the key arguments used to justify the combat exclusion, in the light of the decision to reverse the policy in 2013. Megan MacKenzie considers the historic role of the combat exclusion in shaping American military identity and debunks claims that the recent policy change signals a new era for women in the military. MacKenzie shows how women's exclusion from combat reaffirms male supremacy in the military and sustains a key military myth, the myth of the band of brothers. This book will be welcomed by scholars and students of military studies, gender studies, social and military history, and foreign policy.
Figures of the Unconscious, No. 8Sigmund Freud, in his search for the origins of the sense of guilt in individual life and culture, regularly speaks of "reading a dark trace," thus referring to the Oedipus myth as a myth about the problem of human guilt. In Freud's view, this sense of guilt is a trace, a path, that leads deep into the individual's mental state, into childhood memories, and into the prehistory of culture and religion. Herman Westerink follows this trace and analyzes Freud's thought on the sense of guilt as a central issue in his work, from the earliest studies on the moral and "guilty" characters of the hysterics, via later complex differentiations within the concept of the sense of guilt, and finally to Freud's conception of civilization's discontents and Jewish sense of guilt. The sense of guilt is a key issue in Freudian psychoanalysis, not only in relation to other key concepts in psychoanalytic theory but also in relation to Freud's debates with other psychoanalysts, including Carl Jung and Melanie Klein.
The analysis of masculine issues is increasingly seen as a key cultural and therapeutic concern. This book focuses on masculinity and male identity in the context of psychoanalysis. Individual chapters address the historical positioning of the male psyche, contemporary debates on what it is to be male and advocate a new model of masculinity.