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At a time of extraordinary political upheaval, Horace wrote poetry and proudly boasted that his Odes were bringing to Rome the metres and subject matter of the Greek lyric poets who had flourished some six centuries earlier. His achievement ensured that the Odes remained unique in Latin literature, and they have continued to be read and loved for two thousand years. Horace’s metrical diversity is fundamental to his artistry, so these translations recreate the original thirteen metres in English. They are written in elegant verse which is always alert to the poems’ structure, register, rhetoric, sound and syntax. Special attention is given to the nuanced meanings of words in their context and to the implications of Horace’s often highly unusual word-order—no Roman ever spoke such Latin, except when reading the Odes aloud. The translations are supported by a wide-ranging introduction, which provides biographical, historical and literary context, and shows several ways in which the Odes can respond to literary analysis. The extensive notes constitute a commentary on all the poems, drawing the reader from the translations to the facing text of Horace’s Latin, and offering brief discussions of textual, literary, linguistic, metrical, historical, geographical, mythological and religious issues. Students and general readers will find the tools here to help them develop their own personal response to Horace’s exceptional poetry, while teachers will welcome the opportunity to compare poems across all four books of the Odes in equal detail.
This is the first full English commentary since the 19th century, suitable for advanced undergraduates and graduate students.
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The first substantial commentary for a generation on this book of Horace's Odes, a great masterpiece of classical Latin literature.
This book explores the whole range of the output of an exceptionally versatile and innovative poet, from the Epodes to the literary-critical Epistles. Distinguished scholars of diverse background and interests introduce readers to a variety of critical approaches to Horace and to Latin poetry. Close attention is paid throughout to the actual text of Horace, with many of the chapters focusing on reading a single poem. These close readings are then situated in a number of different political, philosophical and historical contexts. The book sheds light not only on Horace but on the general problems confronting Latinists in the study of Augustan poetry, and it will be of value to a wide range of upper-level Latin students and scholars.
divThis is the first book devoted to Horace’s Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 B.C.E. for choral performance at the Ludi Saeculares, the Secular Games. The poem is the first fully preserved Latin hymn whose circumstances of presentation are known, and it is the only lyric of Horace we can be certain was first presented orally. Michael C. J. Putnam offers a close and sensitive reading of this hymn, shedding new light on the richness and virtuosity of its poetry, on the many sources Horace drew on, and on the poem’s power and significance as a public ritual. A rich and compelling work, this poem is a masterpiece, Putnam shows, and it represents a crucial link in the development of Rome’s outstanding lyric poet./DIV
This volume centres on a detailed analysis of the whole corpus of Horace’s work by Edward Courtney (Satires), Elaine Fantham (Epistles I and Odes IV), Hans-Christian Günther (Epodes, Odes I – III, Carmen Saeculare and Epistles II) and Tobias Reinhardt (Ars Poetica). The latter is preceeded by a detailed account of Horace’s life and work in general by H.-C. Günther. Two appendices on the transmission of the text (E. Courtney) and style and metre (Peter Knox) conclude the volume. It is aimed at students and scholars of classical and modern literature who seek comprehensive orientation on all aspects of Horace’s work. All quotations from Latin and Greek are translated.