Download Free Horae Solitariae Book in PDF and EPUB Free Download. You can read online Horae Solitariae and write the review.

Christ: The Angel of God. Christ: The Battle Bow Christ: A Goodly Cedar Since the time that I accepted Jesus Christ as my Saviour in 1976, I have heard it said that He was the focus of the Bible. I have never doubted that. I have heard it said that Jesus Christ was the subject of each book of the Bible, including the Old Testament. I struggled with that, not because it was untrue, but because no one in my theological circle submitted proof that it was true. This book is proof that Jesus Christ can be found in each book of the Old Testament. Therefore, Jesus Christ is available to become the subject of any book of the Bible if we take this approach to the Scriptures. What is the benefit of this approach? The Lord Jesus Christ becomes more precious to our souls as we encounter the varied facets of His Person. That should be enough, but now we can gain new insights into the Godhead and the inspired Word of God. This approach provides a fresh reason to study the Bible and a new direction in sermon and lesson preparation. Personal and family devotions are given new life in Christ. A fresh breeze blows across the pages of the Old Testament. The book is arranged for ease of use. Section One contains all the designations of Christ arranged alphabetically. Section Two contains all the physical aspects of Christ arranged alphabetically. Section Three is arranged by the mentions of Christ in each book of the Old Testament. Do you have your Bible? Do you have this book? Begin your journey seeking for "...the unsearchable riches of Christ."
This is the extraordinary life of a poetic genius. Along with Sassoon and Wilfred Owen, Edward Thomas is by any reckoning a major first world war poet. A war poet is not one who chooses to commemorate or celebrate a war, but one who reacts against having a war thrust upon him. His great friend Robert Frost wrote 'his poetry is so very brave, so unconsciously brave.' Apart from a most illuminating understanding of his poetry, Dr Wilson shows how Thomas' life alone makes for absorbing reading: his early marriage, his dependence on laudanum, his friendships with Joseph Conrad, Edward Garnett, Rupert Brooke and Hilaire Belloc among others. The novelist Eleanor Farjeon entered into a curious menage a trois with him and his wife. He died in France in 1917, on the first day of the Battle of Arras. This is the stuff of which myths are made and posterity has been quick to oblige. But this has tended to obscure his true worth as a writer, as Dr Wilson argues. Edward Thomas's poems were not published until some months after his death, but they have never since been out of print. Described by Ted Hughes as 'the father of us all', Thomas's distinctively modern sensibility is probably the one most in tune with our twenty-first century outlook. He occupies a crucial place in the development of twentieth century poetry.
A critical edition of Edward Thomas' 1903 account of Oxford.
'There is probably no single quality or characteristic – besides love of the countryside – that must inevitably distinguish a rural writer,' notes W.J. Keith. However, 'what distinguishes rural writing that belongs to literature from that belonging to natural history, agricultural history, etc., is, as Richard E. Haymaker has observed, the writer's "means of revealing Nature as well as describing her"...In the final analysis the rural essayist paints neither landscapes nor self-portraits; instead he communicates the subtle relationship between himself and his environment, offering for our inspection his own attitudes and his own vision. We may be asked to look or to agree, but more than anything else we are invited to share. Ultimately, then, the best rural writing may be said to provide us, in a phrase adapted from Robert Langbaum, with a prose of experience.' Keith argues that non-fiction rural prose should be recognized as a distinct literary tradition that merits serious critical attention. In this book he tests the cogency of thinking in terms of a 'rural tradition,' examines the critical problems inherent in such writing, and traces significant continuities between rural writers. Eleven of the more important and influential writers from the seventeenth century to modern times come under individual scrutiny: Izaak Walton, Gilbert White, William Cobbett, Mary Russell Mitford, George Borrow, Richard Jefferies, George Sturt/'George Bourne', W.H. Hudson, Edward Thomas Williamson, and H.J. Massingham. In examining these writers within the context of the rural tradition, Keith rescues their works from the literary attic where they have too often been relegated as awkward misfits. When studied together, each throws fascinating light on the others and is seen to fit into a loose but nonetheless discernible 'line.'